Contest Winner: "I Know Where I'm Going"

Eeep! I forgot to announce the contest winners for this new Katharine Hepburn "I Know Where I'm Going" bio from Charlotte Chandler. I asked participants to name their favorite performance from "Kate the Great" and I just now pulled the winners randomly from those contest entries.

Which Hepburn performances are favored by our three winners? Read on!

Annie in New York. She writes...

My favorite Katharine Hepburn performance is in Bringing Up Baby (1938). Reasons: The improvised line, "I was born on the side of a hill" when the heel on her shoe broke; the glorious close-up of her smiling face that brings the film to a complete halt just to luxuriate in it; "Did we get to the other side?".  It's her full commitment to every aspect of the funniest movie ever made that makes this my favorite Hepburn performance.

Seisgrados in Spain. He writes...

Leonor of Aquitania in The Lion in Winter (1968). Her character is talked about like a bigger than life figure, strong, conniving, powerful, long before she enters the movie.



It's so hard for an actor to live up to those expectations in any film but when Hepburn shows up in this, she manages to be all that. An irresistible force.

Kimberly in Massachussetts. She writes..

Growing up Katharine Hepburn was the first real "actress" I knew of save my fathers obsession with Vivien Leigh (and all things Gone With The Wind). Living in New England she's considered a treasure. I could easily rattle off a specific reason, scene, or line that make each of these performances my favorite: Stage Door - I long to have a real life dialogue where I can use a few of the gems her and Ginger Rogers spout at one another; Bringing Up Baby for the early scene in the restaurant when her dress is ripped; The Philadephia Story drunk in Jimmy Stewarts arms...

But, my favorite would be in Desk Set (1957). Besides being the most often quoted film between my father & I, the performances are pitch perfect. It makes me sad that so many people haven't seen this film. As a woman this film has always stood out to me because Bunny Watson never tried to dumb herself down for Richard Sumner - he came to love her because she was smart. Hepburn also plays off of Joan Blondell in a fantastic way - Kate was rarely given girlfriends in her films - she was tough and always sparred with the boys, so it's fantastic to see her be a girls girl. This is one of my all time favorite films and I watch it every single time it's on. 

Congratulations to the winners! Your books will be in the mail soon.

Was your favorite Hepburn performance duly noted?

Pssst. Mine is Bringing Up Baby with Alice Adams as runner up but I am far from a completist.

Contest: Win a Katharine Hepburn Bio

My reading habits are very schizophrenic. I won't read anything but blogs for a long time and then suddenly I'm a voracious reader. I blame "What You See in the Dark" which got me back into a fiction mood. I just finished "The World of Normal Boys" today (total page turner) and I may start the newest Katharine Hepburn bio. Who knows. I have so many actress bios that are sitting here unread. As many of you know (and are perplexed by) Hepburn is far from my favorite actress but I am as ever willing to try. 

I can't vouch for the book as I have not read it. Apparently Charlotte Chandler, known for writing bios about deceased celebs, sometimes gets flak for quotes that are contradictory of previous quotes from other biographies, auto and otherwise. But what can you do about celebrity:What life, in the telling, is not a mix of fiction and truth, even if the person doing the telling is the subject!?

Anyway, I have two copies to give away. To enter the contest, email me before Thursday night at filmexperience (at) gmail (dot) com with "Hepburn" as the subject line and include the following.

• your name and address
• your favorite Katharine Hepburn performance and why*

* I might quote you on this last part so be forewarned

DVD: Gwynnie, Kate and Dolph?

Today's DVD releases cover a lot of ground. But let's start with the most amusing. Two collections arrive today. One, Tracy & Hepburn the Definitive Collection, collects every film that co-starred Spencer Tracy & Katharine Hepburn, one of moviedom's most legendary couples both onscreen and off. The other is Dolph Lundgren Triple Threat. Hee. Because my movie-addled brain is always mushing things together I couldn't help but imagine a Lundgren/Hepburn series for a split second. What kind of movie could they possibly have made together?

The Lundgren triple doesn't even include any movie you've heard of. It's mostly post 90s stuff. Unfortunately none of the films are musicals despite the title of "triple threat" . When you hear triple threat you automatically think of a actor/singer/dancer, right?  Make your next straight-to-DVD action pic a musical, Dolph.

The best of the new releases is Claire Denis's typically hypnotic and disturbing White Material, which I wrote briefly about in January and the worst is Harry Potter and the Deathly Hallows Pt. 1 which I'm off-trend about it because it got wildly thumbs up reviews but I think it's easily the worst Potter feature  (give or take the Chamber of Snoozing) and aside from that admittedly stellar animated sequence, it was the most cynical (and successful) cash grab of 2010. The debuts  I haven't seen: the Gilles Marchand thriller Black Heaven starring Grégoire LePrince-Rinquet (Love Songs) and the acclaimed documentary Marwencol, about a brain damaged man recreating a World War II era town to 1/6th scale.

Finally, Country Strong also debuts on DVD today. But since we've heard Gwyneth's lovely voice crooning the  tracks, is there any reason left to see the movie? Have any of you?

I feel a poll coming on...

poll by twiigs.com

Tennessee 100: "Suddenly Last Summer"

Robert A. here (of Distant Relatives). When Nathaniel asked us to pick a Tennessee Williams based film and write about it, my first instinct was the pick something I’d seen again and again and thus could write with authority. Unfortunately all of those films were quickly scooped up and I thought, why not take the opportunity to explore one I’d always wanted to see but hadn’t gotten around to. Why did I want to see Suddenly, Last Summer?

Well...

Of course, Tennessee Williams films are often saturated in dripping sexuality.

Cue the crotchety old man in me saying “In my day, when films couldn’t show two people hopping in the sack, they were sexier.”  But in the case of Williams, it’s true. Consider shirtless desperate Marlon Brando shouting out for his lover in Streetcar or Eli Wallach seducing Carrol Baker in Baby Doll. This wasn’t every day sexuality winkingly eluded to to get past the censors. This was dangerous stuff.

Which finally brings me to Suddenly, Last Summer which stars Montgomery Clift as a psychiatrist hired by Katharine Hepburn to analyze, diagnose (and lobotomize) Elizabeth Taylor who has been hopelessly manic since witnessing the sudden death of her cousin Sebastian (Hepburn’s loving son) "last summer".

death haunts those conversations about last summer.

Made just a year after Cat on a Hot Tin Roof had every suggestion of Brick’s homosexuality purged, and knowing writer Gore Vidal claimed the studios made him do much of the same I went in expecting no less. Perhaps the innocence of the 50’s was still in full swing but from Taylor’s blunt declaration that Sebastian used she and his mother as “decoys” to attract desperate men, to the production design which covered Sebastian’s study with pictures and sculptures of naked men, the “undertones” seemed more like overtones.

To be gay would be shocking enough for audiences in 1959. But Sebastian’s predatory nature and the details of his grizzly murder add up to a kind of vampire sexuality where characters are at the complete whims of their urges, easily seduced, uncontrollably impassioned, set in a world explicitly characterized as one where the chaos of nature has free reign and we’re all victims in the making waiting to be devoured. My introduction to Suddenly, Last Summer was also my initiation into the most shocking of Tennessee Williams.

not the kind of action Sebastian was looking for

Suddenly Last Summer is actually a one-act play and, as such was not a Broadway outing for Tennessee in it's original run, double billed with another one-act. The film version won 3 Oscar nominations (art direction and a double Best Actress for Taylor and Hepburn. They lost to Simone Signoret in Room at the Top) There are no other feature film versions though there was a televised BBC production in the 90s with Maggie Smith (Emmy nominated), Rob Lowe, Richard E Grant and Natasha Richardson.