TIFF: A Mother on Trial in ‘Saint Omer’

By Abe Friedtanzer

Last week, France narrowd its list of contenders for the Oscar submission to five. Three of them played at TIFF – One Fine Morning, Paris Memories, and Saint Omer. The last of those has the advantage at the moment thanks to its two prizes at the Venice Film Festival. It’s a difficult, focused drama that deals with motherhood, national identity, and the justice system in France…

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Venice 2022: The "Tár" Tease and the Competition Lineup

by Nathaniel R

Cate Blanchett in TÁR

Most sites just give you a list of film titles but we always aim to provide you with more information which is one of the (several) reasons we're slower with the news! Over 50% of the competition titles at Venice this year come from just three countries: France, Italy, and the US and a lot of titles are connected to Netflix. Outside of those countries we get one film from Asia, one from the Middle East, two from South America, and two from UK/Ireland. If you include the Out of Competition titles there's more variety with Canada, Denmark, Ukraine, The Phillipines, and Estonia entering the chat.

After the jump a little bit about each of the 22 films competing for the Golden Lion, and a few of the Out of Competition films including the new Lars Von Trier. Plus that bewitching teaser to Tár, Todd Field's first film in 16 years...

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Ranking the International Feature Film Winners

by Juan Carlos Ojano

From De Sica to Hamaguchi, the past two years of hosting the podcast The One-Inch Barrier has allowed me to watch all that films that were selected by the Academy for its International Feature Film category - 74 winners and 337 nominees (all but one title). While this category has had its issues over the years, it has also put an international spotlight on non-English language cinema on Hollywood’s biggest night. While the category has  always been far from a perfect encapsulation of world cinema, it's a great jumping off point as noted in the series finale.  (Cláudio Alves did a beautiful summary of our discussion - video included!). 

Here is my personal not-that-definitive ranking of the winners of the category. Things are very fluid especially in the midsection... 

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Interview: Director and star of the essential new film 'Happening'

by Nathaniel R

HAPPENING French poster (left), Actress Anamaria Vartolomei and Director Audrey Diwan in Venice (right)

Last year The Film Experience had two teammates in Venice for the first time. The Power of the Dog emerged as the buzziest title given its legendary director and a never better star. Another legendary director guided his celebrated muse to a Best Actress win with Parallel Mothers. But the revelation of the festival, since no one saw it coming, proved to be the intimate drama Happening from French writer/director Audrey Diwan. Elisa and I both raved about it in our festival coverage. When the festival came to a close Happening triumphed taking home the top prize, the Golden Lion. It's finally in US movie theaters courtesy of IFC Films. You shouldn't miss it.

The film, based on Annie Ernaux's memoir, is about a young gifted student who experiences an unwanted pregnancy in the 1960s. She doesn't know who to turn to for help or what can be done (abortion was then  illegal in France). The filmmaker Audrey Diwan also came, initially, from the world of literature "I know this character. I've been reading about her forever since Annie Ernaux's work is always autobiographical." Diwan's own journey as an artist wasn't as clear to her at first. "I told myself I had to take my time in order to figure out exactly what matters to me and what I have to say." That patience and her clarity of vision has served her well in her breakthrough feature. I recently sat down with her and Happening's 23 year old tremendous leading lady Anamaria Vartolomei for a chat about their movie...

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Drive My Cannes: The New Competition Lineup!

Direct from France, please welcome longtime reader / first time contributor Arnaud Trouvé to talk about the Cannes festival and share the new lineup... uPDATE 04/23: new additions indicated below under red headlines

Ruben Östlund's "Triangle of Sadness" © SF Studios

by Arnaud Trouvé

My first encounter with the Cannes Film Festival was in 1998, when Roberto Benigni kissed Martin Scorsese’s feet after winning the Grand Prix for Life is Beautiful (which he mistakenly took for the Palme d’Or). Cannes ceremonies are always broadcast live on French TV and my interest grew rapidly over the years. Flash-forward to 2009: the Paris visual effects company I’m working for had to deliver over a hundred shots for an upcoming production destined for the Croisette. "It has to be ready for Cannes," was the motto as we worked on a very tight schedule. This production happened to be Gaspar Noé’s Enter The Void and we managed to screen it in Competition at the last minute, with no opening or closing credits!

A decade later, the announcement of the Cannes lineup is still an annual event for cinephiles around the world. And after a bonkers ceremony in the summer of 2021 that saw the victory of Titane, the festival is ready to get back to its usual May slot. Let’s have a look at its anticipated official selection unveiled today by artistic director Thierry Frémaux...

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