The 17 Greatest Music Videos of '17

Each day a new 'year in review' countdown. Here's Nathaniel...

Ah the music video. The only reliably viral genre of short film, though they're rarely include in short film collections, festivals, awards, or whatnot. What follows is a semi-random collection of terrific music videos that debuted this year with the caveat that there could only be one per artist. Which means no "Little of Your Love" by HAIM even though it's directed by the great auteur Paul Thomas Anderson in somewhat rare joyful mode. Other music videos worth checking out that we couldn't find room for were the sci-fi pop glam of "Venus Fly" by Grimes feat. Janelle Monae, "Burning Star" by Their Name and its intergalactic fleshy nonsense,  the interactive humor of "Words Hurt" by Naive New Beaters, and finally a video that's prominently featured in a lot of such lists due to its meta resourcefulness -- "Wyclef Jean" by Young Thug for its meta resourcefulness.

They're not as acclaimed but why not also give a shout out to "Beautiful Trauma" by P!nk for its playful pastiche and giving us Channing Tatum in movie musical mode again. And though Lady Gaga's recent music video output isnt as thrilling as it once was there's something about "John Wayne" that almost makes it hyper garish cuisinart cut overkill feel like a parody of music videos that are trying way too hard... though it's doubtful that that's what it was.

Okay enough talking. On to the singing and dancing... 

17 WHAT ABOUT US (P!nk)
I adore P¡nk in Earnest mode and there's something about the helicopters and police lights circling that inchoate desperate "us" dancing on the lonely edge of town that totally works. Anthemic energizing anguish. Directed by Georgia Hudson and choreographed by the Goldenboyz

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Cannes Day 1: The Netflix Battle and "Ishmael's Ghost"

by Nathaniel R

Maren Ade, Will Smith, Agnes Jaoui, and Pedro Almodóvar at the Jury Press Conference today

Though we aren't in the South of France we'll try to keep an eye on the proceedings across the pond there these next two weeks. If you're relatively new to movie obsessing (We keep hoping more young people will tune in to TFE. We used to attract baby cinephiles... not sure where they congregate now!) Vox has a terrific heavily expository overview of why Cannes is so important, how to pronounce it ("can" not "cans" or "cahn"), why so many famous people go, why everyone is so dressed up, and some other myths and mysteries that surround the festival.

Jury Press Conference & the Netflix Divide
Because juicy click-bait headlines drive traffic most websites are framing the Jury Press Conference as a bloody war between the president Pedro Almodóvar and his most famous juror Will Smith. They may well eventually come to artistic blows in jury deliberations (who knows) but this is already grossly overstated. They merely have different feelings about Netflix, a famous "disruptor" as a company. Will Smith is very pro Netflix (basically because he has kids who like it). Almodóvar is very pro theatrical exhibition, because you know, he's a filmmaker who cares about movies. That's about the extent of the "war"...

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Lars Von Trier's Bad Girls of Cannes

It's Girls Gone Wild this month at The Film Experience. To coincide with the ongoing Cannes Film Festival, here's Chris on von Trier's wild women from Cannes past.

We miss you, Lars!

It's been five years since reigning Cannes bad boy Lars von Trier debuted a film at the festival - practically eons by the festival's standards for their many favorite auteurs. But he lost their favor for his glib Hitler comments during Melancholia's Croisette visit. The resulting Persona Non Grata Status has left us too long without a Cannes Von Trier (Anti)Heroine. Some call him a misogynist, but the provocateur has consistently given us fully-faceted women fighting against circumstance however they must. Let's take a look at their bad behavior:

Emily Watson as Bess - Breaking the Waves

How Bad?: 7/10 - Lots and lots of self-flagellating sex with strangers. Bess puts herself in increasing dangerous situations even when she knows the dangers of her actions.

But Really She's a Saint, It's All For Love!: She's only acting out at the request of her ailing, brain-damaged husband, to whom she relays her conquests.

Rewarded for Her Efforts: Watson didn't win Best Actress at Cannes (Brenda Blethyn was honored for Secrets & Lies), though this performance is the only Oscar-nominated in Von Trier's filmography.

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Top Ten: Lars Von Trier's Actors

Jose here with your weekly top ten.

Visionary. Lunatic. Nazi. Enfant terrible. Misogynist. Genius. Poseur.

Lars Von Trier is called so many things that we often forget that he's a terrific director of actors. With his strange sense of humor and world views, his films are often as alienating as they are enlightening, but actors seem to die to work for him. He's led three of his actresses to wins at the Cannes Film Festival and has injected new life into the careers of actors like Kirsten Dunst, Willem Dafoe and now Uma Thurman. Whether you're a fan of his films or not, his contributions to directing actors are incomparable. Now that both of his Nymphomaniac volumes are out in theaters (reviewed), it's a great time to look back

Ten Best Performance in Lars von Trier Films
(after the jump)

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Review: Nymphomaniac: Parts I & II

Michael C. here fresh from a four hour romp through Lars von Trier's sexual subconscious. First a review, then a hot shower. Or five.

It’s tough to think of a recent film more resistant to review than Lars von Trier’s Nymphomaniac. Not only to does it vacillate wildly in quality between brilliant and dreadful, but it also feels redundant to review a movie so thoroughly engaged in the act of reviewing itself.  

We are first introduced to Charlotte Gainsborg’s Joe laying beaten and unconscious in an alley. When Stellan Skarsgård’s Seligman picks her up off the ground and gives her a place to rest, she narrates her lifelong saga of sexual exploration to him by way of lengthy explanation for her current state. [More]

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