New to the National Film Registry: Brokeback Mountain, Hud, etc...

by Nathaniel R

Each year in the thick of precursor awards season we are momentarily (and pleasantly!) asked to think about the entire history of motion pictures. Each December the Library of Congress adds 25 new movies to their list of American titles worthy of preservation. The criteria is "cultural, historic and aesthetic importance to the nation’s film heritage."

The most recent inductee this year is Ang Lee's neo western gay classic Brokeback Mountain (2005) which is about as deserving as titles get for this honor. And we're personally thrilled to see the best movie of 1963, Hud, added. Here's the whole list chronologically...

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Best Supporting Actor 1963: Melvyn Douglas in "Hud"

The Film Experience is taking a brief trip to 1963 for the forthcoming Smackdown. That year's supporting Actor winner was Melvyn Douglas in Hud... 

by John Guerin

Paul Newman as Hud makes me forget everything else. All my attention is funneled into those blue-grey eyes, the nucleus of Newman's swaggering energy. Hud emerges from this drowsy Midwestern tapestry like a geyser springing up from a desert. Why look anywhere else? The film hardly forfeits narrative or photographic attention from Hud, but he's not the only performer doing expert work in Martin Ritt’s 1963 masterwork. There's Patricia Neal's Alma, an iconic intersection of Southern exhaustion and eroticism. There's also Melvyn Douglas' Homer, which, to my constant surprise, remains perhaps the films best performance...

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3 Days Until Oscar -- multiple wins without a Best Picture Nod

With the seismic shift of the expanded best picture field in 2009, certain forms of Oscar trivia seem dead or at least on life support. Foxcatcher proved you could still be a "lone director" nominee for a non Best Picture player, and Carol proved you could still get a big swath of nominations but miss out on placing in the top category. But nearly all the records involving films that weren't nominated for Best Picture will not be broken now; when Oscar notices you in a big way these days, you're also likely to achieve that highest distinction of being a Best Picture nominee.

But with 3 being the magic number today, let's take a look back at the rare cases of films that won 3 or more Oscars that were not nominated for Best Picture. The only film that could theoretically join this list this year is Jackie (the most nominated film that isn't up for Best Picture) but it would have to win all three of its bids! 

The 18 Biggest Oscar Winners That Were NOT
Nominated for Best Picture
(current titles for categories used in this list though some have changed) 

01 Five Oscar wins from six nominations
The Bad and the Beautiful (1952) Supporting Actress, Original Screenplay, Cinematography, Production Design, Costume Design. It lost only Best Actor but mysteriously wasn't nominated for Picture or Director despite obvious widespread love for it. But then, 1952 was among the very strangest of Oscar years for multiple reasons. 

Curiously Kirk Douglas also leads one of the three films tied for runner up in this particular list...

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Paul Newman "is"...

We're reviving "Curio" but with a twist. It won't just be arts & crafts any more but any curiousity so here's one about movie vernacular, taglines, and advertisements. - Editor.

Fifty years ago today Harper (1966) hit movie theaters. We only mention this because it gives us (another) excuse to post Paul Newman photos and to talk about a favorite movie poster quirk. Joe Reid recently wondered aloud why we say "Actor 'in' Name of Movie" versus "Actor 'on' Name of TV Show" which is true and curious. Why is that the language?

And why do some advertising campaigns say Movie Star IS... rather than Movie Star IN... or Movie Star AS? With Paul Newman it was "is" more often than not. Here's some proof...

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The Alluring Patricia Neal in Hud

Continuing our celebration of 1963 here's Murtada on that year's Best Actress.

Patricia Neal is first introduced 8 minutes into Hud. She walks into the center of the frame and takes hold of it as she gazes at Paul Newman parking his car.

He parked right on my flower bed”.

The way she is framed ensures the audience knows she’s important to the story. The way Neal tosses off that line, we know Alma’s not to be messed with. [More...]

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