Great Moments in Gay - 'This kind of stuff' in Weekend (2011)

In June we're celebrating favorite queer moments in cinema. Here's guest contributor Bill Curran on a pivotal low key scene in Weekend... 

Jamie: "What's going on?"

Russell: "Nothing… nothing's going on."

Pride is hard. We’re in a month filled with delirious rainbow floats, umpteen “Yass Queen” gifs, and appropriately lascivious street dancing down many city streets around the globe, and yet I’d like to pause and consider how pride is not merely happiness or acceptance, but respect. And respect is hard. 

Respect—one’s own worth in relation to others—is the motoring theme behind much of Andrew Haigh’s Weekend (2011). In this sense, if Weekend can be considered a landmark 21st century film (as indeed it should be, by any number of artistic rubrics), then the pivotal scene is this exchange between Russell (Tom Cullen) and his best (straight) mate Jamie (Jonathan Race). It is the sea change climax before the more expected bittersweet one... 

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Great Moments in Gay - Sexual Confusion in "Kissing Jessica Stein"

Team Experience is sharing favorite LGBT scenes in cinema for Pride Month. Here's Deborah...

Kissing Jessica Stein is one of my all-time favorite movies, and I could make a whole list of “great moments in gayness” just from Jessica Stein scenes, but there’s one in particular that’s my favorite.

Here’s the quick plot summary: Jessica (Jennifer Westfeldt), cute, quirky, neurotic, single, is reading the personal ads (for you youngsters, that’s the paper equivalent of Tinder or OKCupid), and is struck by one ad in particular. Realizing she’s accidentally been reading in the “Women Seeking Women” section, she throws the paper away, but then decides to answer it anyway. 

Helen (Heather Juergensen) and Jessica begin tentatively seeing each other; Helen, too, is exploring bisexuality for the first time. Helen wants to dive right in, but Jessica is nervous, skittish, and afraid. 

Cut to Helen at Jessica’s place. Jessica presents Helen with a pile of brochures, dons her comically serious reading glasses, and says one of the greatest lines ever uttered in the movies: 

I was surprised to learn that lesbians accessorized.

BWAHAHAHA!

I love everything about this. First, because the word “accessorize” is inherently funny, like “pickle”. Second, because it’s even funnier when referring to a dildo. Which is another inherently funny word. Finally, because there’s an underlying truth: No one seems to have any idea what two women do in bed together. Both straights and gay men seem to kind of go all cross-eyed with, “But, but, but…What do you do?” And studying? Getting brochures for a date? That’s just hilarious, but also not horribly removed from anything that might really happen. 

I love movies about sexual ambivalence. I love straights having gay sex and gays having straight sex and people trying to figure out the difference between love and love. Can I love you and not desire you? Can I desire you and not want to desire you? Why is “best” friend” so different from “romantic lover”? I love the exploration of the gray space where we try to figure all that out. (See also: The Object of My Affection.) Kissing Jessica Stein is a movie that gives us real gay people, and real straight people, and real people exploring the space in between. It’s funny about family, funny about desire, funny about being confused, and funny about coming out. Also, it has Tovah Feldshuh, and she makes everything better. 

previously in this series...

Great Moments in Gay - Shortbus Threesome

For Pride Month Team Experience is looking at favorite scenes from LGBT cinema. Here's guest contributor Steven Fenton...

John Cameron Mitchell’s Shortbus explores issues of identity, pride, and patriotism at the intersection of sex and otherness in response to the pervasive anxiety in New York post 9/11. The film’s unabashed, unsimulated sex scenes challenge the audience to look beyond the bodies, reframing sex as a universal language; a means of creating connection; and a path toward self-discovery.

One of the film’s best moments is a brilliantly staged threesome where Ceth (Jay Brannan), Jamie (PJ DeBoy), and James (Paul Dawson) are locked in a sexual pyramid.

[NSFW after the jump...]

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Great Moments in Gay - Bring it On

In Great Moments in Gay, Team TFE looks at our favorite queer scenes in the movies for Pride Month. Here's Kieran Scarlett on Bring it On (2000)

Peyton Reed's Bring it On is one of the best high school movies of all time. It's best to get that out of the way first in any writing about the 2000 flick about the politics of high school cheerleading. It's often dismissed, forgotten or written off as a trifle, which couldn't be further from the truth. It so stylishly inhabits its own cinematic universe and does such an excellent job of world building--something that's often missing in a lot of high school movies where the environment can sometimes feel generic or a retread of superior movies. Its first scene brilliantly employs a Greek chorus-style device set to a cheer routine to introduce the world and its characters. And it manages to do so much more gracefully than a similar device in Woody Allen's Mighty Aphrodite, arguably a more high-minded film. Bring it On is not a guilty pleasure. It's simply a pleasure.

The way Jessica Bendinger's script handles so many issues feels revolutionary. This was 2000 mind you. Right in the middle of that murky period when it was being sussed out whether campy punchlines or true humanization would become de rigeur for queer representation in film and television. [More...]

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Valentine's - A Room With a View

Team Experience is celebrating Valentines Day with favorite love scenes. Here's Lynn Lee on an 80s classic

Great Moments in Screen Kisses #20, Julian Sands and Helena Bonham CarterEveryone who loves this film remembers The Kiss.  It’s the moment proper Edwardian girl Lucy Honeychurch (a very young Helena Bonham-Carter), vacationing in Italy, discovers romantic passion for the first time.  She doesn’t know it yet, but the odd free-thinking young man she’s only recently met (Julian Sands) is her soulmate.  He knows it, though.

Besides being (literally) storybook-romantic—a sun-drenched poppy field in Italy! lush soprano aria in the background!—the kiss is also wreathed in comedy, as the film cuts back and forth between Lucy, wending her way uncertainly towards George, and her fussy chaperone Charlotte (Maggie Smith) bonding with another fellow tourist, a hacky romance novelist (Judi Dench), over scandalous love stories before she starts to worry about Lucy.  Meanwhile, the Italian driver who led Lucy to George looks on in amusement at what he has wrought.  He knows what’s up, his own public display of affection having been previously smacked down by these uptight Brits.  But the Kiss will not be denied.

It’s also the kiss that keeps on giving for the rest of the movie.  Its memory haunts Lucy during her utter failure of a first kiss with her fiancé, Cecil (Daniel Day-Lewis, vying for comic MVP with Maggie Smith), in England.  It reappears again at a critical and exquisitely awkward moment as a passage in a terrible romance novel, penned by none other than Charlotte’s novelist friend, that the clueless Cecil just happens to read out loud to none other than Lucy and George.  The tension that was simmering since George’s reentry into Lucy’s life then comes to full boil, precipitating a chain of events that eventually forces out in the open what Lucy’s been denying for too long: she and George belong together. 

All thanks to one glorious kiss.

Our Valentine's Series
Shakespeare in Love (1998)
Before Sunset (2004)
The Painted Veil (2006)
Love Songs (2007)
(500) Days of Summer (2009)
Beyond the Lights (2014)