FYC: "The Green Knight" for Best Costume Design

by Cláudio Alves

While we're at the dawn of a new year, the 2021 awards season is far from over. Academy Award nominations are still a month away, so there's plenty of time to champion one's cinematic favorites before hope withers away on Oscar morning. To start 2022 off on the right foot, let's investigate our predilect craft category – Best Costume Design. There are plenty of glamorous contenders, but the one I'm most rooting to see nominated chooses a more understated path to greatness. Costume designer Malgosia Turzanska outfitted David Lowery's adaptation of Sir Gawain and the Green Knight in simple designs rich in visceral textures, colors shining through the shadowy cinematography, ancient symbolism, and more…

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FYC: Penélope Cruz for Best Actress

by Cláudio Alves

Since they started working together, Penélope Cruz has always been a mother figure in Pedro Almodóvar's cinema. He calls her the epitome of Spanish motherhood, resilient and sensual. It's an archetype she has represented, in some way, in all their collaborations – from 1997's Live Flesh to this year's Parallel Mothers. Indeed, their latest partnership feels like a culmination, the maximum manifestation of the auteur's ideas on motherhood. It's also the most complicated role he's ever given his current muse, an extreme of melodrama paralleled by political reflections. The actress is asked to go to extremes of emotion while also holding back. She must be outwardly demonstrative, crystalline clear, naked in sentiment and expression. However, the part also demands internalization, reticence, secrets that burn. All in all, it's a monumental challenge…

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FYC: "Flee" in Best Sound

by Chris James

Sound can be more visceral than sight when recalling painful moments from the past.Flee is a unicorn of a film, a hybrid of so many styles of storytelling. In the most basic of terms, it’s a first person documentary feature as Amin recounts his journey from Afghanistan to Denmark. The use of animation in telling Amin’s story serves a few different purposes. On a social responsibility level, animating the entire film helps protect the subject and their family. From a stylistic perspective, the animation draws us into Amin’s crisp memories, only to have the traumatic flight from Afghanistan be painted with broader, more dramatic strokes. It’s as if Amin’s memory is protecting him from the details. Come the time of Oscar nominations, it could be the first film nominated for International Feature, Documentary Feature and Animated Feature. Matt St. Clair has already done a great job lobbying for it in Best Picture, which would be richly deserved. 

There is one other category that the Academy should make sure to consider Flee in - Best Sound. 

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FYC: Simon Rex for Best Actor

by Cláudio Alves

Ever since the project premiered in competition at the Cannes Film Festival, Red Rocket's leading man has been praised by critics and spotlighted as a potential Best Actor contender. Perhaps more accurately, Simon Rex has been described as one of those cases where a performance should be in contention even if their chances are null. Indeed, Rex seems to have been forgotten by awards voters as the season progresses, even though reviews still sing his praises. Now that Sean Baker's latest movie is hitting theaters, maybe the actor can get his moment in the sun. While the man's turn as a washed-up porn star could have been nothing more than stunt casting, Rex transcends such pitfalls. His take on one of the year's most loathsome characters is Oscar-worthy…

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FYC: "Flee" for Best Picture

by Matt St Clair

Flee, now playing in limited release, is transcendent. The animated memoir could break records by competing in three Feature categories: Animated Feature, Documentary Feature, and, because it’s the Danish submission, Best International Feature. Both Collective and Honeyland recently made history recently by competing in the latter two categories simultaneously, but no film has found itself in contention for all three. Flee might accomplish this historic feat, but it should go even further by also being nominated for Best Picture.

A nomination would allow the glass ceiling for documentaries to finally break. In the ceremony’s soon-to-be 94-year history, no documentary has ever competed in the top category...

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