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Entries in Italy (92)

Wednesday
May252022

Cannes Diary #8: Reshaping the world through voices or silence

by Elisa Giudici

TORI & LOKITA

Speak up for yourself and change the world. The problem is that sometimes that the most vulnerable people have no voice, enduring violence and betrayal in silence. Sometimes a forgotten language is found again. At other times silence is a radical choice made. Today, an immigrant story from the Dardennes, and a vivid true story from Agnieszka Smoczyńska, the director of The Lure...

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Saturday
Feb052022

Monica Vitti (1931-2022) What makes a great actor?

by Timothy Lyons

This year’s Best Actress discussion / post-BAFTA nomination shake-up has reached a new height of confused scrambling. Things have, for now, refocused on the single consistent presence throughout precursor season: Lady Gaga as the murderous Patrizia Reggiani in House of Gucci. When watching the film, it became clear to me how much Gaga’s distinctive visage bears striking resemblance to that of the great Italian star Monica Vitti. This came into sad focus today on my learning of the legend’s passing on Wednesday at the age of ninety from complications related to Alzheimer’s.

I will get quickly back to the subject at hand but to help in drawing out Vitti’s unique gifts, a little more on Gaga in Gucci as a comparison…

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Sunday
Jan302022

An exhaustive Italian guide to Paolo Sorrentino’s 'The Hand of God'

by Elisa Giudici

As your Italian correspondent here at The Film Experience, it's my duty to give you an exhaustive guide to our current Oscar finalist. Or, at least, it is my attempt. I am not from Naples and The Hand of God is a movie that's deeply connected to Neapolitan folklore and culture. Let’s start from the beginning though we hope you've already screened the movie on Netflix...

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Saturday
Jan222022

Sundance: The pitch black repercussions when you 'Speak No Evil'

by Jason Adams

I don't know why people never heed the wise words of the credits to The Real World opening credits when they find themselves inside a horror movie of manners, but if we all could just stop being so damned polite and start getting real there'd be way fewer corpses dumped into the ditches of the world, and doesn't that sound a lot nicer for everybody? But no, nobody listens to the reality-programming Cassandras called Bunim and Murray, and so we end up watching people like the Danish family at the heart of Christian Tafdrup's pitch-black Sundance horror Speak No Evil, who don't speak up for themselves and pay the darkest of prices for it. Get real, world! It's for your own good...

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Tuesday
Jan112022

Streaming: "Four To Dinner" and the problem with Italian Netflix movies

by Elisa Giudici

In the new Netflix movie Four to Dinner, beautiful thirtysomething singles are invited to a married couple's dinner on a picturesque Roman terrace. The terrace is not quite as breathtaking as the one with the hammock facing Colosseo in The Great Beauty, but it's still the kind of terrace mere mortals can only dream off, in Italy or elsewhere.

The married couple hosting the dinner is playing matchmaker, but they have different opinions on which singles should be paired. Would it be better to match their friends with similar temperaments or to test the chemistry between two opposites? The answer is both, at the same time...

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