The Italian Oscar race: 18 contenders for the submission, 1 probable winner

by Elisa Giudici

THE HAND OF GOD

The Italian longlist for the 2021 Oscar submission is very long and much better than usual, quality-wise. Although if the Italian Cinema Academy appointed by ANICA really wants to give Italy a chance to make the finals,the choice is obvious: Paolo Sorrentino's The Hand of God.

Unfortunately, in the last decade, the Italian film commission's rulings on this matter have not proved to be that smart. I mean, how can you send Marco Bellocchio's The Traitor (as beautiful and important as it was domestically) when The New York Times states that Pietro Marcello's Martin Eden is the best movie of 2020? Our only solace was that that was the year of Parasite, so there was no room for a real contender to Bong Joon-ho's victory in Best Internatural Feature Film...

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Locarno Diary #5: Italian Horror Stories

by Elisa Giudici

I was really curious to see Italian movies selected this year in Locarno, after the change of the artistic director. Italy and this part of Switzerland have strong ties: everyone here speaks Italian. You can drive from Milan to Locarno in a couple of hours, so it is not that surprising that the Swiss Festival has strong connections with Italian movie industry. So why are the Italian movies shown in Locarno almost always a disappointment? (The two worst Italian films I saw in the past decade were both showcased here. ) I have my own little conspiracy theories on this topic but that's for another time.

This year there are three prominent Italian movies in Locarno: one in competition, one in Piazza Grande and one in the Cineasti del presente section (which is reserved for young, promising directors). After seeing Il legionario, I was quite optimistic about the fact the something has changed and the "Italian curse" in Locarno has lifted. Perhaps I was too optimistic...

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Venice 2021: The Jury

by Nathaniel R

With Cannes wrapped we move on to the fall festival buzz. Next up is Venice (September 1st-11th) and we are thrilled to report that Elisa Giudici, our Italian correspondent who did such a fine job covering Cannes, will repeat that trick for Venice. The 78th Venice festival has just announced the complete jury for its competition films. Like Cannes, they've chosen a majority female jury this time around. Unlike Cannes they went big on very recent Oscar nominees and winners...

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Cannes Diary #06: Or, I Took the Night Off

by Elisa Guidici

Cannes partygoers watching the game on a phone -- photo vis Scott Feinberg's Twitter

Yes, I took last night off. I'm not exactly a socialite during festivals: I spend the majority of my time in screenings and what's left desperately trying to write as much as possible about the movies I saw. I really envy colleagues who are able to balance work and social life at a festival as it's a skill I completely lack.

Having said so, come on, European football championship finals with Italy against England: every other Italian journalist was planning to see the match. Poor Nanni Moretti, had to present his latest movie just one hour before the match. I spent the night at a local pub with a group of Italian colleagues, watching the match and having my first dinner actually seated at a table and not hiding somewhere near the press room eating a baguette-with-something since the very first day. And Italy won, so it was a beautiful night. And now my voice is almost gone.

And the movies, Elisa, the movies? Well, I saw only two movies, but one is the longest in competition, so...

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Cannes Diary #1: Adam Driver singing, journalists spitting, and other minor inconveniences

TFE is thrilled to have a correspondent on the ground in Cannes this year. Please welcome back Elisa Giudici.

by Elisa Guidici

It's my first day of my first year as a press pass holder at Cannes Film Festival. Let me tell you that as an Italian, I am so proud of how Venice Mostra handled their Covid-19 edition last season. Cannes had an extra year to plan how to be efficient, safe and as Covid-free as possible. How did the organisation spent these months?.The ticketing system to avoid long queues before screenings? A hot mess. The website? Almost always down. Covid tests? Bizzarre, but at least free for pass holders...

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