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Entries in Danny DeVito (7)

Friday
Jul152022

Ranking the Men of "L.A. Confidential"

We're revisiting the 1997 film year in the lead up to the next Supporting Actress Smackdown.  Here's Ben Miller on L.A Confidential

For my money, Curtis Hanson's L.A. Confidential is a bonafide masterpiece. Despite nine Oscar nominations and a Best Supporting Actress victory for Kim Basinger, the ample group of fine male actors missed any sort of accolades. It doesn't mean some of them didn't deserve it.

Here are my picks for the 10 best male performances from that film...

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Monday
Aug022021

Happy 25th to "Matilda"

by Camile Henriques

It's common on the internet to revisit films from childhood and realize that all many of them have going for them is nostalgia. With Matilda turning 25 today, I revisited the film. I'm happy to share that the Danny DeVito-directed adaptation of Roald Dahl's Matilda is as charming, for me, now as it was back then as a child in the 1990's, if not more, since the themes it touches on are given a whole new meaning now.

The film follows a little girl with telekinetic powers big enough to lead her through a new life whilst teaching her negligent parents a few lessons. She's portrayed by Mara Wilson, who, at that time, was one of the most prominent child stars post-Macaulay Culkin. Before Matilda, Wilson had a breakout role in Mrs. Doubtfire, a guest spot in the first season of Melrose Place, and a starring role in 1994's remake of Miracle on 34th Street, in the part that was originally Natalie Wood's...

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Thursday
Jan282021

Showbiz History: Streisand makes history and Elijah Wood turns 40

6 random things that happened on this day, January 28th, in showbiz history...

1973 The 30th Golden Globes with The Godfather and Cabaret both winning Best Picture setting up their nail-biting historic Oscar night. Also on this night Diana Ross won the "New Star of the Year" award for playing Billie Holliday in Lady Sings the Blues for which she'd also be Oscar-nominated. Will Andra Day be as awards-lucky in the forthcoming United States vs. Billie Holliday?

1978 The 35th Golden Globes with The Turning Point and The Goodbye Girl winning the Best Picture prizes...

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Monday
Dec192016

Beauty vs Beast: Happy Gotham Holidays

Hey everybody, Jason from MNPP here with our final edition of "Beauty vs Beast" for 2016 -- we will be back after the holidays... as long as the world still exists. (Lately I wonder.) Until then let's think happy thoughts (or die trying) and consider one of my favorite holiday movies, Tim Burton's Batman Returns. I was just reading a piece on the film this morning, placing its bleak worldview of politics against our own (I did say these were happy thoughts right?) so the movie's feeling fresh as a bowl of milk. And there's always room beside my Xmas tree for these two great villains - as The Penguin at one point says to Miss Kitty...

"You're Beauty and the Beast in one luscious Christmas gift pack."

PREVIOUSLY Since Star Wars is in the air last week we forced you all to take sides between the greatest bickering space pair since Dave disconnected HAL - beating Han Solo himself is no small feat (he shoots first, remember) so give it up to Princess Leia, who hair-rolled away with just under 60% of your vote. Said tom:

"She has one of the most famous wardrobes in movie history, an entire fleet at her disposal, and her sidekick is gold. His best friend is a walking carpet - her words. I think she wins."

Monday
Aug292016

The Furniture: Wiener-Dog's Sickly Green Cages

by Daniel Walber

Wiener-Dog is a deceptive movie. It is technically a sequel to Todd Solondz’s cult classic Welcome to the Dollhouse, but only for about a quarter of its running time. It’s actually an anthology, built around the often tragic life of an adorable, stoic dachshund. Each stop is totally separate from the last, each new character a slightly different riff on solitude and bitterness.

Yet even this structural diversity is deceptive. For while the film contains a variety of stories and locations, it is essentially one long expansion of a single set. The opening credits play over an anonymous animal shelter, where Wiener-Dog patiently waits to be adopted. One side has bars, the other a clear panel. The bright light highlights the sickly green walls, like the antiseptic glow of a dystopian hospital.

Wiener-Dog makes it out, but the cage lingers...

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