Jennifer Lawrence, Press Room Superstar

Whether or not one agrees with her Oscar win (for me she wasn't even close to best of that lineup), there can be no doubt at this point that Jennifer Lawrence is a great celebrity. Whether she's quipping on the red carpet, mugging for photo-ops like she's auditioning for an animated cartoon, shrugging off a standing ovation 'you're just doing that because I fell' or just answering dumb press queries, she rocks it.

Check this out if you haven't yet seen it and be amazed with her ease, humor and comfort in her own skin. She doesn't seem to take her own celebrity all that seriously which is not an uncommon occurence in young actors (see also: Kristen Stewart) but she's smart enough to enjoy it and laugh at its weird 'the world is watching you' excesses rather than twitch with discomfort.

Her performance in Silver Linings Playbook is all right but if you ask me, her Oscar night performance is the real deal. Best best. 

Reporter: Aren't you worried about peaking too soon?
Jen: I am now." 

Film Bitch Awards: Best Actor, Best Actress, Medal Ceremony!

I hate to ask anyone to pay attention to this site's own infamous Film Bitch Awards on the same night as the Indie Spirits (we'll discuss very soon) and the day before the Oscars (so late I am!). I'll get hoarse from the look-at-me shouting. But here, finally, is my Best Actress and Best Actor list, the latter of which is remarkably like Oscar's best actor list, with only Bradley Cooper missing the cut... though I think he's the best thing in Silver Linings Playbook and a worthy Oscar nominee. This rarely happens so it's a kind of a special treat for me. Actress, our marquee category each year, is always trickier. I wanted to name seven nominees but even then only two of the Oscar nominees  (Emmanuelle Riva and Jessica Chastain) make the cut. 

These nominations complete this year's traditional category Film Bitch Awards, so while we're at it, start playing those national anthems film scores for the medal ceremony. I've named gold, silver and bronze medalists in (almost) all of the Oscar-mirror categories. It has to be done before the Oscars! The "extras" like Best Scene, Diva of the Year, and Best Cameo and more are still to come but I promise they're already partially written. I realize that that smells of danger for those of you with long memories (what about 2011 for f***'s sake) but I shall prevail and find a third wind next week and try to wrap up before March. I can already feel that 2013 will be kinder to The Film Experience. I'm finding the faith after a difficult year.

But until we get to the 2013 film year, celebrate these great films and performances in the comments. Or, you know, bitch about them with "agree to disagree" tact. 

Dear AMPAS... Love, Team Experience

With the final Oscar voting commencing today -- can we still say "ballots going out" when this season has been so dramatically electronic? -- I asked Team Experience to write very brief notes to Oscar voters.

I'll start us off...

❝Dear AMPAS, Two Words: Emmanuelle Riva. Respect your elders and wish her a happy 86th birthday on February 24th (your 85th!). In your 85 years you've had plenty of impossible dreamgirls like Lawrence, rapidly ascending versatile stars like Jessica, and resilient fierce mamas like Naomi. But you've never given the prize to anyone like Emmanuelle. Do your own Best Actress legacy proud by switching it up and proving you're still free thinkers in your 80s! 
Yours always, for better & worse, Nathaniel❞

pleas for The Master, Zero Dark Thirty, Moonrise Kingdom and more after the jump...

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Box Office Playbook: Jessica vs. Jennifer

As if doing battle like Best Actress Gladiators both Jessica Chastain and Jennifer Lawrence are all over the nation's theaters. They'll be horns locked for the next 5 weeks in the media, I'll bet. JLaw was joking about beating JChas to the Oscar on SNL -- too gently? -- but it was Jessica who won the box office. And twice over. The last time I remember that happening was Leonardo DiCaprio at Christmas 2002 I think (Gangs of New York and Catch Me If You Can?)  [UPDATE: Sharp-eyed TFE Reader Brian Z actually reminds us that it happened in 2011 too... also with Jessica Chastain for The Help and The Debt]

On a related side note: I just know I'm going to start calling them Jessica Lawrence and Jennifer Chastain before long; name slippage is coming!

Box Office Top Ten
01 MAMA $28.1 *NEW* Jose likes the wig
02 ZERO DARK THIRTY  $17.6 (cum. $55.9) Top Ten List  
03 SILVER LININGS PLAYBOOK  $11.3 (cum. $55.3)  Beau's Review
04 GANGSTER SQUAD  $9.1 (cum $32.2) 
05 BROKEN CITY $9 *NEW* 
06 A HAUNTED HOUSE  $8.3  (cum. $29.9)
07 DJANGO UNCHAINED $8.2 (cum. $138.3) More on Django
08 LES MISERABLES $7.8 (cum $130.3) Top Ten List
09 THE HOBBIT $6.4  (cum $287.3)
10 THE LAST STAND $6.3 *NEW* 

In other movie/money news: Skyfall became only the 10th movie to break the $300 million barrier in the US box office this decade (Alice in Wonderland and The Hunger Games are the only non-sequels in that list... though both are franchisey in that remake or kick-off kind of way); Two very expensive movie gambles Life of Pi and Rise of the Guardians will inch over the $100 million mark in the next few days which must be a relief even if it doesn't quite spell "big profit!"; Chasing Ice, a nominee for Best Original Song, crossed the $1 million mark which is a big deal for documentaries; Sony Pictures Classics are still being really conservative with Amour -- it's only in 36 theaters despite 5 Oscar nominations last week though they grossed nearly ½ a million this weekend; And despite nobody caring about it or talking about it whatsoever Tom Cruise's latest actioner Jack Reacher crossed the $75 million mark this weekend... Oscar season always makes it easy to forget that a huge portion of the moviegoing public never even thinks about "Oscar Season".

WEIRD, RIGHT? 

Speaking of the public -- though the specific and not the general --  what did you see this weekend?

the three most popular movie musicals since Cabaret. Les Misérables is nearing their lofty box office heights

P.S. Les Misérables only needs a few more weeks of heat -- which Oscar season will surely provide -- to pass Mamma Mia! and become the third most popular movie musical of the modern era stateside (after Grease & Chicago). Of course the atrocious Mamma Mia! has the absurd distinction of being so popular around the globe (over ½ a billion) that it's actually the most successful modern musical if you include the entire world in your overview. Usually we prefer to be international but Mamma Mia!? Blargh!

"The Hours" Discussion Pt. 2: Score, Performance, Re-Casting

previously... Joe Reid and Nick Davis discussed fidgety hand acting and ravenous kisses in The Hours for it's 10th anniversary. We rejoin them for the second half of their conversation. - Nathaniel R

JOE REID: OH that Phillip Glass score. I'm with you, obviously. I actually did much of my writing with that soundtrack playing in the background in the year or two after The Hours, because I'm just that kind of impressionable. But beyond being beautiful and haunting music in its own right, it also immediately sets the mood of the urgently mundane which pervades the whole movie. Laura trying and failing and trying again to bake a cake. Virginia scrawling out a first sentence. Clarissa getting the flowers. The score is repetitive and plain but increasingly frantic. I could roll around in it, crumbs in the frosting and all. 

So not to get too common about it, but rather than risk ignoring the elephant in the room, let's get to evaluating and ranking those leading ladies, am I right? You mentioned some ambivalence about Julianne Moore's performance, and I think I read somewhere that you value Streep's work here quite highly? Feel like making some friends/enemies among the blog-reading populace?

Nick's answer and more provocative questions after the jump

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