Take Three: Carla Gugino

Craig here with Take Three. Today: Carla Gugino

Take One: Snake Eyes (1998)
Gugino was underused as the social worker in The Lookout, underdressed and all too briefly seen as the parole officer in Sin City, and under De Niro as a delectable detective in Righteous Kill. But one of her earlier roles as the mysterious ringside blonde in Brian De Palma’s Vegas boxing noir Snake Eyes gave her plenty of room to make a dent. There’s a killing about to happen at a big boxing match but is she in on the missile-based murder conspiracy? She’s certainly the focus of maniacally charged Nicolas Cage’s attention – and, by association, ours. Snake’s tricky structure and multiple viewpoints (especially the famous opening tracking shots) allow Gugino to play fast and loose with her character, Julia Costello, who ultimately, like all desperate women of noir, isn’t quite who we think she is.

Gugino’s evasive vixen is a ‘90s variant on the femme fatale or the ‘mysterious blonde’ (aroused via De Palma’s acknowledged love for Hitchcock). Julia Costello should perhaps be filed alongside the likes of Melanie Griffith in Body Double, Sharon Stone in Basic Instinct and Annette Bening in The Grifters as revisionist takes on old noir staples. Gugino brings  sly, slinky qualities and a perfectly deceptive approach to the part. Later on in the film she offers nicely-conveyed and unguarded emotion. It’s a key role in the movie, and she has the ideal voluptuous physique and versatile acting skill to carry it off. Outside of Cage’s OTT presence and De Palma’s bravura camerawork, Gugino was the one to keep your (snake) eyes on.

See also this 8-minute 2010 short, Tell-Tale, where she does actually play ‘Femme Fatale’.

Take two: Sucker Punch (2011)
Outside of its central gang of delusional madhouse girls, Sucker Punch had a few notable faces peppering the supporting cast list.

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