Take Three: Eva Mendes

Craig here with this week's Take Three. Today: Eva Mendes

Take One: Live! (2007)
Building on her dramatic work in We Own the Night the same year, Mendes took on another (semi) serious role, one deviously tinged with delicious black comedy, as TV executive Katy in Bill Guttentag’s Reality TV mock-doc Live! Perfectly styled in sharp attire and a coffee ‘to-go’ in hand, Mendes' Katy is ambitious, ruthless and most likely hollow on the inside. She has grand ideas. One of them kick-starts Live!’s plot: six members of the public will play Russian roulette live on air; the sole survivor is the winner. Her flippant excuse, while delicately biting into a strawberry:

Hey, I didn’t invent the game, I’m just making it hip again.”

Katy’s the kind of person who thinks that if all of life – including death – isn’t caught on camera it’s not worth living. And she doesn’t want ratings lower than her morals - to her it’s not lives at stakes but viewing figures. She’s the kind of corporate cannibal who caresses a hefty golf club whilst listening to her staff’s TV pitches. But also, quite ironically, has a poster for La Dolce Vita behind her office desk. She’s a vile creature of business, hungry enough to have Sigourney Weaver’s Working Girl Katherine Parker in Working Girl for breakfast and Faye Dunaway’s Diana Christensen in Network for lunch. (Apparently Network is personal favourite film of Mendes’, one which served as her inspiration for this part.) Mendes’ Katy is essentially the dark centre of this goading morality exercise. It’s a performance so exactingly played, so attuned to the film’s intentions and compulsively watchable, that Mendes’ dramatic capability can’t be called into doubt. Does Katy get her way? Or does she get her comeuppance? Tune in to find out...

Two more takes after the jump...

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Yes, No, Maybe So: "Hope Springs"

I'm such a ditz. Last week we learned that Meryl Streep really needed more potassium in her diet -- the marketing for her new comedy Hope Springs is obsessed with those bananas -- and perhaps because of my love-hate relationship with those yellow phallic symbols, I completely forgot to post this particular Yes No Maybe So edition after writing it up. 

Meryl's potassium deficiency.

Last week I also got a painful charley horse in my left calf and I ate bananas the rest of the week as penance. I think I have a super mild allergy because they always make my mouth feel weird.

PSA

YES

• Who doesn't love Meryl Streep in comedies?
• Am I crazy or does Steve Carell have one of the most soothing beautiful voices ever. I want him to talk at me and talk at me and tell me everything will be okay. I love how his big screen persona is so different than his small screen work.
• Last time David Frankel and Streep worked together they gave us Miranda Priestley so we kinda owe them.
• Meryl and the Signifying Banana.
• OMG. Hi, Elisabeth Shue and Mimi Rogers. Meet you in 1987!!!

Great 80s Ladies: Elisabeth Shue, Meryl Streep, Mimi Rogers

MAYBE SO

• The threesome joke that ends the trailer. I can't decide if it's hilarious in a dumb joke way or just groan-worthy. If all the jokes are cheeky ribbings this will be hard to swallow.

NO

• The trailer isn't particularly funny and seems a little "you go girl" Lifetime bland.
• Tommy Lee Jones? In this part?
• Meryl Streep? With that hair? Seriously why.

Remember when we all first heard about this project and it sounded like a nuanced marital drama and it was going to star Jeff Bridges and I was pissed that Michelle Pfeiffer didn't fight Meryl for the role? This is not at all what I was expecting!

the trailer in question...

• Are you a Yes No or Maybe So?
• Ever practiced on a banana?
• Is this way outside of your comfort zone?

Burning Questions: Romantic Comedy Pet Peeves

as tempting as it is, we can't blame everything on Kate Hudson Michael C. here with some constructive criticism for the rom-coms of the world. Is there any genre in more dire straits than the romantic comedy? If you counted the genuinely great recent examples on your fingers you would be back in the 90’s before you ran out of digits. 

I’d love to write a post outlining a scenario where the rom-com is saved but I don’t see that happening. Not unless the current movie industry is demolished wholesale and replaced with a system that doesn’t release a shamelessly mediocre product in the hopes of turning a modest profit before forever banishing the title to the murky depths of Netflix Instant. Such daydreaming is fun but let’s be serious. Better to ask the more practical question:

What are some quick fixes for the Romantic Comedy? 

I’m not asking the world here. Hollywood can keep the meet cute, the gay best friend, and running to the airport. I’m talking a few pet peeves that if eliminated could lift the genre up a notch or two. Amy Adams’ time is valuable. Let’s not waste it. So with that in mind here are a few plot devices that rom-coms should cease and desist using immediately...

Dream Girls, Opposites and Whack Jobs with Wacky Jobs after the jump...

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