"Wildlife" Teaser and The Best Actress Race

by Nathaniel R

I think most of expected to be seeing a lot more of Carey Mulligan in Oscar races after her stunning debut in An Education nine years ago. Yes. nine. years. ago. Crazy how time flies at the cinema. Contrary to those star-is-born expectations she has not been back in the mix yet, despite numerous films since, many of them "prestige" titles: Inside Llewyn Davis, Shame, Suffragette, Mudbound, The Great Gatsby, Far From the Madding Crowd.

But from the looks of the Wildlife teaser plus early critical raves she finally has a bonafide star showcase again...

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Cannes Carpet #1: Cruz, Bingbing, Adjani, Moore and more...

by Nathaniel R

Chloe, Chiara, Fan Bingbing, and Carey

With Cannes two days strong now, let's survey the first round of fashions with 16 of the most memorable looks to date. Chloe Sevigny has moved past her fashion muse days but still brings the style while jurying one of the sidebars. It's sort of a starchy pleat with silver gift wrapping. (I don't know what I'm looking at exactly which is sometimes welcome!) Actress Chiara Mastroianni, child of not one but two bonafide legends (Mastroianni & Deneuve, don'cha know) appears to have stepped out of the 1980s directly into 2018. From a distance the dress is like a splatter painting on acid. And Fan Bingbing generally brings several trunks (or maybe trucks?) worth of fashion to Cannes. This Ali Karoui mint-green strapless number is the best of them so far...

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Smackdown Companion - The Shape of Phantom Billboards

NEW PODCAST! *Updated with correct podcast file*

For this week's podcast Nathaniel R presents a companion conversation to our Supporting Actress Smackdown (which we'll presume you've read already!). Joining him to discuss the Best Picture race and more generalized discussion about supporting actressing in 2017 are: Andrew Carden (Awards Connection / Gold Derby) Chris Feil (The Film Experience), Candice Frederick (Reel Talker), Erica Mann (NYC Film Chick), and Kevin P O'Keeffe (Into). 

Index (42 minutes)
00:01 Intros & Rewatches
02:30 Favs That Weren't Nominated
13:00 Mary J Blige and Carey Mulligan and Mudbound
17:00 Shape of Water, Get Out, or Three Billboards to Win?
31:00 Switching Roles Around: Octavia Spencer
37:30 Allison Janney and Julianne Nicholson and I Tonya
40:00 Lesley Manville, Laurie Metcalf and Goodbyes

You can listen to the podcast here at the bottom of the post or download from iTunes. Continue the conversations in the comments, won't you? 

Smackdown Companion 17

Random Realization

Carey Mulligan would have been a huge silent film star 100 years ago.

The Furniture: Building a Way out of Mudbound

"The Furniture," by Daniel Walber, is our weekly series on Production Design. You can click on the images to see them in magnified detail. 

“I dreamed in brown,” remembers Laura McAllan (Carey Mulligan), surveying the near-monochrome dirt of a Mississippi farm. This small pocket of land is owned by her husband, Henry (Jason Clarke), but one doesn’t get much of a sense that she’d call it home. He appears not to like it either, but is motivated by a sour sense of duty. Perhaps this is why his agricultural efforts fail, barely introducing any green into this expanse of brown.

Even more obvious, when it comes to metaphors, is the way Mudbound begins. Dee Rees opens her earthbound epic on Henry in the dirt, digging a grave. The deceased is his Pappy (Jonathan Banks), an acrimonious Klan member who has done his utmost to pass his ideology down to his sons. It’s largely worked on Henry. Jamie (Garrett Hedlund) resists, but still winds up digging in the mud.

At the bottom of this new ditch, Henry finds a skull. It’s a “slave’s grave,” he declares; he can tell by the bullet-hole. It’s a hint at an old story, one that Rees knows she needn’t bother put into words...

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