Cannes at Home: Days 8 & 9 – Women in Red, the War on Drugs & French Colonialism

by Cláudio Alves

The 75th Cannes Film Festival is almost over! If there's any hope of finishing Cannes at Home before the closing ceremony, it's critical to pick up speed. So, here go two days' worth of auteurs in one go. 

The Dardennes showed their latest, Tori and Lokita, to some acclaim. However, after The Unknown Girl and Young Ahmed, I'm skeptical about the Belgian duo's tackling of immigrant stories. Mario Martone also returned to the competition, and his Nostalgia could see Perfrancesco Favino winning the festival's Best Actor trophy. In contrast, Saeed Roustayi is competing for the Palme for the first time with Leila's Brothers. All that being said, the big story from these latest festival days was surely Claire Denis' Stars at Noon. Most critics seem to hate it – some even jokingly calling for the director's retirement – while a scattering of ardent fans provides a contrarian takes. For sure, hers seems to be the most divisive film at the Croisette.

Today's Cannes at Home selection includes the Dardennes' first Palme d'Or honoree Rosetta, Martone's L'Amore Molesto, Roustayi's acclaimed Just 6.5, and Denis' debut feature Chocolat…

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Cannes at Home: Day 8

by Cláudio Alves 

What an exciting day to be at Cannes this must have been. Asghar Farhadi unveiled a new picture to critical acclaim, with some even stating that A Hero is his greatest work since A Separation. In the main competition, Julia Ducournau also presented her sophomore feature, Titane. After Raw, the new film seems like it will continue the director's exploration on the limits of body horror. As for some sidebar prospects, Miguel Gomes opened his latest work in the Director's Fortnight. The Tsugua Diaries was co-directed with Maureen Fazendeiro and represents Gomes' first feature since Arabian Nights. Unfortunately, another project called Savagery remains incomplete since the pandemic forced the production to halt. In any case, for our homebound Cannes alternative, let's explore the past and best works from these filmmakers…

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Best International Feature: Iran, Jordan, Saudi Arabia

by Cláudio Alves

In the past decade, Middle Eastern cinema has been having a moment among Oscar voters. At the very least, the cinema of Asghar Farhadi has earned AMPAS' attention. The director's A Separation and The Salesman won the trophies for Best International Feature, and the first film got an additional nomination for Best Original Screenplay. As for other countries from the region, Israel, Palestine, Jordan, and Lebanon have each won at least one nomination in the past ten years. I'm excited to see if this trend continues in the 2020s. With that in mind, let's delve into the films submitted for the 93rd Academy Awards by Iran, Jordan, and Saudi Arabia…

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"Sun Children" and Iran's Oscar History

by Nathaniel R

Iran is sending their favourite filmmaking son to the Oscars again. Sixty-one year old prolific filmmaker Majid Majidi brought Iran the first of their three Oscar nominations with his fifth film Children of Heaven (1998); they've submitted him almost every time he's made a feature since. This year his latest film Sun Children, which you'll recall won the Marcello Mastroianni Award for Best Young Actor at Venice this year, about poverty stricken chilldren trying to support their families, will compete for the coveted Best International Feature Film Oscar prize. 

After the jump key Iranian submissions over the years and Oscar trivia...

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More International Oscar News: Several "Finalist" Lists Announced

by Nathaniel R

The Man Standing Next ...has the difficult task of following in Parasite's footsteps!

The submission charts for Oscar's Best International Feature Film race have been updated to reflect more new entries like Croatia's Extracurricular, Palestine's Gaza Mon Amour, Panama's war drama Causa Justa , Romania's documentary Collective, and South Korea's The Man Standing Next.

But the big news at the moment is six finalist lists so keep your eye out for any of these pictures to rise up...

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