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Entries in IMAX (7)

Tuesday
May032016

Doc Corner: Documentaries at the Box Office in 2016

Glenn here. Each Tuesday we bring you reviews and features on documentaries from theatres, festivals, and on demand. This week we look at the medium's flatlining box office is a sign of 2016's roster of documentaries.

Looking at Nathaniel’s listing of the highest grossing documentaries list of the year so far and I was – to put it mildly – a bit bummed out. Not surprised, of course.

Certainly, the comfort of one’s home is a perfectly fine place to view many of these films, and a necessary advancement given the general downturn in boutique and arthouse cinema-going. But as a lover of movies, going to the movies, and writing about movies, it is frustrating and a worry that no documentaries other than Michael Moore’s disappointing Where to Invade Next and the Christian-themed Patterns of Evidence have made any sort of impact at the box office (and even then, Moore’s film is a dramatic slide from even his most recent film Capitalism: A Love Story at $14m) in four months of the new year.

The reason the doc box office figures particularly worried me was because the first quarter of the year is peak opportunity to take advantage of a quiet marketplace...

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Tuesday
Apr122016

Doc Corner: IMAX in the Age of VOD

Glenn here. Each Tuesday we bring you reviews and features on documentaries from theatres, festivals, and on demand. This week we take a look at IMAX and question why such a documentary-friendly medium hasn't taken advantage of the marketplace.

A funny thing happened in the arthouse cinemas across my home country of Australia this weekend: Aleksandr Sokurov’s Russian Ark was re-released into theatres. It had been a hit in 2002, but it’s still odd to see a 14-year-old Russian art film pop up around the nation for no other reason than, I suspect, to throw some (very elegant and aristocratic) shade at the recently-released Victoria.

I bring this up because I recently visited my local IMAX. The proper IMAX with screens that stands as tall as multi-storey buildings, and not whatever fauxMAX imitations have popped up across American multiplexes. [more...]

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