Everyone knows that cats are psychic. Their mysterious moods including strange swerves from autonomy to neediness, and sudden flights of whimsy and imagination at war with narcolepsy suggest as much! Each year as longtime readers know I consult my beloved Monty on the Oscars. Last year he pretended not to care about Bridesmaids, a cryptic response that did little to help us determine the film's Oscar future (it ended the season with two Oscar nominations for Supporting Actress and Screenplay) but in 2010 he was absolutely prescient when it came to Fox Searchlight's 2010 collection: Yes to 127 Hours, Hell No on Conviction and zzzz to Never Let Me Go.
So I couldn't resist presenting him with the season's first tea leaves if you will. The For Your Consideration DVD of Richard Linklater's Bernie arrived on Saturday and straight to my fuzzy boy it went.
Beautiful "Francine" poster illustrated by Michael GilletteMichael C. here. If I’m going to write about FrancineI need to start by admitting that I’m not what one would call an animal person.
I certainly like animals. I appreciate their beauty and marvel at their grace... but from a respectful distance, preferably involving a high fence or some sort of indestructible leash. In close contact animals and I tend to put each other on edge, and from there it is a tension filled waiting game until claws make an appearance. As a result of this I was easily pulled into Brian M Cassidy and Melanie Shatzky’s Francine much the same way my debilitating fear of heights kept me riveted to Man on Wire. At one point during the film the lead character grabs a kitten in each hand and rubs them over her face like a healing talisman. I found the directness of this moment incredibly moving even though I would no sooner attempt it than I would try to hug the guy on the subway carrying on a heated disagreement with Jesus.
When we meet the title character, played in a nearly silent performance by Melissa Leo, she has just finished lengthy prison sentence for an unspecified crime. She is set free to reenter society like a domesticated animal returned to the wild once all traces of its survival skills have been erased. Francine no longer has the ability - or the interest it seems - to navigate the intricacies of human relationships. She opts instead to seek oblivion at every opportunity, including boozing, headbanging to a local metal band, and anonymous sexual encounters. It’s only when Francine begins taking in pets does she find something approaching peace. Her oasis in the uncomplicated love of the owner/pet relationship is the beating heart of this modest, but effective, character study.
The story tracks Francine’s metamorphosis into a Crazy Cat Lady. Her tiny house is soon overrun with pets of all species and Francine is dumping dog food directly onto floors covered layers deep with foul newspaper. But unlike those reality shows which hold up shut-ins for our judgment and ridicule, the filmmakers here ask for understanding and empathy, not shock and pity. We root for Francine to find some small measure of happiness even as her unbalanced behavior clearly approaches a tipping point.
It might take a few scenes for fans of Melissa Leo to adjust to her in this role. Her trademark has always been outspoken toughness, but as Francine she is downright mousy. We catch hints of the familiar brash Leo persona peeking through but we sense that if that used to be part of this character it was beaten out of her long ago. Jean DuJardin recently won an Oscar for his wickedly charming riff on silent acting but if you want to experience real silent acting, straight up, check out Leo’s work here.
I wish I could report that the directing team of Cassidy and Shatzky were up to the level of their star. It’s not that they fail Leo, so much as they fail to completely connect the audience to Leo's performance. They set out to tell the story visually with minimal dialogue, but in that case the images need to carry more weight than they do here. The indifferent shooting style and slack pacing keep the viewer too far removed from the main character. To their credit, the directors do have a sharp eye for observing character detail, and when all is said and done providing Leo with such a solid showcase certainly outweights any shortcomings. Francine is a moving little sleeper of a film.
(Warning: There is a very convincing sequence involving a dog being put down that will surely be excruciating for pet lovers to watch. Rest assured - it's not real.)
You may have noticed I've been short on time -- apologies! -- so herewith, a speedy very random assortment of...
10 FAVORITE THINGS OF THE PAST WEEK
10 Bunheads Song & Dance. The extremely odd ABC Family show in which the great Broadway star Sutton Foster plays a former Las Vegas showgirl who impulsively marries and ends up teaching ballet in a small town called 'Paradise' doesn't always work. But even when it doesn't it's compulsively watchable. It's so very much itself. And it's wonderful that that self is veering more towards song & dance, with three recent somewhat nonsensical musical interludes. Kudos to the show for casting actresses who don't require body doubles for the dancing.
09 Beau on stage. (When good things happen to good people part 1) Beau, one of our newest contributors, has been acting in a stage play in California and he's won great reviews. This one compares him to John Malkovich (Malkovich! Malkovich! Malkovich!) and this one just raves about his work. Congratulations, Beau!
08 United States of Tara. I finally finished the series thanks to Netflix. I'm only a year late. The final season wasn't as strong as the first two but I love the Gregson family so much. Toni Collette and Toni Collette and Toni Collette and Toni Collette and Toni Collette and Toni Collette and Toni Collette were awesome for those three years, don't you think.
07 Monty Cuddles my evil ornery cat cuddled up purring for an entire 1½ hour nap the day after a very tough day. Is there such a thing as being possessed by good spirits?
06 "Oops" - Anne Hathaway as Catwoman, caught in the act. And also: Anne Hathaway in general and in perpetuity. Sorry haters!
Saying it was 'high time to take action against the number one cause of violence in America,' the National Rifle Association issued a statement today urging a sweeping ban on movies.
Tracy Klugian, an official spokesperson for the gun-lobbying organization, said that the N.R.A. had taken this extraordinary step because it 'could not stand idly by and watch movies tear apart the fabric of our civil society...'"
This satirical piece in The New Yorker (AKA Best Magazine in the World) was just what I needed after that horrifically depressing weekend in which an actual tragedy was followed by the not at all surprising (and even more tragic for its endless consequences) American pattern of insane* shock and political stupidity / apathy post gun violence.
*isn't the definition of insanity doing the same thing over and over again and expecting different results. Gun massacres should not be even remotely shocking to Americans. Unless we change laws, this is the bed we make for ourselves and we shouldn't complain about the state of the sheets. The statistics from all around the world paint an indisputable picture that gun control prevents gun violence.
03 Saw Bachelorette with Joe Reid. (When good things happen to good people part 2) I probably shouldn't review it proper since my friend Leslye Headland made it but I'll say more when it opens. I'm predisposed to root for it on account of a) friendship b) the amazing fact that Leslye managed to channel one of our shared movie loves into a great casting coup -- Kirsten Dunst plays the Queen B in this very dark comedy about post-collegiate mean girls who can't quite let their high school selves go.
02 Cooked dinner for friends. Look at me! Boiling water is hard for me so this was akin to a Summer Event Film chez moi. I made meatloaf and corn on the cob. Friends claimed it to be delicious so I either lucked out or I have good friends.
01 Melanie Lynskey in Hello, I Must Be Going. (When good things happen to good people part 3) Or... "When good roles happen to deserving actresses!" It's so rare to see supporting actresses in their 30s get a first real moment in the movie sun (yes, there was Heavenly Creatures but teenage debuts are a different animal) and Lynskey runs with the plum opportunity. Bonus points: the trailer doesn't give away all the best parts though it does lean on the bouncy comedy and the movie is closer to a drama with smart bits of character comedy.
In short -- more when it opens -- she's very good in the film. I've always said that depression is really hard to act without flattening your charisma or the character's psychology but Melanie manages multiple layers and you can actually see her bloom rather than the easier 'snapping out of it' as she has an affair with a 19 year old and she works her way back to life post (bewildering) divorce. If they filmed out of sequence, her performance is even more impressive.
What were a few of your favorite things this week?
In the upcoming week(s) we'll take a look back through the first half of the film year (and try to tie up loose ends from 2011. I know I know. I have time management issues). But what of the 2012/13 Oscar season? The term halfway mark is completely deceiving when it comes to awards season. We're not at all halfway to Oscar. In fact we've only just begun. We've seen a few mainstream genre pieces that are likely to factor in at least a little (The Avengers, Brave, Prometheus) but this weekend brings us our first orphan Best Picture contender in the critical darling Beasts of the Southern Wild. We're not at all halfway through the real contenders but since we're halfway through the calendar, it's time to update the charts.
BEST PICTURE and DIRECTOR With Gravity pushed back to 2013, let's bet on the other big budget big risk, Ang Lee's adaptation of Life of Pi. The website to that film is up and running now and I keep hitting refresh to watch the tiger's leap and roar. Roooooowwr. Reload. Roooooowwwr. Reload. Roooowwwwrr. Reload. It thrills me every time. I blame my love of both cats and Oscar punditry multiplied by OCD.
ACTOR, ACTRESS, SUPPORTING ACTOR, SUPPORTING ACTRESS Lots of shuffling on these charts, particularly within both supporting categories. Those players don't come into easy focus until the fall. Newbies on these big charts include the first time actors who play father/daughter in the riveting Beasts of the Southern Wild (interviews real soon), Michelle Pfeiffer in People Like Us (just discussed), Michael Fassbender in Prometheus (just discussed), Isla Fisher from The Great Gatsby and Matthew McConaughey from Magic Mike. Lots more on that film coming which wasn't quite what I was expecting but which I thoroughly enjoyed.
FOREIGN FILMSnew chart! Denmark's A Royal Affair made big waves at Berlinale and its easy to picture a sumptuous expertly acted costume drama winning AMPAS attention. Cannes hits from lauded auteurs like Haneke, Mungiu, Audiard and Garrone could also be submitted from their countries though it's far too early to know. Any other suggestions?
And more... VISUAL and AURAL CATEGORIES see gains for Life of Pi and The Avengers the latter of which is probably too big now to ignore at $600 million even though Oscar hasn't been crazy about superhero flicks. Beasts shakes up the adapted SCREENPLAY chart but the original screenplay category is a complete mystery. It's anyone's guess.
There's no changes to the ANIMATED CHART because, quite frankly, I lost the thread there. I've only seen Brave this year. Make more of an effort with the toons, I must.
As always your armchair punditry is welcome in the comments. Where am I off base? Which hunches do you think are smart ones? Make your case or describe what you see in your crystal ball.
In this series we explore the connections between Mad Men and the cinema. Season five has, thus far, not used the movies as much as they have in previous seasons. Though it's also possible that blogging concurrently with airings could result in missed references. Needless to say, I am behind so let's discuss the past couple of weeks of Mad Men.
Driving lessons for sad Pete Campbell
5.5 "Signal 30" This episode focused on Pete, one of the show's least likeable characters who has, over the course of five years, grown more sympathetic and even more admirable while not really becoming more likeable per se. It's a nifty balancing act that actor Vincent Kartheiser performs tremendously well. Other than fame and fortune, this has been a thankless character for him as his fellow cast members have reaped abundant nominations (if strangely no wins) and increased big screen traction. If they have any sense this will be Kartheiser's Emmy submission episode for Season Five. A repeating motif in which Pete had to watch those old scare-tactic car crash documentaries they used to show in Drivers Ed courses was also stealthily employed. (Now that he's a suburban husband, he has to learn to drive.) Even though Pete was foolishly attempting to cheat on his wife Trudy (so charming even Don Draper is a fan!) with a teenager, and even though he got a well deserved beat down (literally) from Lane, the episode managed the miraculous feat of making you feel altogether bad for him as he struggles to grow up; Pete still looks like a little boy but he no longer feels like one.
Mrs Ken Cosgrove, Mrs Pete Campbell, Mrs Don DraperAging has been a theme of this season, from fatigue to illness to a widening gap between the younger and older characters mindsets. Great, great episode that even managed to thread in a B plot for the oft underused Ken Crosgrove (Aaron Staton) and also a key one for Janie Bryant's always thrilling costume design. (Fact: Janie Bryant never winning the Emmy for Mad Men should be a true embarassment to the entire television industry.) A
5.6 "Far Away Places" Movie Theater Scene Alert! It's always a delight when Mad Men takes us inside a movie theater. Don Draper used to play hooky there in the early seasons and last year he and Lane got drunk and went to a monster movie together. Strangely the very next movie theater scene within the series also involves a character behaving badly. The cinema corrupts them!
The episode begins with Peggy fighting with her boyfriend who wants to see a movie that night.
Monday, October 1, 2012 at 11:19AM 
