The Film Experience™ was created by Nathaniel R. All material herein is written by our team. (This site is not for profit but for an expression of love for cinema & adjacent artforms.)
Andrew here to kick off a theme week dedicated to my favourite movie related person of all time – Katharine Hepburn. Next Sunday is the 106th birthday of Oscar’s most fêted Actress and this week The Film Experience is devoting time to her with the centrepiece being Wednesday’s “Hit Me With Your Best Shot” devoted to Summertime, her lone David Lean collaboration. (Join us, please.)
I’m starting things off this evening with a monologue from Hepburn’s record making turn in The Lion in Winter. She became the first woman to win a third Best Actress Oscar, and then subsequently broke her own record made it a fourth with On Golden Pond in 1981.
Eponymous lion in winter, Henry, is pondering – which of his remaining three sons deserves to succeed him? Meanwhile, young new King Philip of France is visiting and wants a successor chosen, or he wants his sister, Alais, back along with her dowry. Alas, Alais is currently King Henry's mistress. Adding to the tension, it’s Christmastime and Queen Eleanor is being allowed her sojourn from her prison cell in Windsor for some holiday festivities. So, three princes, a King unwilling to abdicate, a scorned wife, a rival King and a mistress. Let the plotting begin.
This “monologue” is more a series of three (varying in length) with interspersed conversation and it begins somewhere at the one hour mark...
David here. What induces you to give a film a second viewing? Usually, I suspect it comes down to adoration, and the desire to feel that rush of emotion again, whether it was delirious laughter, cathartic sobbing or immobilising terror. The 'Repeaters' are the films that become mainstays of your life, the comfort food, the personal canon. We’ve all got them.
Robert's second viewing face
Rarer, though, are the second viewings induced by curiosity. There are so many movies from every decade and country that there’s really always something new to watch -- why waste time on something you’ve already seen and didn’t even like that much? Movies, especially in Oscar season, don’t exist in a vacuum – there is so much discussion around movies, be it from friends or critics or random people on the internet like me, that sometimes you’re forced to think about films you didn't respond to more often than you would have otherwise. Sometimes you find yourself needing to reevalute.
Alexa here. I recently got my husband an anniversary gift of Will Ferrell's mug on a wine glass; romantic, I know, but it met with so much success (and an endless stream of Anchorman quotes over our bottle) that I thought I should post a plug for its maker. Tara Hamlin specializes in painting celebrities on wine goblets, and she is talented enough to pull off what seems at first like a silly concept. The selection in her shop is immense, but she will also do custom work: I spied that she is completing a custom Tom Hardy goblet for a lucky someone. Here is a sampling of her more interesting film stars. Drink up; they're only $20 each!
Dunaway and Beatty as Bonnie and ClydeA glass Gosling
Click for Tracy and Hepburn, Richard Dreyfuss and more...
Audra McDonald rehearsing for "Porgy & Bess"Theater geeks who read The Film Experience (there be crossover!) might have been wondering what happened to the stage door column. The truth is we just haven't been seeing much. This is never a question of "nothing to see" but always a matter of finances and for one quarter of each year the the not-so-small matter of Oscar Mania keeping us busy with pre-recorded actors instead of live ones. But when I'm not seeing it I enjoy it vicariously through avid theatergoing friends and through blogs. My favorite is The Broadway Blog so if you're into theater, check it out. Here's four quick film / theater crossover tidbits I wanted to share.
AUDRA in Rampart I practically shrieked with surprised delight when Broadway baby Audra McDonald showed up in Oren Moverman's Rampart. She just kills her one scene role as Woody Harrelson's latest conquest. Woody's bad cop gets good love from multiple ladies and as Woody was sucking on her toes (no, really) I kept thinking, 'Audra is a star on any platform: small screen, big screen, stage, boudoir... (ahem. in this movie).' I'd love to see her in the current revival of Porgy & Bess and am hoping the opportunity presents itself.
CHARLES BUSCH does Katharine Hepburn. Late this month, legendary drag artist Charles Busch is doing a one night only reading of Matthew Lombardo'snplay about Katharine Hepburn, Tea at Five. The tickets are too steep for me but Busch is always wonderful when he's channelling the classic divas... and Lombardo has an actressexual's taste for them too having written the Kathleen Turner vehicle "High" and the Tallulah Bankhead play Looped. I'm curious how Charles Busch will be as Kate the Great (pictured left) given that my favorite Busch channeling is Greer Garson -- that voice! Old Hollywood and Theater History aficionados might also enjoy Mr. Busch's name droppings in this New York Times article about his apartment renovation.
BIG FISH Were you aware that Tim Burton's 2003 movie is becoming a stage musical? The story, or to put it more accurately stories, does seem like a natural fit for musicalization. It's already heightened and fantastical which musical theater can really feed on. The score will be by Andrew Lippa but the best part of the news is that Michael C. Hall, though not officially announced, is intended for the lead role in 2013. He's got a wonderful singing voice and he's needed to do something other than Dexter for a few years now. Not that he hasn't found a surprising amount of ways to keep that particular performance lively despite the death-dealing but enough's enough -- love the show but I really think they'd be wise to wrap up; time for a little song and dance break!
I don't know what he's thinking but what I'm thinking every time I see Michael Cerveris (the bald one, playing Juan Peron) is that time in early 2008 when I listened to my Broadway revival cast recording of Sweeney Todd (in which he starred) after having recently seen Tim Burton's Sweeney Todd and just tearing up. The amount of nuance and drama and acting notes and beauty asinger/actor can put in to a musical performance as opposed to an actor who learns to sing a few bars.... I tell you the difference is astronomical. Hollywood is tone deaf.
Oh, and uh, Elena Rogers plays Eva Peron... will Madonna send her hydranges?
EXIT MUSIC
Audra McDonald singing Jason Robert Brown's "Stars and The Moon"... love this song.
I met a man without a dollar to his name
Who had no traits of any value but his smile
I met a man who had no yearn or claim to fame
Who was content to let life pass him for a while
And I was sure that all I ever wanted
Was a life like the movie stars led
And he kissed me right here, and he said,
`I`ll give you stars and the moon and a soul to guide you
And a promise I`ll never go
I`ll give you hope to bring out all the life inside you
And the strength that will help you grow.
I`ll give you truth and a future that`s twenty times better
Than any Hollywood plot.`
And I thought, `You know, I`d rather have a yacht.`
Monday, May 6, 2013 at 11:41PM 
