Emmy FYC Doc Corner: 'Country Music' and 'The Last Dance'

By Glenn Dunks

As a lover of non-fiction, you would probably assume that I naturally gravitate towards documentary series. That’s not always the case, though. In fact, as they gain more popularity, I often find myself struggling with them. Expanded running times make big omissions more frustrating, and just as elsewhere, some shows don't know when to stop. On top of that, Netflix has narrowed its house style to such a degree that it has become something of a private joke when the streaming service sends one of those “we’ve added a series we think you may like” emails.

In terms of 2020 Emmy contenders for the Nonfiction Series Emmy, we have already looked at several: I hated Netflix’s Tiger King, wavered on Hulu’s Hillary, and while I liked PBS’ Asian Americans a lot, I don’t think it made the eligibility deadline. Hopefully next year! Elsewhere, I gave up on the likes of The Trials of Gabriel Fernandez and How to Fix a Drug Scandal pretty early. However, there are bright spots among some of the other contenders: Ken Burns' Country Music and Jason Hehir's The Last Dance...

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1994 Revisits: "True Lies"

by Ben Miller

Arnold Schwarzenegger has never been much of an actor.  Instead he's a presence, an ideal; square-jawed, charismatic, with muscles on top of muscles.  But, his biggest advantage is how aware he is of his own ridiculousness. His job is to do competent action and spout a cheesy one-liner with the bravado necessary to sell it.  His greatest critical successes have leaned into these innate strengths. When paired with a good director and solid co-stars, his films work.

Everything came together with True Lies in 1994.  Director James Cameron was riding high after T2: Judgment Day made all the money a movie could make in 1991.  He originally entertained the idea of a Spider-Man movie starring Michael Biehn, but couldn’t make it work with 1994 technology.  Instead, he went with True Lies...

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