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Entries in LGBT (529)

Wednesday
Jun202018

Link like the world isn't on fire

Variety - helpfully lists 10 standout moments from the MTV Movie Awards so we dont have to worry abotu missing it. Black Panther took the bulk of the prizes with Tiffany Haddish hosting
Towleroad - Interview with the director of McKellen: Playing the Part
IndieWire - 64 established and emerging film critics reflect on their favorite piece they've written -- our very own Chris Feil is in the mix! 
MNPP -Tyler Hoechlin seven times


Variety - Jennifer Lee (Frozen) and Pete Docter (Inside Out) are replacing John Lassetter at Disney and Pixar respectively
Guardian - Fun interview with Christopher Plummer on acting, replacing persona non gratas, and making peace with The Sound of Music.  
Coming Soon - this week in news absolutely no one needs: Robert Zemeckis to remake Roald Dahl's The Witches. There is literally no way to top Anjelica Huston's Grand High Witch so why?
/Film -AMC's A-List is going to compete directly with Movie Pass for those frequent moviegoer subscription dollars 
Variety - LGBTQ actors haven't had much luck securing Emmy nominations outside of the comedy fields. Will this change soon? 
New Yorker - funny piece on confessing that you met your partner in real life and not online! 

You guys. It's getting harder and harder to concentrate on movies and you know that's a nightmare for us when movies are our great love. But every day that goes by as America slides towards concentration camps, complete inhumanity, and fascism, Amy Poehler's questionnaire from last week at THR becomes ever more needed and brilliant. Here's the Q&A since the article is long and not about this:

 

Tuesday
Jun192018

Amandla Stenberg Comes Out

by Nathaniel R

Here's some sweet news for Pride Month, y'all, since it's not every day that a young rising star comes out of the closet. 19 year-old Amandla Stenberg, who first came to fame playing little Rue in The Hunger Games (2012), has just declared that she's gay in Wonderland magazine and on her own Instagram.

While she's not quite a household name, she is inarguably on the rise so this is a wonderful progressive move. Stenberg is headlining this summer's sci-fi young-people-with-powers flick Darkest Minds (co-starring Beach Rats hottie Harris Dickinson). What's more she'd already delivered her first film-carrying hit with Everything Everything (reviewed). (Everything Everything was the fourth biggest success last year among films directed by women, just after the Oscar nominated Lady Bird)...

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Thursday
Jun142018

Blueprints: "Moonlight"

To celebrate Pride Month, every week of June Jorge has been highlighting the script of a movie that focuses on a different letter of the LGBT acronym. For “G”, he looks at the poetry in Moonlight. 

When La La Land took the Best Picture statue at the 2016 Oscars for about five minutes, it wasn’t an Earth shattering surprise. It was the kind of movie that wins Oscars. The twist, from a mixed up envelope, was the fact that a small independent film about queer people of color had actually managed to go above all the other nominees for the big trophy was what had made the Earth shatter.

Moonlight is not a traditional Best Picture winner, in everything from themes to distribution model to narrative structure to protagonist. It won three Oscars in total, including Best Adapted Screenplay. It is also not a traditional screenplay. Let’s see how the script transmitted emotion through descriptive lines...

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Wednesday
Jun132018

Soundtracking: "Love, Simon"

by Chris Feil

Love, Simon is chasing the ghost of John Hughes, a brand of uplift where teen woes are packaged conventionally and without condescension for maximum warm fuzzies. Naturally that package must include an anthemic sound, music that connects with the generation it depicts and becomes part of the fabric of what we remember about the film. But if Love, Simon is supposed to be a gay alternative on Hughesian comedy, does the sound also have its gay twist?

Simon’s signature sound comes from Jack Antonoff and his band Bleachers, bookending the film. Instead of the singular force of Simple Minds’ “Don’t You Forget About Me” as Hughes employed in The Breakfast Club, it’s more like the film uses Antonoff as the artist to hang its headphones on instead of one song. He’s a straight musician, but Bleachers is fairly embraced by the queer teen set - at least the kind that the film depicts. Though in an age where Troye Sivan can produce hit bops about bottoming, is that really enough for the film to define itself musically?

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Tuesday
Jun122018

Showbiz History: Anne & Ellen, Liz & Dick, Rosemary & Baby

Here's what was happening on this day in showbiz history...

1930 Jim Nabors (aka Gomer Pyle) born in Alabama

1942 Anne Frank receives a diary for her 13th birthday. The diary will become world famous and receive multiple stage and film adaptations, most famously in the Oscar nominated '59 version from director George Stevens.

1963 Cleopatra has its premiere in New York City after years of tabloid sensations during the making of courtesy of Liz & Dick. Ever courting controversy, Liz & Dick did not attend the premiere!

1965 Actress Cathy Tyson (niece of Cicely!) born in Liverpool. She'll make a big splash (and receive a Golden Globe nomination) for her film debut in Mona Lisa when she's just 21...

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Thursday
Jun072018

Blueprints: "The Kids Are All Right"

To celebrate Pride Month, every week of June Jorge will be highlighting the script of a movie that focuses on a different letter of the LGBT acronym. For “L”, he looks back at one of the most touching family dramas of the past decade.

For years, one of the biggest goals of the LGBT community (although certainly not the only or the most important one) has been to be seen as peers by the rest of the world. As people that, albeit in a different manner, go through the same experiences and have the same types of feelings: growing pains, heartbreak, the ache to share our lives with someone special…

On film, this sentiment of “We’re just like you” has been the most prevalent in family-focused narrative. The Kids Are All Right magnificently balances the act of showing a lesbian couple as readily familiar as any heterosexual marriage, while at the same time depicting struggles unique to them. Let’s take a look at a breaking point in the story; a moment where this harmony between a pleasant exterior and the turbulence of the couple is broken, and how it looks in the page. Via a single strand of bright red hair...

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