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Entries in Best Ensemble (82)

Wednesday
Dec122018

"Everyone was nominated.... except you!" (Our annual SAG outrage)

by Nathaniel R

Pierre Png, who has a lot of scenes in CRAZY RICH ASIANS, was snubbed while his "replacement" for Gemma Chan's affection, who has about 2 seconds of screen time, was nominated!

We'll keep doing these posts each year until the Screen Actors Guild does something about their most unfortunate awards rule. For those who are new to the awards game, please note: If you are a working actor lucky enough to wind up in a film nominated for "Outstanding Performance by a Cast in a Motion Picture," that doesn't mean you are included in the nomination; you have to have your own title card for that! What this means each year is that actors who aren't really famous yet, or don't have an aggressive agent, wind up left out of the official nomination even if they contributed immeasurably to the success of the film or were highly memorable in some way.

Read on for the specific exclusions this year and the history of most embarrassing omissions from the past due this ruling...

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Wednesday
Dec122018

The SAG Nominations are Here

Awkwafina (Crazy Rich Asians) and Laverne Cox (Orange is the New Black) announced the nominations and joked about their height difference, while pronouncing all the names beautifully, being totally gorgeous, and staying enthusiastic about the whole damn thing. We thank them profusely because the ACTUAL nominations were among the worst we've ever seen in our long history of awards-watching and we might have experienced dry-heaving ourselves had we been forced to read them off.

Did the SAG nominating committees only screen 8 movies and 7 tv shows this year? 

Screen Actors Guild rules make voting your conscience about who is supporting and lead impossible (the members are required to vote however the actor is campaigned by the studio) unless you are conscientous enough to just not nominate the person if they are cheating... as we are when we vote on such things... but most nominators aren't. So this year we have even worse Category Fraud than usual -- there is barely a Supporting Actress category this year, at all, which is such a shame given all the worthy actual supporting female actors out there.

The nominations and some comments after the jump... 

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Sunday
Dec092018

SAG Predictions. Let's Have 'em. 

by Nathaniel R

Will Mary Poppins Returns receive both Actress and Cast nominations?

The Screen Actors Guild Award nominations will be announced on Wednesday the 12th and voting wraps up tomorrow on Monday the 10th. So it's time to do predictions as well as possible darkhorse surprise attack theorizing. Let's begin...

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Thursday
Oct182018

Gotham Nominations: "The Favourite" and "First Reformed" Lead

by Nathaniel R

It's the first official awards announcement of the season! The Gotham Awards, the East Coast's answer to the Independent Spirit Awards, have announced their nominations with the palace intrigue tragicomedy The Favourite and the existential heavy drama of First Reformed sharing the lead with 3 matching honors each: Best Feature, Best Screenplay, and one acting citation (a special ensemble prize for the former and Ethan Hawke for the latter). One assumes that they'd have both been nominated for director, too, but one of the quirks of Gotham is that they don't have a Director category, only a category for brand new directors and we love the nominees there, especially Bo Burnham for Eighth Grade and Ari Aster for Hereditary. 

Other films receiving much needed good news since they were released before the fall glut and needed awards bodies to be reminded of them over the next few months: Leave No Trace, The Wife, Sorry to Bother You, and The Rider. The complete nominations and a few more comments after the jump...

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Thursday
Aug162018

Months of Meryl: A Prairie Home Companion (2006)

John and Matthew are watching every single live-action film starring Meryl Streep. 

 

#33 —Yolanda Johnson, a Midwestern songstress and longtime staple of the titular radio show.

MATTHEW: Two of the most revered artists in American cinema history, Robert Altman and Meryl Streep each built their lauded careers by probing into characters from countless corners of the world, driven by an ardent and undiminished interest in the micro — but never minor — idiosyncrasies of collective human behavior. For those who believe in the supernatural forces of fate, there is something undeniably kismetic in Streep and Altman’s first collaboration, which would turn out to be this mighty auteur’s valedictory effort. A Prairie Home Companion, Altman’s final film, is a moving backstage comedy that sketches out the (fictional) final broadcast of the historic and beloved Minnesota radio variety show of the title, created and hosted by Garrison Keillor, who also scripted the picture. (Keillor was fired from his program in November of last year over allegations of sexual misconduct.) Brimming, like all of Altman’s work, with an abundance of people and all their peculiarities, A Prairie Home Companion relies on the character-inhabiting talents of an irresistible and excitingly-paired ensemble, whose every member gets ample opportunity to ingest spirit and specificity into a wide array of oddballs and straight-men, from Woody Harrelson and John C. Reilly’s ribald cowboys to Maya Rudolph’s quietly panicked and heavily pregnant stage manager to the pair of aging songbirds brought to fanciful, rueful life by Streep and Lily Tomlin.

As Yolanda and Rhonda Johnson, the two surviving members of a four-sister singing act, Streep and Tomlin are, quite simply, a match made in acting heaven...

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