The Film Experience™ was created by Nathaniel R. All material herein is written by our team. (This site is not for profit but for an expression of love for cinema & adjacent artforms.)
As you have undoubtedly heard Maureen O'Hara passed away in her sleep this weekend. She was 95 years old after living a full life and leaving behind a pretty stellar filmography. Just one year ago she was celebrated in Los Angeles with an Honorary Oscar. They paid their respects in the nick of time.
The Film Experience is thrilled to have Cara Seymour taking over the blog for the day. Here's her final post! - Editor
A Favorite Actor I took this picture of the brilliant Patrick Fitzgerald in Dublin when we were performing "Gibraltar," his adaptation of James Joyce's "Ulysses". He worked on that novel, with the devotion of a monk and discovered things that no other academic had found. The greatest acting challenge I ever had was performing the Molly Bloom monologue, which was, even edited, forty minutes of stream of consciousness. Patrick coached me every step of the way. The great Terry Kinney went on to direct a production with us, at The Irish Rep. We also performed together in Mike Leigh's "Ecstasy" in 1995, the first big hit for The New Group. We have had extraordinary moments together on stage. He's one of my favorite actors.
A Favorite Song Philip Chevron singing "Thousands are Sailing"
One of my favorite songs about Irish immigration. I used to go and see The Pogues. He performed this song in a spotlight, I remember him sparkling in the light, not sure if that was his jacket or his soul.
A Few Favorite Films Martin Scorsese's King of Comedy (1983) and Abbas Kiarostami's Close-Up (1990). Love these movies, they feel like cousins. Something about class, fame and delusions and wanting to be someone else. And, of course, Robert DeNiro is just magical. I'd love to watch these movies together one night...if I ever got my son to bed early.
Mama Roma (1962). I've watched this so many times. I love Pasolini movies. Anna Magnani's performance is just brilliant. That laugh. That twinkle. And pain. There's a couple of seconds in that movie that just rip me apart.
There are many, many reasons to be a fan of Steven Soderbergh, who I've been working with on "The Knick," and one of them is that he used footage from one of my favorite English films, Poor Cow (1967) directed by Ken Loach in his haunting movie, The Limey (1999). Terence Stamp was magnetic in both movies. Carol White was the lead actress in Poor Cow. Carol White was really something. Ahead of her time.
"Poor Cow" with Carol White and Terence Stamp love this clip
My takeover of The Film Experience is now just love notes. I could go on and on... so I better sign off! Thanks for reading.
The Knick is back in October. I start work next week on Elisabeth Subrin's film A Woman, A Part with Maggie Siff and John Ortiz. Check out Subrin’s blog, Who Cares About Actresses?
Breaking News: Someone finally gave Toni Collette something to act onscreen again. She has lines and emotions and everything. (Tammy and Hitchcock -- never forget!). But I'm jumping too far ahead since Glassland takes some time to come around to her story. When we finally get to it she all but dares you to listen with hostile self-pity in an amazing and amazingly lengthy monologue. [More...]
In "The Honoraries" we're looking at the careers of this year's Honorary Oscar recipients (O'Hara, Miyazaki, Carrière) and the Jean Hersholt winner (Belafonte). Here's abstew on an Irish fav...
I have often said that "The Quiet Man" is my personal favourite of all the pictures I have made. It is the one I am most proud of and I tend to be very protective of it. I loved Mary Kate Danaher.
The making of John Ford's Oscar-winning film The Quiet Man was a labor of love for all involved. Despite having already won the Best Director Oscar three times, Ford found it difficult to get his passion project off the ground. As far back as 1944, John Wayne and Maureen O'Hara had agreed to star in Ford's love letter to Ireland. And it eventually found a home at the most unusual of places. B-movie studio Republic only agreed to make the film (which they thought would lose them money) if Ford, Wayne, and O'Hara first made a guaranteed money-generating Western together first. After 1950's Rio Grandefor the studio, they headed to shoot on location among the lush emerald fields of Ireland itself and the affection for the country and its people is apparent in every frame.
The New York Film Festival begins tonight. Here's Nathaniel on the Irish thriller '71 starring this year's breakout actor Jack O'Connell (see also: Starred Up, and Unbroken)
Rookie soldier Gary Hook (Jack O'Connell) is already breathing heavy when '71 begins. He and his fellow soldiers are deep in military drills, managing obstacle courses, target practice and running hard miles. Introductions are brief and rote as they meet their commanding officers, only one of whom drops the protocol for a little personality. Lt. Armitage (Sam Reid) attempts to win the new recruits over by admitting that's he's green in his position, too. This isn't comforting to everyone. Just as soon as we've begun the new soldiers get their orders and learn that they're not flying out but staying put in Ireland.
You aren't leaving this country."
For some that sentence will be literal, and a fatalistic omen. But which country are we talking about? Whose country? Belfast in 1971, where the story takes place, was deep into "The Troubles," a bloody and decades long conflict over the identity of Ireland itself. [more...]
Sunday, October 25, 2015 at 5:04PM 
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