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BURTONJUICE. Our Tim Burton retrospective begins now... Every Thursday night until we can't take it no more!
Last week I rented the Disney documentary "Waking Sleeping Beauty" which I was curious to see again after it's strangely quiet public reception. I really enjoyed the documentary and though it ended like one big long self-aggrandizing commercial for the Magic Kingdom and all they bring to the movies, it's first hour is surprisingly frank about the downward slide of Disney animation in the 70s and 80s and the political tug of wars among the big money executives.
But let's get to the subject. Don't you always forget that Tim Burton started at Disney? I know I do. He never gets a line in this documentary but we do see him briefly twice in the behind the scenes footage while the narrator talks about the generational divide at Disney during the animation studio's near-demise in the 1980s.
Ron Miller knew that Walt's guys were retiring fast. He had to raise a new crop of animators but he was cautious about it. It was this interesting cross generational thing where you still had a few of these legendary artists who were in their 60s and approaching retirement and then a bunch of young people in their 20s who were really really exited and sort of passionate about this medium.
It was thrilling to learn from the masters but there was a feeling that somehow we could be making better films."
Burton doesn't look too happy sitting slack jawed in that tiny cubicle, but that's just his face. Surely the budding filmmaker was excited to be chasing his dreams. Even if his now ultra familiar dreams are far more Gorey lite Gothic than Disney cheerful.
Before his star ascended in the early 80s when two shorts Vincent (1982) and Frankenweenie (1984) gained him a reputation within the industry as a truly distinctive and entertaining filmmaker, he made a handful of very rarely screened shorts. I wish I'd attended the Burton exhibit recently which featured them. Have any of you seen these five?
The Island of Doctor Agor (1971) was his first effort at the age of 13. He played Dr Agor. Stalk of the Celery (1979) is a one punchline animated short but you can see Burtonisms especially his love for the mad scientist... though it should be said that Burton's ouevre also includes subversions of this trope, the benevolent (if still mad) scientist. Doctor of Doom (1979) has Burton crashing a party and creating a monster that he sends out to "destroy all beauty." Luau (1982) is a lengthy short that is unfortunately kind of unwatchable on YouTube but it telegraphs a bit about Burton's oddball sense of humor though it also seems a little hornier than his subsequent work. He plays a disembodied head that's the "most powerful force in the universe" and though he tries to turn people into zombies, he doesn't have much luck. At least at first... I gave up 12 minutes in but not before I understood his affinity for Ed Wood. Burton also made a version of the oft- filmed fairy tale Hansel & Gretel (1982) -- which is hard to find -- with the great production designer Rick Heinrichs as his producer. They met at Disney and kept working together.
Oscar winner Rick Heinrichs and Tim Burton at work on Vincent (1982)
It only took their collaboration 17 years later to win an Oscar (Heinrichs for Sleepy Hollow) though Tim Burton has famously never been nominated as Best Director. His sole personal nomination was for the animated feature Corpse Bride.
Where were we? Oscar trivia is so distracting. Oh yes, Vincent (1982). We love it. Disney, rather famously, did not. Too dark!
My favorite favorite favorite part...
He likes to experiment on his dog Abercrombie in the hopes of creating a terrible zombie.
Vincent is just wonderful isn't it? A.
Vincent's Tim Burton's perfect woman? Before we move on to Frankenweenie (The Original) next Thursday tell me if I'm crazy but little Vincent's hallucinated dead wife...
He knew he'd been banished to the tower of doom where he was sentenced to spend the rest of his life. alone with the portrait of his beautiful wife."
She looks SO familiar. A pinch of Lisa Marie? Two cups of Corpse Bride... a scoop of Helena Bonham-Carter in Alice in Wonderland? What Burton woman does this most remind you of?
What's your favorite part of Vincent? And do you think it's too easy to retroactively project meaning on to the early work of famous filmmakers?
Andreas here with a pair of trailers from beloved directors -- and both death-centric comedies, at that. First up, Richard Linklater's Bernie:
YES
The most obvious reasons: Slacker, Dazed & Confused, Waking Life, etc., etc.
Black and McConaughey both seem to be doing offbeat, atypical work here. I'm curious to see where their performances lead.
And of course, the legendary Shirley MacLaine!
NO
But judging from the trailer, her role looks awfully one-dimensional -- "shrill old lady who dies." Here's hoping it's more fun in the finished film.
This isn't the movie's fault, but wow, that trailer goes for every musical and editing cliché in the book. I'm surprised they didn't use a record scratch instead of a gunshot.
My beloved cat has had some health issues this weekend so time has been short and I've been majorly occupied (hence Oscar chart update/ column delay). But here's a quick bit about a beloved fictional pet, "Sparky".
• Tim Burton's Frankenweenie, due in theaters less than a year from now, is a remake of sorts. That's all Burton does these days but at least this time he's reworking something from his own imagination. Frankenweenie was originally a short in 1984 and if you ever get a chance to see that one, do so. It was from the time frame when Burton was THE young director to watch, making magic every time... or every other time. Damn. Whatever. From 1982 through 1994 it was all spellbinding. I'd even throw 1996 in there but I realize Mars Attacks! isn't for everyone. ACK! • I'm so pleased this will be a black and white stop-motion picture. With so many animated films debuting each year, it's good to have some variety. • Is there any other director who has never changed his hairstyle?
• Speaking of awesome short films, Tim's Sparky looks just like Brad Bird's "Amazing Stories: Family Dog", doesn't he? • Little Known Fact: Films about beloved animated pooches require awesome actresses in the soundbooth:Frankweenie (1984) had Shelley Duvall; Family Dog had Annie Potts; Wallace and Gromit andThe Curse of the Were-Rabbit had Helena Bonham Carter; Bolt had Miley Cyrus; the new Frankenweenie gets Winona Ryder and Catherine O'Hara ! • Are you a cat person or a dog person? And if so do you think your pet is fairly represented on film?
Thursday, March 22, 2012 at 9:41PM 
Oscar winner Rick Heinrichs and Tim Burton at work on Vincent (1982)
Vincent's Tim Burton's perfect woman?
