"It was the Boogeyman"

by Cláudio Alves

The release of Halloween Kills marks the twelfth feature in the franchise that originated with John Carpenter's classic slasher. It's been 43 years since it all started, but the story of Michael Myers keeps on engaging audiences. Unfortunately, four separate timelines have twisted it out of shape, making the monster into a druidic nightmare, a manifestation of murderous fate that chases after its own bloodline, a human psychopath, an inhuman abstraction. As for Jamie Lee Curtis' Laurie Strode, she went from the ultimate final girl to a scream queen offed off-screen to a traumatized woman and a violent avenger. Honestly, it's been a wild ride, and most of those sequels are misbegotten atrocities that deserve no attention. However, none of those sorry movies or their divergences from Carpenter's essential vision have retroactively worsened the first picture…

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Reason #10,473 to love Jamie Lee Curtis

She went to the premiere of Halloween Kills (2021) dressed as Marion Crane from Psycho (1960)...

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Showbiz History: Wait until dark for full frontal Oscar nominees

8 random things that happened on this day, October 27th, in showbiz history

Sonny & Cher in 1964

1964 Sonny & Cher marry. Huge fame follows the next summer with the release of their debut album and their first #1 hit I Got You Babe"

1967  Opening weekend for the thriller Wait Until Dark. It's a hit at the box office and snags star Audrey Hepburn, playing a blind woman, her fifth and final Oscar nomination at the age of 38...

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Horror Actressing: Jamie Lee Curtis in "Halloween"

by Jason Adams

It is October 28th as I write this and so naturally one is thinking of Halloween -- not the holiday but John Carpenter's movie, I mean. I think in movies exclusively now, ya see. But with this franchise it's hard not to -- the original film was released 41 years ago yesterday and its star Jamie Lee Curtis is out there right now still playing Laurie Strode for the first of two brand new sequels, Halloween Kills for next year and then for 2021 (the no doubt deceptively titled) Halloween Ends. What a good time to celebrate Laurie Strode then...

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TIFF: Eating the Rich with "Knives Out"

by Chris Feil

When Rian Johnson announced a star-studded murder mystery in the vein of Agatha Christie, you didn’t think it would just be a straightforward genre exercise, did you? As he has shown in films such as Looper (and to an extent Star Wars: The Last Jedi in its brilliant eschewing of franchise dogma), Johnson delights in subverting our expectations of genre ever so slightly. Knives Out film is no exception, not only turning the ensemble comedy into a rollicking eat-the-rich satire, but also taking the standard whodunit plotting and repositioning it with exciting reinvention. Even if your tastes consider the book mold stodginess of Christie to remain delicious, Johnson’s modern narrative take should satisfy even purists.

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