Wyler, Kazan, Ashby, Scorsese – Who's Next?

by Cláudio Alves

Barbra Streisand in FUNNY GIRL was the last performance William Wyler directed to an Oscar win.

As stated in the Scorsese at the Oscars write-up, the Killers of the Flower Moon auteur is one of only four directors to have helmed Academy Award-winning performances in all acting categories. The others are William Wyler, Elia Kazan, and Hal Ashby, with the former having the record to end all records. Across 32 years, Wyler directed fourteen victorious turns, including multiple champions in the four races. Such a feat won't likely be equaled, but that doesn't mean the quartet is bound to stay put forever. Some directors are on the cusp of joining the ranks of Wyler, Kazan, Ashby, and Scorsese…

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The Apology Nomination

by Cláudio Alves

Sometimes, even the Academy thinks they messed up. That's how you get what I like to call "apology nominations," crucially different from "career nominations" because they come in response to one or more specific slights in the recent past. They are the honors that resound with an echoing sorry if you ring them just right, and there's no better example than Paul Giamatti's 2005 Best Supporting Actor nomination for Cinderella Man. After his shocking Sideways snub, one feels he would have been included for anything remotely Oscar-friendly.

It doesn't mean this reliable character actor didn't deserve it, of course, but there's a narrative quirk to how he got there, a faint sense that AMPAS was making up for a mistake. Now that Giamatti's back in the race with The Holdovers, it got me thinking about other cases of the phenomenon in the years since Cinderella Man…

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Best Supporting Actor: Is double-dipping the new trend?

by Cláudio Alves

For decades, it wasn't unusual to see two thespians from the same film nominated for Best Supporting Actress, but the same couldn't be said about its brother category. That was until recently when double-dipping in Supporting Actor became fashionable. 

It started in 2017, with Three Billboards Outside Ebbing, Missouri's Sam Rockwell and Woody Harrelson. In 2019, it was Joe Pesci and Al Pacino for The Irishman, and then Daniel Kaluuya and LaKeit Stanfield for Judas and the Black Messiah in 2020. The following year, Jesse Plemons and Kodi Smit-McPhee did the honors for The Power of the Dog, while, in 2022, The Banshees of Inisherin got in with Brendan Gleeson and Barry Keoghan. For comparison, in the same period, Supporting Actress only had two such cases, with The Favourite and last year's Everything Everywhere All At Once. Now, the question is whether the trend will continue at the 96th Academy Awards…

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Category Confusion: LEAD or SUPPORTING?

by Cláudio Alves

The Gotham nominations caused quite a stir among the Film Experience readership. Going through the comments section, the matter at hand is category fraud: who is and isn't guilty of perpetrating it going into the awards season? For instance, I would have categorized Ryan Gosling as a secondary lead in Barbie, but I've been convinced by the comments that he fits better in supporting. Other cases discussed included Binoche's Gotham-nominated work in Taste of Things, Whishaw in Passages, Hüller in Zone of Interest, and beyond. 

So, why not relocate that discussion here while having fun with polls? You get to vote, deciding on each performer's rightful placement…

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Emmy Analysis: Comedy Supporting Categories

By Abe Friedtanzer

Ebon Moss-Bachrach and Ayo Edebiri in FX's The Bear

With only fourteen nominees, the comedy supporting categories still have nearly double the shows represented by the drama supporting categories’ sixteen recognized individuals. Both supporting actor and supporting actress contain two sets of double nominees, but it’s hardly the overwhelming domination that exists on the drama side. There are also five past winners and a handful of fresh faces that make these two races well worth watching...

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