Mad Men @ the Movies: Ali + Brigitte = Megan?

Julia Ormond returns to her Emmy-nominated role as Megan's motherLynn Lee, back again to discuss Mad Men at the Movies.  

The title of this week’s episode was “New Business,” which may or may not be meant ironically. The episode felt contrived to strike certain thematic chords at the expense of developing the characters believably.  Diana the waitress feels more like a construct than a person, designed to appeal to Don’s hang-ups (the lover to be saved, the mother who abandoned her child); even their awkward elevator encounter with Sylvia Rosen just reminded me of how bored I was with that affair.  Megan does a 180 from the regretful wife bidding Don a tearful goodbye to the bitter ex-wife who accuses him of stealing her youth.  And her bickering French Canadian family shows up for no discernible purpose other than to bring back Julia Ormond and leave Don with a literally empty home.

That said, it’s Megan who brings Mad Men as close to the movies as it can get in an episode without any specific movie mentions. Megan’s film career has stalled, to the point that she’s subsisting on handouts from Don while their lawyers fight about divorce terms. She’s apparently desperate enough to seek help from Harry Crane, of all people - Harry, the noob who's been lusting after her since her show-stopping performance of “Zou Bisou Bisou.”

After seeking permission (sort of) from Don, Harry meets Megan for lunch and loses no time buttering her up.  He can’t believe she hasn’t gotten bigger parts!  He compares her to movie stars, both foreign and domestic...

Click to read more ...

Mad Men @ The Movies "Hey, Mildred Pierce!"

Please welcome new member of Team Experience, Lynn Lee (who you may remember from the Reader Spotlight and Furlough Guest Blog) here to continue our unofficial Joan Crawford week - Editor 

Lynn here, filling in for Nathaniel as Mad Men – and with it, Mad Men at the Movies – returns for the final seven episodes.  The show has had a good run but from a filmgoing perspective I'm sorry we won't get to see what Don would make of the weird and wonderful cornucopia of movies in the ’70s, from gritty crime sagas to paranoid conspiracy thrillers to, well, “Star Wars.” 

Curiously, the only obvious movie reference that popped up in tonight’s episode was to a movie from decades earlier – Mildred Pierce (1945), the half-soap, half-noir blockbuster that revived Joan Crawford’s flagging career and won her the only Oscar of her career.  Fittingly, the shout-out comes from Roger Sterling, our most senior character now that Bert Cooper is gone.  Even more fittingly, it’s delivered as slightly derisive banter wrapped around an order to an underling: Roger’s in a diner with Don and three ladies, all decked out in evening wear, and he wants the waitress to bring him the bill.

Hey, Mildred Pierce, can I get the check?”

It's not exactly a flattering sobriquet...

Click to read more ...

Mad Men @ the Movies: Mutilations, Model Shop, and Mojo

Don't open the box, Peggy, don't open the box! DON'T OPE

Too late. With so much time, cameras and distance between us Peggy didn't hear the shouting from my apartment. Yeah, I was actually shouting. I am generally as quiet with the TV as I am in movie theaters... unless the show calls for raucous participation like, oh, Election Night or Drag Race. And though Mad Men invites gasping and laughter and speculation and veritably lives to provoke responses those responses are generally of the sort that take time to unpack. 

Which is, perhaps, why I never write about the show. Or at least not weekly as intended. I'm always still unpacking; the show seems denser than ever what with its ever expanding universe (now bicoastal and double-floored in NYC) and ever growing cast of characters to populate the agency which has tripled (at least) in size since Season 1. That's a lot of baggage to unpack. And not just of the personal damage variety... though there's always been plenty of that in Matthew Weiner's masterwork.

A trip to the movies, intruding showbiz, and a couple of stray observations after the jump...

Click to read more ...

MM@M 7.1 Time Zones and Lost Horizons

As Mad Men at the Movies returns for its final bifurcated season so do we for Mad Men @ the Movies. 

Mad Men seasons never begin with a bang. They take time to gather momentum for their emotional, psychological, and thematic impact. The seventh season opener "Time Zones" proved no exception. Though we aren't clued in to a specific date I believe we're at the end of January 1969 given references to events of the previous season being "a couple of months" back and the weather which is pleasant in Los Angeles and frigid in New York. One smart out of time detail: Peggy, who lives alone much to her agony but spends all her time at work, still has a Christmas tree up in her apartment well past the holiday.

At the close of last season the newly merged ad firm was going bicoastal. We begin checking in with the New York characters before we return to our anti-hero lead, Don Draper (Jon Hamm) who is tellingly tied to neither coast and thus in limbo. 

Click to read more ...

Mad Men @ the Movies: "You Maniacs! God Damn You All to Hell"

You may have noticed that Mad Men at the Movies has been absent for over a month. I'm kind of like that date Ginsberg had with the hot teacher or Betty's brunette dye job - I am dropped plot threads!  Rather than giving up entirely I thought we'd discuss the season thus far with The Planet of the Apes (1968) as our rough focus / entry point.

New York ad man Don Draper reads the promotional in-theater newsletter created for "The Planet of the Apes" movies by an actual NY ad agency

For those of you with short memories, in the fifth episode of the season "The Flood" (episode 6.5) Don Draper plays hooky with his son Bobby who is feigning illness and they go to see The Planet of the Apes (1968)... twice! (This scene made me smile from ear to ear since I remember doing this as a kid in the late 70s / early 80s. Yes, they did use to let you stay and watch the movie again for free.) Roger Sterling, following Don's lead, takes his grandson to see the same movie in "The Better Half" (episode 6.9) though the results are not the same. [more...]

Click to read more ...