Beauty Break: Smoking Kills (Glamorously)

Confessions, multiple: I have never been a smoker, I've been thrilled and proud of my friends whenever they've kicked the habit, I have never once missed the days when bars / restaurants allowed smoking...

... but I miss smoking in the movies. 

Rock Hudson blowing smoke rings

Fifty years ago this very day the Surgeon General first deemed it hazardous to your health and over the next fifty years it's slowly faded from the movies. Nowadays when you see smoking onscreen, it's nearly always to signify "rebellious character" or "villain" or is shot through some sharp retro-commentary filters: see everything about everyone in Mad Men or David Straitharn's whole act in Goodnight, and Good Luck. 

I know smoking is wrong. I know it kills. I hate the way it smells. But those tendrils of smoke on screen or a movie star's lips around a cigarette look so damn sexy. Here's proof...

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Film on Film: 5 Classics That Deserve a Film of Their Own

[Editor's Note: Here's abstew with 5 Hollywood on Hollywood pitches. Co-sign!]

It's no secret that one of Film's favorite subject matters is, well, itself. The past two Best Picture winners (The Artist and Argo) have had Hollywood and the art of film-making at their core. And this weekend another film-on-film, Saving Mr. Banks, about Walt Disney's decades long struggle to bring Mary Poppins to the big screen expands across the country in its quest to join those previous films in Oscar glory. The story seems ready-made for the movies - beloved source material, larger-than-life characters/personalities, and, just because it can, a hard-knock-life childhood back-story thrown into the mix. (If the old Hollywood angle doesn't win them over why not add the Academy's other irresistible allure: the biopic. It's two films for the price of one!)

I'm sure many people were unaware what went into trying to convince author P.L.Travers to sign over the rights to Disney and I'm sure even fewer people knew about Travers' back-story. But so many classic films have equally fascinating behind-the-scenes stories that would make just as compelling films. In honor of Saving Mr. Banks, here are 5 other classic films that deserve their own film treatment. So, quiet on the set...Action! 

The Wizard of Oz 

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Potent Quotables - Margo Channing in All About Eve

Anne Marie here, looking forward to the end of the holidays when we can all toast the new year with a martini in hand. Many iconic movie lines seem to have come from characters who were three sheets to the wind, so I'd like to celebrate a few of them. I'll start with one of my favorite divas: Margo Channing, Star of Screen and Scotch. Her poison of the night is martinis very dry; buckets of them in fact. During her party - after "fasten your seat belts" but before the bumpiest part of the night - Margo corners Max to deliver this gem:

 

Bill's thirty-two. He looks thirty-two. He looked it five years ago, he'll look it twenty years from now. I hate men."

Though swimming in her self-pity at the bottom of a martini glass, Margot Channing is still a star.

Stars - even drunk ones - get the best lines, and the true insight and witty delivery speak to both Bette Davis's fantastic acting and Mankiewicz's devilish dialogue.

What's your favorite tipsy movie quote?
Slur it out in the comments, won't you?

Great Moments in Gayness: "Fasten Your Seatbelts"

Happy Gay Pride Week Everyone!

The best screenplay I’ve ever come across is from Joseph L. Mankiewicz’s All About Eve (1950). It tells a deceptively simple story in a straightforward manner, but does it in such a gloriously telling, bitchy manner that it remains to this day, one of the only films I can’t stop watching once it’s started.

Its most iconic moment is when its leading lady, Margo Channing (played by ours, Bette Davis) literally ascends the stairs in her New York apartment. A party is about to take place that changes the direction of the narrative and the relationships between its characters; a climax that comes only halfway through the picture, which manages to sustain its level of suspense and biting humor thereafter. 

Margo, putting on the facade of genteel, warm host is instead preparing her plan for the evening; to oust the titular Eve Harrington (a wonderful turn from Anne Baxter), and reveal her deceptions to their friends. This is, of course, a plan that goes awry once Davis becomes intoxicated and spends the rest of the party moping about, making her pianist play Liebestraume by Franz Litze and effectively dampening the mood of the entire occasion. But for one brief moment, as her partner and closest friends inquire whether or not the storm has passed or if it’s just about to begin, she gives a beautiful telling look, sashays over to the steps in a way that would make Tyra Banks weep with envy, and like a betrayed Cassandra, intones that classic line:

Margo Channing Portrait © Trevor Heath. Read about it here!

Fasten your seatbelts.
It's going to be a bumpy night.

Her prediction holds true.

All About Eve is a hallmark in gay cinema, not just because of the sexual ambiguities of Eve Harrington or the effervescent, snakelike charm of Addison DeWitt, but because of its diva, Margo Channing. A light that shines from a tower Joe Mankiewicz built that, like any great architect of the cinema, is at once inimitable and forever desired.

We all want that entrance, and we all want such an exit.

Team Top Ten: Oscar's Greatest Losers (Actress Edition)

Hepburn won 4 Oscars. Every win leaves a trail of four lossesAmir here, to bring you our newest Team Top Ten. You may remember we tackled the best directors of the new century in our first episode and each first Tuesday of the month Nathaniel and all the contributors will vote on a new list. This time it’s all about two things I’m sure you all love as much as we do:

...Actresses & Oscar.

This is a list of the greatest performances that lost the Best Actress award. We’ve looked at the pool of 337 performances that were nominated for an Oscar in that category but failed to win and we ranked them in the order of our individual preference, irrespective of the actresses that won in any given year.

It was quite a heavy task, as you can imagine. How would you go about choosing only ten among so many stellar turns? 80 different performances managed to get at least one vote from our contributors. Actresses who have had multiple unsuccessful nominations were generally the victims of an internal spread of votes. Meryl Streep is the most glaring example, of course. Four of her performances garnered votes, but none was popular enough to make the cut. Katharine Hepburn’s performances were similarly divisive, though one of them stood head and shoulders above the rest as you will see below. There were surprising inclusions and even more surprising exclusions but the main takeaway was consensus over performances that have found their place in the critical canon. Only 6 ladies from this new century made the top 30, which is reason to rejoice, in my opinion -- old treasures aren’t forgotten just yet.

Swanson gave good face.

Nathaniel will share runners-up and some juicy trivia and stats because this experiment really deserves a lot more than a list of ten names. For now, however, here are the actresses Team Experience deems the greatest Oscar losers of all time:

THE 10 GREATEST BEST-ACTRESS-LOSING PERFORMANCES
are after the jump...

surprise! Holly Hunter made the list

10. Holly Hunter (Broadcast News, 1987)
Lost to Cher in Moonstruck

"The leads in so many romantic comedies blend together into a blandly likable blur. Not so with Holly Hunter in Broadcast News. She takes the trope of the hardworking professional woman who is great at her job but unlucky in love, and imbues her with a crackling specificity. Far from sanding down her rough edges, Hunter embraces them, from her crying jags, to her stubbornness, to her clumsy grabs at love, to that southern accent she makes no attempt to disguise. Hunter’s Jane Craig topped my ballot because she is the gold standard against which I measure all other romantic comedy performances."
- Michael C.

nine more iconic performances after the jump...

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