Horror Actressing: Glenda Farrell in "Mystery of the Wax Museum" (1933)

by Jason Adams

Once upon a time in a galaxy far far away we once went to The Movies. Otherwise known as The Picture Show, it turned out in 2020 there was indeed, as the prophet Peter Bogdanovich foretold, a Last one for us all. The subject of what was everyone's Last Big Picture before the COVID quarantine shut movie-going down has been a popular one -- personally I've kept that information close to the vest because mine (sigh) was the godawful horror twist on Fantasy Island, and let us never speak of that again. 

Let's instead focus on one of my best big-screen cinematic experiences of the so-far short-lived year in such things, which was MoMA's January screening of the drop-dead-stunning restoration of the Pre-Code two-color Technicolor fright-flick Mystery of the Wax Museum. Michael Curtiz's 1933 film, was lost for decades until a pair of prints miraculously appeared and got cobbled together beautifully. Mystery stars Fay Wray (just a few weeks before her romantic wrangle with that big monkey) playing the love-struck, shriek-prone Charlotte Duncan. But even better as far as I'm concerned there's Glenda Farrell, the subject of this here week's episode in our "Great Moments in Horror Actressing" series...

Click to read more ...

Young and Hungry Susan Hayward

HAYWARD CENTENNIAL FINALE

by Nathaniel R

Oscar buffs might be the only people who still regularly talk about Susan Hayward but her Oscar record was impressive enough to warrant that conversation. Five nominations with one win, all in the Best Actress category, is not nothing. In fact, her record is a match with Audrey Hepburn and Anne Bancroft and another Susan (Sarandon). But when I first got interested in Susan Hayward before I'd seen any of her films, what drew me in was the abundant hysteria within the posters, titles, and taglines for her movies. Or to quote Rupert Everett in My Best Friend's Wedding:

The misery. The exquisite tragedy. The Susan Hayward of it all!"

She lived (onscreen at least) for exclamation points so it's fitting then that her Oscar win came from I Want to Live! (1958). But to close out our celebration counterintuitively in reverse, let's end with a film from when Hayward was a young and hungry actress without much pull...

Click to read more ...