Streaming Roulette, Dec: Summit of the Gods, Hitchcock for the Holidays, Power of the Dog

What's streaming in December? You know the drill by now. We pick two handfuls of titles and freeze them on the scroll bar at a random place (no cheating) and share what came up. Then we list the other titles streaming. Let's go.

Everybody has a Jaws story. Mostly you hear them from boys who took ownership of that summer as their fanboy nation origin story. But girls -- we were there, too. 

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Feline Oscar Twins: Anne & Michelle?

In the hall of fame of superhero/villain catchphrases “oops” (Anne Hathaway, The Dark Knight Rises) never stood much of a prayer against “me-ow” (Michelle Pfeiffer, Batman Returns), nor could the dark side self importance of 2012’s “there’s a storm coming Mr Wayne” ever best the sexier playful 1992 ‘dark side?’ retort “no darker than yours Bruce”  But catch phrases aren’t everything...even when you've got zingy ones like "life's a bitch now so am I" In the great Catwoman wars of popular culture, it’s always in some ways a draw. Every generation and every aesthetic gets their own James Bond and so it goes with all enduring characters which win several iterations. Michelle Pfeiffer’s Selina Kyle may never claim the easy universally agreed upon “Best Catwoman Evah!” victory you’d expect given Pfeiffer’s mammoth performance (give or take Heath Ledger, the most psychologically precise, overachieving & seismically inspired in superhero cinema) but what can you do? Before The Dark Knight Rises premiered I braced myself for the onslaught of “best catwoman ever” pieces which I knew would proliferate. In truth they would have even for a  performer less dazzling than Anne Hathaway’s.  Out with the old and in with the new is, generally speaking, the law that governs pop culture. It’s just How Things Work.

Catwoman watching Catwoman. Feline staring contest in 1...2...

With the recent news that Anne Hathaway would be campaigned as Best (Leading) Actress for the role, a strategic move which has been taken more seriously than I was expecting given that she has no prayer in hell of a nomination for everyone’s favorite good/bad girl in spandex, this Hathaway/Pfeiffer story wouldn’t leave me.

Twenty years back when Michelle Pfeiffer lept into the feline role vacated by Annette Bening she nailed the role winning “best in show” reviews, winning a massive new army of fans, achieving her biggest box office hit, and sailing on to an Oscar nomination for the year (albeit not as Catwoman). Leap forward a couple of decades and history repeats itself four times over…. Well three times over for now but we all know Anne Hathaway will make it four-for-four once Les Miz hits.

It's worth thinking about Hathaway and Oscar through the prism of Pfeiffer. It's not a perfect identical twin situation but the similarities don't end with "what happened with Catwoman." At the time of Batman Returns/Love Field Michelle was a 34 year old previous Oscar nominee who had been famous for 10 years and had already co-starred in one very major also-ran Best Picture nominee (Dangerous Liaisons). At the time of The Dark Knight Rises/Les Miserables Anne is a 30 year old previous Oscar nominee who has been famous for 11 years and has already co-starred in one extremely major also-ran Best Picture nominee (Brokeback Mountain). Both actresses played Catwoman in the summer and followed it up at Christmas time by starring in something more typically Oscar-friendly, Pfeiffer in a civil rights drama and Hathaway in an epic musical. 

On top of all of Fantine's problems... she never return her DVDs to the video store

But here's where the similarities end and Hathaway's Oscar story may have a much happier ending. For one, Anne Hathaway's Catwoman arrived in a culture that has moved past viewing superhero films as "fluff" and is therefore less shy about recognizing acting achievements inside of them. For another, the eventually nominated performance by Hathaway is likely to be "the right one of the two" whereas Michelle was chosen for the wrong performance -- not that she isn't very good in Love Field, but it's not the inspired no one else could do this work that her Selina Kyle was. Finally and most obviously Les Miserables will be no Love Field, a film that was barely released and was largely only acknowledged -- if it was acknowledged as all -- as a vehicle for a Michelle Pfeiffer nomination. If you want to stick to the Pfeiffer narrative Les Miserables is far more likely to be Hathaway's own Fabulous Baker Boys... only this time there's no Jessica Tandy in sight to steal the statue away from a glorious actress in the full bloom of her star power.