Doc Corner: 'Wojnarowicz: F*** You F*ggot F**ker'

by Glenn Dunks

I briefly mentioned Chris McKim’s artist bio-doc Wojnarowicz: F*** You F*ggot F**ker (their grammar, not mine) earlier this year as one of the best unreleased documentaries that I saw in 2020. Voila, here we are, and this incredibly vibrant film is now out in the world. Big, boldly stylized and defiantly queer; it’s a documentary about an artist that, for once, feels truly in sync with its subject’s style. “I’m not gay as in ‘I love you’, I’m queer as in fuck off!” If it was one of last year’s best unreleased films, so now it is one of this year’s best films. I love it.

And perhaps part of what makes McKim’s film so interesting from the very start is that David Wojnarowicz is not an artist whose work and life has been excessively covered in film. (Keith Haring and Jean-Michel Basquiat, as brilliant as they were, could probably stand to sit the next few years out if you know what I mean)

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Review: South African Queer War Drama ‘Moffie’

By Abe Friedtanzer

 There is a traditional image of military might that emphasizes strength above all else, to the detriment of individualism and often humanity. We’ve seen this portrayed many times in disturbing fashion in movies and television (not to mention real life), as drill sergeants and other commanding officers work to crush the spirits of their charges and “toughen” them up so that their weaknesses will be rooted out. This can obviously have truly scarring effects, felt both during and after service. A powerful showcase of that phenomenon is on display in director Oliver Hermanus’ new film Moffie, opening Friday.

In the same way that Confederate battalions aren’t fondly remembered in America, white men who fought for South Africa in the 1980s aren’t really on the right side of history...

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Interview: Colman Domingo on "Ma Rainey's Black Bottom" and his slow burn career

This interview was originally published in an abridged version at Towleroad

a recent image from Colman's instagram

by Nathaniel R

Colman Domingo’s laugh is everything you hope it could be. Big, throaty, warm. It’s probably a little disarming for those who haven’t seen the full estimable range of his work and only know him from one of his tougher roles, like AMC’s zombie series  Fear the Walking Dead.  I first met him off the clock at a bar during the Toronto Film Festival a few years ago. Though I don’t usually approach celebrities in non-work circumstances I risked it if only to express appreciation (actors who’ve always been out of the closet deserve our respect). We ended up chatting over a drink. When I bring this chance meeting up, rather than shrugging off the awkward familiarity Colman begins to laugh. “We sure did!” he says enthusiastically before drifting into a familiar conversation — as so many of us have now — about how much he misses meeting and hugging people in person.

We spoke over Zoom in February, almost a year into the pandemic...

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Beauty Break: Trans Day of Visibility

by Nathaniel R

Jamie Clayton of Sense8 fame photographed by Austin Hargrave

Since today is Trans Day of Visibility let's gaze at some trans actors. There's been an explosion of visibility for the community in the past ten years or so in showbusiness both in front of cameras and behind them. When we were growing up there were only a few out gay and lesbian celebrities but virtually no trans celebrities and now there are hundreds of queer actors working including trans actors. Even a couple of househould names. Let's be grateful for progress even in a world filled with many injustices and still rampant discrimination of the LGBTQ+ community.

After the jump a dozen semi-randomly selected trans actors (so don't say we missed someone. We're happy to report that there are many we missed but we're on a deadline)... 

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Death in Venice @50: Piero, I love you

by Cláudio Alves

For a cinephile, costume enthusiast, and Oscar obsessive like myself, there are few things more enticing than the lone nominee. That elusive movie that gets nominated only for the Best Costume Design statuette. Such is the case of Luchino Visconti's adaptation of the Thomas Mann novel Death in Venice. To celebrate the film's 50th anniversary, I decided to explore that wondrous wardrobe that caught AMPAS' collective eye. It's one of the best works of Piero Tosi, a man who may have been the greatest costume designer to ever create for film.

After five unsuccessful Oscar nominations, Piero Tosi won an Honorary Academy Award in 2014, the first costume designer to ever do so. It couldn't have happened to a more deserving artist...

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