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Entries in Jimi Hendrix (2)

Wednesday
Apr112018

Soundtracking: "Woodstock"

The 1970 Smackdown is coming! To kickoff our look at everything 1970, here's Chris looking the music of that year's landmark Oscar-winning documentary...

We love examining the lasting cultural impact of our subjects here at Soundtracking, but rarely do the soundtracks explored serve as a cultural artifact themselves. Woodstock is an event that became a part of the American story, and essentially by accident. It was more than a concert, but a landmark display in anti-war sentiment and activism through artistry. Michael Wadleigh’s staggering cinematic account shows how music and movement lived symbiotically during the era, empowering a generation and an art form.

One of the significances of the concert film is that it allows the viewer to participate in a musical moment that they didn’t get first-hand. But the very best of the genre (see: Stop Making Sense) imbue their own perspective of the artistry on display and provide something an attendee of the live experience couldn’t have lived. Here Wadleigh creates a split-screen, all-encompassing view of the weekend, one that presents the crowd and the musicians as peers moved by the same feeling.

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Wednesday
Sep202017

Soundtracking: "Across the Universe"

We're talking the 10th anniversary of Across the Universe in Chris Feil's weekly column on music in the movies!

Across the Universe came to the screens just as jukebox musicals were becoming especially grating on Broadway, but more of a curiosity for the big screen. The film promised stunning Julie Taymor-directed imaginative images set to a massive catalog from The Beatles - and delivered us something a bit more uneven than the creativity explosion that sounds like. Perhaps the high bar already set by invoking the biggest band in the history of popular music was an impossible goal, but the film does provide at least a fun reimagining for some of the best music of the century. A Beatles musical in any context? Yes please (with trepidation)!

The film plays best when it side-steps the plot in its musical sequences...

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