FYC: "Pinocchio" for Best Makeup & Hairstyling

by Cláudio Alves

Carlo Collodi's 1883 novel The Adventures of Pinocchio has been adapted countless times to the big screen, from the time of the silent shorts to today's world of streaming services and opulent CGI. However, it should be noted that, throughout the majority of film history, the most famous adaptations of this literary nightmare have been rather unfaithful to its source material, its sharper edges indiscriminately sanded off. A tale of cruel moralism full of ghoulish characters, Pinocchio's story is often mellowed until its hellish visions are more enchanting than terrifying. 

When it was time for Matteo Garrone to shoot his version of the narrative, the Italian director went back to Collodi's original tone…

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Giulietta Masina @ 100: Cabiria's perfect ending

by Cláudio Alves

Born 100 years ago in San Giorno di Piano, Giulietta Masina is one of the most indelible faces of Italian cinema. She started her career as a theatre and radio actress but, by the time her husband Federico Fellini made the transition from screenwriter to film director, Masina was ready to follow him on the journey to the big screen. Despite having worked for other such notable auteurs as Rossellini and Wertmüller, Masina's legacy is defined by her husband's pictures. He immortalized her in more ways than one, both creating film monuments to her humanity, and using their marital strife to create many a celluloid drama...

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Italy chooses "Notturno" (Plus Italy's robust Oscar history)

by Nathaniel R

Italy has chosen Gianfranco Rosi's highly acclaimed documentary Notturno (which we reviewed at the AFI fest) to represent them at the Oscars from 25 Italian films that were submitted for consideration. Italy previously submitted his 2016 documentary Fire at Sea (which was not nominated for International Film but did score in Documentary Feature). Perhaps emboldened by Honeyland's double nomination last season for Best Documentary and Best International Film, more countries than usual have submitted documentaries this year hoping to repeat that historic double. That said, only three docs have ever been nominated in this particular category: Waltz with Bashir, The Missing Picture, and Honeyland.

As we've seen in past Oscar seasons, Italy skipping over The Life Ahead for their submission entry is not at all a deterrent for Sophia Loren's Best Actress campaign. Movie stars and world famous directors operate by different rules, if you know what we mean...

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25 Italian Finalists for Oscar Submission

by Nathaniel R

Italy doesn't really make it easy for their selection committee! Most countries pick a handful of finalists (if they have a finalist list at all) before making their Oscar selection. Even France, which makes lots of movies each year, narrows it down to just three or four before the choice is made. But Italy has a list of 25 (gulp) titles to decide between for their Oscar submission which they'll announce on November 24th. Italy is a powerhouse with Oscar as the #2 most often nominated country (behind only France) and the #1 most winning country (ahead of France). The 25 titles they're looking at are after the jump if you're interested...

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Review: Sophia Loren returns with "The Life Ahead"

by Cláudio Alves

The Movie Star and Her Director Son

Even before we see her face in The Life Ahead, it's impossible to draw the eyes away from Sophia Loren. Following in the tradition of European realism, Edoardo Ponti's camera captures an Italian marketplace with shaky energy. However, no matter how shabby the framing might be, the colors depart from the standards of realism. Angus Hudson's cinematography makes everything a bit too bright, the sun shining on the streets like golden flames, every saturated color intensified. It's reality as if painted with crayons by an enthusiastic child. 

In this sunny landscape, a shot of bright blue, bluer than the sky, stands out, crowned by a mess of gunmetal hair. Dressed in azure, Loren may have lost some of the youthful glow of her heyday in the midcentury, but the star power is intact, her magnetism as strong as ever. Furthermore, the director, her son, knows how to pay reverence to the screen legend without making it too obvious or too elegiac…

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