Now Playing: "Last Night in Soho" and more...

by Nathaniel R

"Do you like scary movies?"
Glamorous mod movies?
Psycho thrillers?
Ghost stories?
Actress twinning movies (a la Persona, Mulholland Drive, Black Swan)?

I wish we could report that Last Night in Soho would satisfy all those disparate urges or even a single one of them. But alas...

I first saw the movie in Venice and though that was just under two months ago, this ghost story haunts as one of the worst of the year. Was I unduly harsh with a "D" from the Venice review? From the review...

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Rapid Fire Yes No Maybe So: "The Matrix Resurrections," "C'mon C'mon," "Don't Look Up" and More

Nathaniel is heading back from Venice. While he got to watch so many great upcoming films, all we’re left with are trailers. Christopher James is taking over and giving all the recent trailers the Yes No Maybe So treatment.

Neo and Trinity are back in the first trailer for "The Matrix Resurrections," opening this December.

By: Christopher James

What a wild week of movie trailers! A lot of films seemed to want to capitalize on festival buzz and release trailers alongside glowing reviews. However, some blockbusters, most notably The Matrix Resurrections, thought this week would be the best week to own the internet. Either which way, it’s nice to be excited to go to the movies again and it looks like there is a lot of great stuff on the horizon.

Let’s do some Yes No Maybe So after the jump…

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Nathaniel in Venice: Horrors! It's "Last Night in Soho" and "Mona Lisa and the Blood Moon"

Nathaniel reporting from the Venice Film Festival

Let’s take a wee break from the Oscar-bound and foreign arthouse offerings at Venice and talk genre. As with comedies, there’s not enough of it at festivals but it’s good to program a variety of pictures if you can. Here are two films featuring supernatural elements, one a complete misfire the other a future cult gem... 

Last Night in Soho (Edgar Wright)
I am deeply sad to report that this wasn’t (at all) for me, though I was so looking forward as I generally enjoy Wright’s work. I was worried from the start with the movie’s hyper enthusiasm about everything it’s doing even before it’s begun doing things...

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