Colman Domingo could make Oscar history

by Cláudio Alves

Rustin is now in theaters, enjoying a limited qualifying release before it hits Netflix on November 17th. With this biopic on civil rights activist Bayard Rustin, Colman Domingo may earn his first Oscar nomination, in the Best Actor category. His hopes seem amply justified when you look over the production's premise and early reviews. It looks like a project calibrated to appeal to the Academy's taste, finely tuned for the campaign trail. After all, it's telling a real-life story full of inspirational details and a sense of great social importance, directed by George C. Wolfe from a screenplay coauthored by Dustin Lance Black.

That last name is especially interesting for it recalls Milk's triumph in 2008 and contextualizes Domingo's Oscar as a chance to make history…

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Doc Corner: Dustin Lance Black and 'Mama's Boy'

By Glenn Dunks

Good intentions can take a movie a long way. Who doesn’t like good intentions?! The problem with good intentions is that they can too often mask deficiencies. And in the case of Mama’s Boy, those good intentions suffocate director Laurent Bouzereau’s ability to tell a story that might venture outside of the lines of the one its subject has a firm and unwavering interest in telling. It’s a lovely story of empathy, compassion, a mother’s love for her son (and vice versa) that nonetheless suffers from rudimentary structure, unadventurous editing, and is built around one talking head interview in particular that lacks spontaneity, as if reciting from a script. Considering it's adapted from a memoir, that probably makes sense.

The central figure here is Academy Award-winning screenwriter and social activist Dustin Lance Black and the film is about him more than the more interesting figure of his mother. Your mileage about that will vary...

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10th Anniversary: Milk (2008) is Aging Beautifully

by Eric Blume

This month marked the tenth anniversary of the release of Gus Van Sant’s semi-biopic Milk, chronicling the last eight years of the life of gay politician Harvey Milk.  If you’ve never seen Milk, get ye post haste to it, if for no other reason than to be fully immersed in this crucial window of history.  If you saw Milk when it was released a decade ago and haven’t seen it since (which was true for me), watch it again:  it’s aging beautifully.

Olympic diver Tom Daley’s husband, Dustin Lance Black, won the Oscar for Best Original Screenplay for this movie, and the trophy was richly deserved.  Black not only manages to avoid almost every biopic cliché, he captures the beginning of the gay rights movement with precision, pain, and most importantly, humor.  Black’s script starts when Harvey Milk turns forty, had been mostly closeted, and was not politically aware. He chronicles his consciousness-raising without a hint of clumsiness or fake nobility.  And while Black keeps his focus squarely on Milk, his real achievement is in casting a wider net: he gives Milk’s real-life contemporaries a vivid presence, and shows us a full community within the Castro neighborhood in San Francisco.  This script manages to be both macro and micro, and throughout you can see Black’s gigantic heart and passion for this story...

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Gus Van Sant's LGBT Rights Miniseries On ABC Gets Actressy

Laurence here. Sea of Trees; remember that? 2015 wasn't really Gus Van Sant's year, but it seems like he's looking for redeption by going back to his roots. Reuniting with Milk writer, professional Sam Smith-brutaliser and Tom Daley-owner Dustin Lance Black, Van Sant will direct the first episode of ABC miniseries We Will Rise, which is set to follow a diverse group of activists involved in the LGBT+ rights movements.

Other details are scarce but judging by the characters involved, it seems set to centre around HIV/AIDS activism and a particular focus on lesbian activists, so often underrepresented in queer rights narratives, in San Francisco during the early years of the movement there. Guy Pearce has been cast as Cleve Jones, who was played by Emile Hirsch in Milk. And thus far, the cast is rounded out by Carrie Preston as Sally Miller Gearheart, Mary-Louise Parker as women's rights leader Roma Guy, and Rachel Griffiths as her wife, Diane Jones.

Given the ages of the characters now, we can expect this to be a period drama, with flashbacks - each character has a young actor cast to play their younger self. Yet to be cast are two hopefully prominent roles for people of colour: community organiser Ken Jones and trans HIV activist Cecilia Chung. So far it appears to be only straight actors cast in major roles, which may cause a PR problem for the show.

Nevertheless, the main characters are at least partially a corrective to the usual focal points of these stories. On paper, this could be a great miniseries, and American Crime has proved that ABC has been willing to put dimensional queer stories on screen. But with its champion, former ABC president Paul Lee, out the door, it may not quite be the same.

Who do you think we might see cast in the remaining roles?