DAVID LYNCH (1946-2025)

by Cláudio Alves

David Lynch as John Ford in his last big-screen appearance, in THE FABELMANS (2022).

Somewhere in LA, in the middle of a concrete nowhere, an open door beckons. It tugs, a jerky motion that makes you fly through space, into Club Silencio. The insides are old, the red velvet memory of a place that is no more. And yet, despite the unease, it's time to sit down and attend the MC's lugubrious presentation, a swirl of lies and jest, fakery that denounces itself in a spectacle that's a bit like a threat, a lot like a spell. Blue swaths over red, it glows, and then, at long last, the diva makes her entrance – Rebekah Del Rio will be singing "Llorando." But of course, it's not her voice, for she falls, and the ghostly tune persists. Somehow, that doesn't matter. In a palace of illusions, the false still rings true. And look, truthful tears stream down your face.

Watching this scene in Mulholland Drive feels like falling an endless fall, free-floating across the void, suspended in nothingness. It feels like pure beauty born of nightmares, pain and ravishment. It feels like nothing else in the world. Like something only David Lynch could have imagined. And what can we do other than surrender to that feeling on this day of all days when we must say farewell to the man, the artist, and the great? David Lynch has died…

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What Director to Rank Next?

by Cláudio Alves

I don't know about you, but I had a lot of fun ranking Hayao Miyazaki's feature filmography. So much so that I feel inspired to do the same with some other beloved auteur. The only issue is deciding which director to rank next. In those write-ups, a commenter suggested David Lynch, so he's on the list of candidates, but there are many more possibilities, storied careers full of fascinating films. Why not put it to a readers' vote and let you choose who you wish to read about? That's exactly what we're doing, and you have ten possibilities to choose from, all of which have works I love and a filmography small enough to be manageable…

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Jack Fisk: From "Badlands" to "Flower Moon"

by Cláudio Alves

Jack Fisk as "Man in the Planet" in David Lynch's ERASERHEAD.

From Malick to PTA, going through De Palma and Lynch, Jack Fisk's contributions to American cinema are enough to take one's breath away. This year, he collaborated with Martin Scorsese for the first time and earned his third Oscar nomination for Killers of the Flower Moon. According to the designer, his director wanted his film to be "wide, big, like a western," and Fisk delivered.

Working primarily from historical documents, he dove deep into Osage country records to figure out the reality of the characters' lives, including which houses they once inhabited. He also dug through old buildings in search of period foundations and used original plans of buildings like the train station to recreate them as faithfully as possible. For the oil derricks, he recycled research he'd done for There Will Be Blood. In total, Fisk and his team built over forty interior sets, plus entire houses like Hale's ranch, and two blocks of Pawhuska restyled to represent the town of Fairfax across a decade of bloodshed. It's impossible to overstate the scale of his achievement. And yet, what would be other artists' crowning glory is just one among many such triumphs in Fisk's career…

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Film Bitch Awards - Best Actor (and more)

by Nathaniel R

Though all of us have our differences of opinion with Oscar, but sometimes the stars align and we get an Oscar lineup we adore. I'm quite fond of Oscar's Best Actor list this year (have you voted today?) to the extent that my own ballot is 80% similar. That happens about once a decade (the last time was 2016). The one difference is my inclusion of Franz Rogowski, one of Europe's greatest actors, for the Austrian prison drama Great Freedom. It was an Oscar finalist last Oscar season in Best International Feature but wasn't nominated and then got a small US theatrical release in 2022. So while the film is now "old" (haha) it's been impossible to shake for over a year now. Thanks in large part to Rogowski's work. He outdoes himself with this portrait of a man so implacably committed to his own desires that you begin to wonder where the prison walls truly are. In short: he sells that alarming challenge of an ending.

Click on over to the awards to see the reasoning behind the rest of the ballot and the list of finalists and semi-finalists  which includes a lot of performance that Oscar would not have deigned to look twice at. It was a strong year for rising actors but Oscar generally likes their contenders already famous and well into their leading man years.

As a bonus, the "Best Actor in a Limited Role or Cameo" is also posted for your pleasure or scorn depending on your feelings for these performances. This time there's an actual Oscar nominee present since Judd Hirsch took a spot in Supporting Actor with the Academy. Love that for him as he packs such a punch in his two scenes. The other honorees are Tyler Merritt, David Lynch, Louis-do de Lencquesaing, and Julian Glover.

RIP Angelo Badalamenti

“Today, no music.”

Those were the words of David Lynch this morning following the announcement that composer and lyricist—and Lynch’s longtime friend and collaborator across a variety of mediums—had died at age 85. The death of Angelo Badalamenti is another heartbreaking loss for those like myself for whom Twin Peaks is something like a religion. Coupled with the 2022 deaths of Julee Cruise, Al Strobel, Kenneth Walsh and Lenny Von Dohlen, it’s been a tough year...

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