Team Experience's Dream Emmy Ballot!

Emmy voting closes tomorrow evening, dear readers! Since Nathaniel and the team here at The Film Experience have been writing up our favorite FYCs of the past television year, we have decided to also do some fantasy Emmy voting of our own. Our own Emmy dream ballot has favorites you've read about here before, like nomination leaders Big Little Lies (7 nominations), Feud (6), The Leftovers and the conclusion of Looking (5).

That's a whole lot of love for HBO here at TFE, with Veep also being our most nominated comedy at 4 nods. Might HBO earn similar success with Emmy itself, even though mainstay Game of Thrones won't be eligible? Will this allow for The Leftovers to finally get some love?

Take a look at the results after the jump...

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FYC: "The Good Place" for Best Comedy

Team Experience are sharing their Emmy hopeful favorites. Here's Sean Donovan...

The Good Place was one of the quietest critical successes of the 2016/2017 television calendar, amassing a small but loyal band of followers. They attended to every minuscule detail of the show’s terrifically nuanced mythology. Yet, of all the Emmy FYCs The Film Experience has been doling out these past two weeks, this feels like one of the farthest reaches. The Good Place is perfectly in the lane of a future cult classic. But that's the problem. To become a true cult classic, your greatness must somehow allude the powers that be at the time. 

For the uninitiated, The Good Place follows Eleanor Shellstrop (Kristen Bell) who, following her sudden death in the pilot, finds herself in the afterlife, specifically the carefully non-denominational “Good Place,” presided over by cheerful architect Michael (Ted Danson)...

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Soundtracking: "Big Little Lies"

It's Chris Feil's weekly series on music in the movies, this time on one of this year's television favorites...

Did you know that Emmy added a music supervision category this year? While this may seem a bit nebulous (Emmy sure does have a heck of a lot of categories!), at least we might get some great soundtracks and song choices recognized. Consider my soundtrack column this week an FYC (among others we've written) for what must be the inaugural front-runner Big Little Lies. Emmy: did you ever want it? Did you want it bad?

The musical landscape of Monterey is packed with soul tunes both new and old, weighted with a kind of timeless, cross-generational longing that ties together the various women of its ensemble. They way these songs ache deepen our understanding of each woman’s unique pain: the angry defiance of Jane running to “Bloody Mother Fucking Asshole”, Madeline’s romantic respite in “River”, and a lyrically literal reflection of Celeste’s sexual confusion with “Victim of Love”. For the audience, music helps us draw the connections between their shared pain, what ultimately unites them all. Big Little Lies’s musical identity is as distinct as the series itself.

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Emmy FYC: Samira Wiley in "Orange is the New Black"

Team Experience is sharing Dream Emmy nominations this week. Here's Deborah Lipp

Reading the list of eligible Emmy performances is an eye-opening survey of how much good and great TV I’ve seen this year—and how much I’ve missed. How can anyone single out an individual, or a few individuals, from this sea of excellence? There is no doubt that Orange is the New Black is a great show, and my favorite show, but even narrowing the list to performances from that one show is daunting.

But then there is Samira Wiley...

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Emmy FYC: Eva Green and Christian Camargo, "Penny Dreadful"

Team Experience shares their dream Emmy nominations. Consider it an FYC as nomination ballots are out...

by Dancin' Dan

Showtime's now cancelled gothic horror show Penny Dreadful has never been one to receive much awards love, even when it should have been (has there been a better villain on any television show in recent memory than Helen McCrory's Evelyn Poole in the show's second season?). Part of this had to do with timing: Airing always began around June, near the time the Emmy nominations for the previous season were voted on, meaning that by the next nominating period, it was long forgotten. The other part is the nature of the show itself. Emmy has rarely favored genre shows, much less ones as bloody and occasionally over-the-top as this.

Sadly this has meant that the series's leading lady, Eva Green, has been ignored despite giving the most committed, most fearless, and best performance on television...

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