Her Royal Majesty, The Queen of Link

This collection was meant to publish some 24 hours ago. Enjoy these links you might well have seen already!

Decider tracks Channing Tatum's expanding neck 
MNPP Jason calls a Happy Hobbit Ending for Lee Pace within six months. I think this is optimistic. 
Pajiba thoughtfully creates an anti-superhero-movie-diversity Bingo board. Love it!
AV Club Jeff Goldblum participated in a Jurassic Park themed wedding photo. It's great
The Dissolve Epix is airing a color version of Alexander Payne's Nebraska. What the hell?

Arts Beat Helen Mirren to play the Queen again on Broadway. Will the third time be the charm for a first Tony? If she wins she will have won the Oscar, Emmy and Tony all for playing Queen Elizabeths I & II. Quite a specific niche, eh?
The Wire a very bad day for the creator of True Detective Nic Pizzolatto who doesn't handle criticism very well and is now accused of plagiarism as the Emmys approach
The Film Stage shares Akira Kurosawa's 100 favorite films list (originally published in a book from 1999 apparently). Like me his favorite Scorsese is King of Comedy!
The Wrap DC has adjusted its Batman v. Superman: Dawn of Justice schedule to avoid Captain America 3. That sentence would have unthinkable years ago but Marvel has really made it work.
MNPP "Gratuitous Teddy Sears" I 100% approve and I would like to point out that I raved about him all the way back during his very tiny role on Dollhouse and so glad he got such a plum gig on Masters of Sex 

Ooh look, Jeff Bridges and Beau Bridges (Emmy nominated for Masters of Sex) talking about their acting process at an event in LA. (There's also a clip of them talking about The Fabulous Baker Boys but it's not about Michelle Pfeiffer at all - sacrilege - so I lost interest)

There's no point in even linking to a story about this but how terrible is it that they've opted to call the next Terminator film, a needless reboot when time-travel narratives can reboot themselves while also not stupidly pretending that other films didn't exist, Terminator Genisys. That's the actual title, people, purposeful mispelling and all. 

Finally, i09 shares ten lessons we can learn from the surprising success of Guardians of the Galaxy. Even though I think the movie has really pulled off a conjob on critics (it's winning rapturous ignore-the-obvious-flaws praise I think because it gets a couple of important things very right), most of these are bullet points are true. But I have to shake my head and roll my eyes hard at this bit about its cross-gender appeal at the box office:

How can a movie appeal to both of these groups? Because they both want the same thing, more or less — fun adventures in which both the male and female characters are fully realized.

Oy. If Gamora is our new standard for "fully realized female characters" in blockbuster cinema our standards have hit rock bottom and the future is going to be BLEAK. The ongoing gender problems in mainstream cinema have really taken a toll on people's expectations. 

'Mom! Streep & Julie are flirting again'

I can't resist putting these images in dialogue. Are the two esteemed actresses thinking of each other in their grey flat-ironed wigs, or is this a subliminal cry for a sequel to the sapphic wonders of The Hours? As Christian so correctly observed on Twitter, Nicole is never going to let a grey hair near her scalp. But she died in The Hours so she can't be in the sequel anyway.

This twinned image was fun to discuss on Twitter but after the fact it reminded me of an earlier conversation with Anne Thompson and Kyle Buchanan about why there are so many aged lady villains in YA adaptations. My contention is that it's their ageist way of playing both sides. So many stories about young girls that pay lipservice to "girlpower" are, just like stories centered on men and boys, still scared of the power and agency of (adult) women; these prejudices are deeply ingrained.

Interview: Adapting "Guardians of the Galaxy" for the Screen

Anne Marie interviewed Nicole Perlman, the screenwriter of Guardians of the Galaxy which opens this weekend

Nicole Perlman, Screenwriter"Nicole Perlman" has been a name shrouded in mystery since Marvel announced Guardians of the Galaxy two years ago. Though the screenwriter has received awards for her writing, Guardians will be her first official screen credit. (She shares co-screenwriting credit with Guardians director James Gunn). I sat down with her over the weekend at Comic Con to learn a little more about the woman who turned Guardians of the Galaxy from cult comic hit to Marvel's biggest blockbuster experiment. We talked about Guardians, her new project with Cirque du Soleil, and how screenwriters make terrible movie audiences.

ANNE MARIE: You started with getting your Challenger screenplay on the Black List, which is really cool, and then did a complete jump into Marvel. Tell me about that!

NICOLE PERLMAN: I had moved to Los Angeles after Challenger. It was on the Black List, it won the Tribecca Grant for Science and Film, and I was getting a lot of science-related screenplay projects, which was great, and I love science-related stuff. So I was happy about it.

I did a Neil Armstrong biopic for Universal, and I was doing things in that realm. And I would go out and pitch on projects that were science fiction or action and I got a little push back about it. I got, 'This doesn't seem like your genre, or your world.' There was a little bit of that like 'This is a really masculine movie. We don't know if you could handle it.' And I'm like, 'But you thought I could handle it enough that I could pitch on it, so that's interesting.'  But it was mostly a feeling of [having a] question mark, of could I handle something like that.

When I was having a general meeting with Marvel Studios, they mentioned they had a writers program, and they wanted to know if I wanted to be a part of it. And of course I leapt at the chance, I wanted that stamp on my resume. And I also wanted to show that like I could do the fun big action movies that I loved, and the science fiction movies. And it worked out really well, so thank goodness! 

Yeah, clearly! The President of Marvel has stated he never thought of Guardians of the Galaxy as movie material until he read your stuff.

Oh that's nice! That's really lovely.

So what made you choose Guardians out of all of the list of options for projects?

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Links

Complex imagining TV prequels to movies. Hilarious. The description of "Kramer Loves Kramer" is priceless.
New Republic "I don't f***ing care if you like it." an excellent piece on gender politics in the now with framing guest appearance by Amy Poehler
In Contention David Fincher's Gone Girl will open NYFF this year. Yay!
AV Club "I Killed At the Movies" interesting article from Ignatiy Vishnevetsky on film criticism for the camera

 

The Dissolve an excellent review of Sex Tape which I have no plans to see and therefore can read interesting reviews freely
Daily Mail Sullivan Stapleton gets an Animal Kingdom tattoo
Variety Ben Whishaw will be the new voice of Paddington
Cinematically Insane on possible corporate mergers and what that might mean for classic film fans. Uh oh.
Pajiba Ewan McGregor rumored for True Detective Season 2? (at this rate with the male cast the female role is going to be supporting)
VF Hollywood Lisa Kudrow, Courteney Cox and Jennifer Aniston seen dining together. This changes everything!
The Wire dissects the VMA nominations. I didn't realize they'd happen but there's lots of Beyoncé of course
Kenneth in the (212) Desperately Seeking Susan finally coming out on Blu-Ray 

And look at this beautiful poster of The One I Love. I am the one that loves it. I loves it much. I hear the movie is really good too but I haven't yet seen it.

Tweet of the Capsule of the Dawn of The Planet of the Apes

Of the. of the. of the. Help, stuck in a prepositional loop! I regret to inform that there is no full review of Dawn of the Planet of the Apes (2014) -- you may have noticed unusually sparse off my game posting -- but I press on with this exhaustively multi-tasking post. It's a list. It's a tweet roundup. It's a review.

I can't go on. I'll go on."
-Samuel Beckett 

Were I to write a traditional review of the surprisingly strong sequel to the surprisingly good Rise of the Planet of the Apes (2011) it would essentially be some sort of fussy expansion and tangent filled detours of these 10 points:

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