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Entries in comedy (448)

Wednesday
Nov092011

Will Monty "Consider" Bridesmaids?

Some people trust Karger, Stone, Tapley, Feinberg, Poland, myself -- the list goes on -- with their office Oscar pools. Who do I trust for sharp objective Oscar punditry? My cat. How could I not?

You must recall that last year "Monty" sifted through Fox Searchlight screeners and got very opinionated claiming 127 Hours for his own, immediately shoving Conviction away and declaring Never Let Me Go an utter snooze. Oscar Prediction Success: 100%

Naturally I'm seeking his services again in 2011. I tried to show him the Harry Potter "Consider" book but he literally refused to look at it. No amount of cajoling could get him near it for a photo which is strange because he loves books (useful as pillows or face scratchers) way more than movies (useful for nothing unless the DVD accidentally reflects light on the wall ). 

So I moved on. Would he consider Bridesmaids?

 

 *

Well, he would and he wouldn't... (continue).

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Sunday
Oct232011

Naked Gold Man... Now With Golden Globes

Late last week I went out for a drinks with an old friend of mine who introduced me to a friend of his I'd never met. They had just seen Jesse Eisenberg's new play and were arguing about how much to tell me about ("spoiler alerts!" and all) though they both highly recommend it.

Once we sat down for drinks and dinner, the topic turned to Oscar. You know I felt immediate kinship when this new insta-friend told me a hilarious story of his teenage self absolutely freaking out on the night of March 29th, 1989 when Jodie Foster's name was read out and his beloved Glenn Close was shunned again. Inconsolable he was!

Let's just say his breakdown was less composed than the Merquise de Merteuil's when she met her ignoble end in Dangerous Liaisons.

After the story, he requested an article on Golden Globe predictions. "You haven't written about that," he says. He's right. So, let's ditch the sword and pick up the globes.

Let's focus on Comedy/Musical ...AFTER THE JUMP

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Thursday
Oct062011

Yes, No, Maybe So: "Young Adult"

Last time director Jason Reitman and Diablo Cody got together they gave us Juno (2007). This combined effort won them millions at the box office and four Oscar nominations. Can they strike gold twice? 

Cheers. Charlize Theron is a fierce funny bitch in "Young Adult" 

Young Adult features Oscar winning glamazon Charlize Theron as "Mavis" who returns to her hometown to win back an old boyfriend who is now a happily married father. Everyone else knows this is a terrible idea.

YES

  • A lying cheating amoral lead character who is a "psychotic prom queen bitch"? We're so there.
  • Dogs in bags, black fingernail polish... love that she's a bit dated in her badass "coolness" but totally pleased with herself about it. You can't get a bead from these two minutes whether she's aware that she's "shocking" (see also: Liza in Cabaret) or if she's oblivious to her own crazy... but either way that'll be funny.
  • Biggest LOL Moment: Mavis and the ugly baby. If the whole movie is that funny, it'll be a perennial you can watch on repeat.
  • Love the disconnect in her conversations "I'm a married man." "We can beat this thing together!"
  • Charlize's comedic talents rarely get such a work out so bring it on.

NO

  • The trailer promises The Charlize Show, but one of Juno's strengths was its fully humanized supporting cast. This doesn't suggest any depth of focus at first glance beyond its showy lead. Will Charlize be enough?
  • If Charlize ends up with Patton Oswalt, that's just going to be weird and yet totally pandering/typical of the movies where the über babes are always falling for guys who look like regular moviegoers. 

MAYBE SO

  • Jason Reitman's films are usually fairly impressive juggling acts with dramatic and comedic balls up in the air (sorry) constantly. This looks like a simple straightforward comedy. It might be more but even if it isn't won't that be welcome in the heat of Prestige Film Season surrounding by Totally Meaningful Sober Epic Dramas?

Here's the trailer

Are you a yes, no or maybe so? Charlize Theron: how ya like her now? How you like her Oscar chances once that Golden Globe is sewn up... or will Kristen Wiig's Bridesmaid trip her up there?

Friday
Sep162011

Cinema de Gym: 'Role Models'

Editor's Note: In Cinema de Gym, Kurt writes about whichever piece of whichever movie was playing while he cardio'ed. I wish my gym would play movies.

Kurt here. I've just moved from my suburban Philadelphia stomping grounds to a cozy new place in Brooklyn (yay!). Thus, no more weekly trips to the treadmill screening room, which, even if it had followed me here, would likely fall outside of my new monthly budget. But, fear not! I logged a lot of hours in that offbeat movie house, and though my scale might not reflect that (what gives?), I've compiled quite a lengthy list of gym films du jour. So, rather than bag the column, I'm going to burn through that Cinema de Gym queue, with a promise that my memory is sharp. 

Anyhoo, our title for today is Role Models, the 2008 Seann William Scott/Paul Rudd comedy about two dudes forced to mentor young kids as a means of community service. The segment I saw didn't reveal what crime led these guys to do the time, but it did feature a pre-Glee Jane Lynch as a characteristic ball-buster, her oppressive lectures showing more than just shades of Sue Sylvester. If not the probation officer of Scott and Rudd's characters (I couldn't tell), Lynch at least plays the woman running the role-model program, and she's rather candid about her history with drug addiction, the freedom from which has given her purpose, but hasn't much mended her social skills. Used to underscore a subversive tone that paints the legal system as bogus and chaotic, Lynch's slave driver seems wholly unequipped to work with kids, despite a constant assurance of her firm belief in the whole babysitting-as-rehab plan. She pairs Scott and Rudd with Ronnie (Bobb'e J. Thompson) and Augie (Christopher Mintz-Plasse), respectively, two kids whose lives are suffering from a lack of positive parental influence. Augie, specifically, lives with his small-minded mom and her smaller-minded boyfriend, both of whom take cruel, alternating shots at Augie's obsession with medieval role-playing.

However improbable, I liked the whole real-life world of warcraft the film cooks up as Augie's pasttime, a population of devoted, armor-wearing super dorks who turn a neighborhood park into their own Middle Earth, complete with duels, a king (Ken Jeong) and social hierarchy. It's a preferable second life for Augie, but his family's shortcomings render him defenseless when it, too, reveals itself to be a harsh place. Which is of course where Rudd comes into play, joining the club of tunic-wearing plastic sword wielders, and finally confronting Augie's troubles at the source. A dinner scene with Augie's parents has an appropriate, if obvious, gratification, with Rudd offering us vicarious jollies by telling the ignorant adults that they're deadbeats who don't have a clue who their son is. It's the scene in which everyone hears what they need to hear, including Rudd's character, who, if we're going by typical plot logic, fulfills his community service at that very point. 

I didn't get to see much of Scott and his foul-mouthed terror, who, as you may know, launched a mini-career as a go-to foul-mouthed terror following his performance in this film. Scott's current lack of work had me missing his presence (a recent stint in rehab offers some explanation for the career dip), and I'm sure if he'd appeared more often I would have had more laughs. The third feature effort from multi-hyphenate David Wain (Wet Hot American Summer), who's got a new one dropping in 2012 with Rudd and Jennifer Aniston, Role Models didn't strike me as all that funny, but it works in concept, and it suggests more emotional ambition than a lot of other titles of its ilk (which are legion, to be sure). Had the Lord of the Rings wagon arrived about eight or nine years earlier than it did (I was 20 when the last film stormed the Kodak), I maybe, just maybe, would have gravitated toward a Renaissance-Faire realm like Augie's, and if my parents were the sort who mocked it, I'm sure I wouldn't have minded having Paul Rudd go to bat for me.

Conclusions?

1. While she's done wonders for Jane Lynch's career, one could argue that Sue Sylvester also highlights how filmmakers have long been typecasting this gifted comedienne.
2. Speaking of typecasting, wouldn't it be interesting to see Mintz-Plasse in a non-geek role? 
3. Jerk parents who put their petty interests before those of their kids are pretty high on my list of love-to-hate characters.
4. I can't say I'm a fan of Rudd's career, but I think I'd get pretty weak in the knees if he stepped in to be my hero.

Who's your role model?

Thursday
Sep152011

TIFF: Fonda Plays a Hippie, Jennifer Sculpts "Butter", Viola Talks "Dark Girls"

Paolo here again to discuss three new films.

Peace Love and Misunderstanding
Bruce Beresford's new film begins with a table full of stuffy bourgeois lawyers taking down Pulitzer-winning playwrights. They seem like the kind of people the audience would like to become when they're older, having real opinions about theatre and the other high arts. This party takes place despite the Reaganite hostess, Diane Hudson (Catherine Keener) considering a divorcing from her husband (Kyle McLachlan). She takes her kids Zoe (Elizabeth Olsen) and 'documentarian' Jake (Nat Wolff) to the legendary Woodstock, New York to see their hippie grandmother (Jane Fonda). Fonda's character's presence thus questions one's notion of adulthood, as she is older yet free as the grandmother we wish we had.

Divorce and the other conflicts pop up one after another only to be resolved, a tricky comic tone to maintain. This light freedom is also evident in one scene when a chicken practically blocks our view of a character adding to the chaotic yet natural energy in this home and town. Every member of the household gets to hook up, Diane with a local musician (Jeffrey Dean Morgan), vegetarian Zoe's surprise match with a butcher named Cole (Chace Crawford) and Jake with a barista.

Fonda was the master of modern American elocution and we still hear that when she fires off the script's great one liners. But even Fonda can't help when her character turns into a Kristen Wiig caricature. Chace Crawford, capably evokes the heavy air that comes with a young man who has grown up in a rural area. And since I might not get to catch Martha Marcy May Marlene at the festival, watching Olsen's supporting work here is a decent consolation prize. She performs Zoe just as intelligent and emotionally sound as the script suggests.

Butter
This comedy about the world of butter sculpture competition in Iowa centers around Laura Pickler (Jennifer Garner), a sculptor's wife who takes on her husband Bob's (Ty Burrell) job after he is forced into retirement. Quirk topic with the strangest case of a joke bombing in a movie... (more on Butter and the documentary Dark Girls with Viola Davis after the jump.)

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