TIFF ’24: Rachel House Directs “The Mountain”

By Abe Friedtanzer

Rachel House is a terrific actress from New Zealand whose most memorable performances are, for most, likely those delivered in Taika Waititi’s films, including Eagle vs. Shark and Hunt for the Wilderpeople. She’s also capable of strong dramatic work, including her first film role, the Oscar-nominated Whale Rider, and as a cruel immigration facility guard in the Netflix limited series Stateless. She’s done voice work in popular animated films like Moana and Soul. After years of coaching young actors like Julian Dennison and directing theater, she’s made her own first film as director, The Mountain, a delight making its North American premiere at TIFF…

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Gotham Awards 2023: Getting a grip on "Past Lives"

By Nick Taylor

With the Gotham Awards dropping tomorrow, I decided to cap off this little series with a rewatch, one of the year’s most popular independent films that, to my surprise, did not have a full review at The Film Experience . . . . until NOW!! That’s right folks, we’re talking about Celine Song’s Past Lives. Nominated in Best Feature, Breakthrough Director, and Lead Performance for Greta Lee, this sleeper hit has made about as strong of an impact as an early-year release could hope to achieve. I was fully seduced by it reputation in the weeks leading up to its release, and though I was completely besotted with Past Lives on first watch (to the point of showering it with attention across my own halfway-through-the-year ballot), I’ve never quite shaken the concern I succumbed to hype rather than fully engaging with it. This was an ideal opportunity to give the film another shot, and seeing it again helped to further solidify my feelings on this tricky flick . . . .

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Gotham Awards 2023: "Huesera: The Bone Woman" Stands Tall in a Stacked Category

by Nick Taylor

If awards-giving bodies serve one purpose, it’s to point curious, nubile cinephiles towards films they might not have otherwise come across. Unexpected, eccentric nominations are almost inherently fun to observe, especially from organizations meant to honor smaller films. Sure, the Gotham Awards removing their budgetary caps is a disappointing move, but aside from Barbie, several of their choices reflect what a great year this is for smaller, genuinely independent titles. And if we’re talking about titles, how could I not jump at the opportunity to check out a film called Huesera: The Bone Woman? Michelle Garza Cervera was recognized in the Breakthrough Director category, and for me, this is the ideal way of rewarding the strengths of this potent film.

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