Horror Actressing: Natalie Portman in "Black Swan"

by Jason Adams

We're in between seasons of our "Great Moments in Horror Actressing" series, taking the post-Halloween holidays off, but I decided to spring out from under my self-appointed mothballs to celebrate this week's 10th anniversary of Darren Aronofsky's le grande trash Black Swan -- to spring out, to do a lustily precise pirouette, and to plunk down some love here for Natalie Portman's spectacular and much-deserved Oscar-winning turn as the prima ballerina Nina Sayers, our favorite sweet girl slash toe-crunching psycho.

Over this past weekend I randomly ended up re-watching two seemingly disparate horror films that you might not immediately sense a sister-bond between... 

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Showbiz History: Swanson, John & Yoko, and Freddie Krueger

6 random things that happened on this day, November 9th, in showbiz history...

1931 Diva movie star Gloria Swanson divorces aristocrat Henri de la Falaise and marries Michael Farmer on the same day! (She and Farmer had married three months prior only to realize her divorce hadn't been final... so they had to to it again by which time she was four months pregnant) She was 33 years old and it was her fourth (of six) marriages.

1939 "Garbo Laughs!" Ninotchka has its world premiere in NYC...

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Horror Costuming: Bram Stoker's Dracula

by Cláudio Alves

For the past few weeks, I've been exploring the greatness of costume design in the realm of horror cinema. None of the movies we discussed, not even those somewhat embraced in the awards circuit, got many golden laurels for their feats of costuming. That's, unfortunately, what usually happens to cinematic excellence that happens to manifest outside the boundaries of prestige drama. However, there are always a few exceptions that prove the rule. Such is the case of Francis Ford Coppola's 1992 adaptation of Bram Stoker's Dracula. The picture won three Academy Awards, including the prize for Best Costume Design.

The creations of the late Eiko Ishioka are some of the weirdest and most spellbinding costumes ever made for cinema and, as far as I'm concerned, she's the greatest recipient of my favorite Oscar. Michael has recently explored his first foray into the dark marvels of Dracula, and Jason has previously explored Eiko's Oscar win. Nonetheless, I couldn't let Halloween go by without revisiting this most wondrous of big-screen wardrobes. Join me on this deep dive into the nightmarish fantasy of Eiko Ishioka's Dracula…

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Fave Costume: Dr Ellie Sattler from "Jurassic Park"

We thought it would be fun to have Team Experience share favourite Halloween costumes with you. Here's the final entry from Ginny O'Keefe

It’s DOCTOR Ellie Sattler. She went to school and got a PhD in paleontology so you better put some respect on her full name!

 Jurassic Park was the first film I remember seeing. It was on a constant loop throughout most of my childhood. As a kid I would re-enact the kitchen scene with the raptors by hiding in my kitchen cabinets and crawling on the floor hoping to be unseen by my mother who just wanted to make dinner in peace! I also saw the movie in theaters when it was re-released and in 3D back in 2013 for it’s 20th anniversary. Yes, I sobbed like baby because of the power of nostalgia. This movie has always been a huge part of my life and it helped unleash my imagination and creativity as a kid. So, of course I needed to honor it on the scariest night of the year. I just happened to honor it 26 years after its original release. A little late, but better late than never...

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Himbos in Peril: The Boxer-Briefs Horror of David DeCoteau

by Patrick Gratton

Marcus Hobson’s body trembled as he felt an external power take control. “Is this what enlightenment feels like?” Nothing’s been the same since the night he met Jaspen Frasier, the president of Omega Alpha Psy. Marcus never saw himself pledging. But that all changed with a single touch, as Jaspen confided in Marcus the secrets of his success. This holy ointment, was god’s, or the devil’s, gift to man to reclaim eternal power. The veil that set him back had been lifted, everything was within his grasp. Exhilarated, he wanted to be free to possess whatever his will desired. He basked in his beauty. His modesty had withered away, he felt free, free of the confines of his mind and soul. What mind? What soul? Little did Marcus know that those were withering away as well.

This is an excerpt from a synopsis of the David DeCoteau film The Brotherhood VII: The Ascension. Or is it? Does the film actually exist? I might have made it up but does it matter? With a filmography whose imagery and plots are so indistinguishably alike, as to make the audience's mind as foggy as the hunky protagonists, who is there really to say?

As a self-described “Gay Roger Corman”, the prolific DeCoteau has 160+ directorial credits to his name. It’s rare to find a filmmaker with such a large output, delving into so many various genres, with such limited social imprint. Despite his success working with B-Movie Mogul Charles Band, DeCoteau’s name is barely mentioned, even within the halls of the queer horror canon...

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