Mad Men and The Other Women

* an earlier partial version of this article was accidentally published last night. It's complete now.

Have you wondered what happened to our series Mad Men @ The Movies? Well, Matthew Weiner and his team up and ditched the abundant movie references for most of season 5, leaving me to wish that I hadn't required movie references in order to write about the Sterling Draper Cooper Pryce worker-bees each week. Last week's "The Other Woman", a queasy game changing episode is the instant classic Season Five episode but for our purposes The Other Women this season on Mad Men are TV and Music (particularly the Beatles) which have stolen the pop culture referencing thunder from the movies.

Ratings and cinema references may be down (the former an obvious risk when a series disappears for long stretches) but quality, thankfully, isn't.  Not at all. The finale is next week on June 10th, an exhaustive television evening given that True Blood returns and it also happens to be Tony Awards Night and I also have a birthday party to attend... 

The much despised Betty Draper Francis. Still one of the most fascinating characters on television.

Much to look forward to. Much to write about. So herewith brief notes on the last four episodes... 

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Mad Men @ The Movies: Megan, The Actress

In Mad Men @ The Movies we talk about the show's movie references. Mad Men happens to love the movies and we happen to love Mad Men.

Megan Draper: My father won't care if he finds out you read James Bond.
Don Draper: You know what? It's a good book. You should read it. 

poll by twiigs.com

Eyebrows were raised recently when it was announced that Jessica Paré would be submitting herself in the lead actress category at the Emmys for this season of Mad Men. Over the show's interminably long hiatus she graduated from guest star to... well, the new Mrs. Don Draper fits the "Lead" description in every way. Not only does Megan gets key storylines in every episode but her energy, impulsiveness, and partial foreignness is something like a youthquake for the show, especially since all the other characters are aging quicker than they'd like to.

In "At the Codfish Ball" and "Lady Lazarus" Megan's decisions continue to cause aftershocks with Don, Peggy, Roger and more who all seem to interpret Megan's decisions through their own narcissistic lens. Her parents visit, she saves a major account (Heinz Baked Beans) proving her natural aptitude at advertising but instead of celebrating she announces her resignation. She secretly still wants to be an actress and has been attending auditions on the sly.

Movie grammar and a pinch of Hitchcock after the jump...

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Mad Men @ The Movies: Born Free, Feeling Trapped

In this series we explore the connections between Mad Men and the cinema. Season five has, thus far, not used the movies as much as they have in previous seasons. Though it's also possible that blogging concurrently with airings could result in missed references. Needless to say, I am behind so let's discuss the past couple of weeks of Mad Men.

Driving lessons for sad Pete Campbell

5.5 "Signal 30"
This episode focused on Pete, one of the show's least likeable characters who has, over the course of five years, grown more sympathetic and even more admirable while not really becoming more likeable per se. It's a nifty balancing act that actor Vincent Kartheiser performs tremendously well. Other than fame and fortune, this has been a thankless character for him as his fellow cast members have reaped abundant nominations (if strangely no wins) and increased big screen traction. If they have any sense this will be Kartheiser's Emmy submission episode for Season Five. A repeating motif in which Pete had to watch those old scare-tactic car crash documentaries they used to show in Drivers Ed courses was also stealthily employed. (Now that he's a suburban husband, he has to learn to drive.) Even though Pete was foolishly attempting to cheat on his wife Trudy (so charming even Don Draper is a fan!) with a teenager, and even though he got a well deserved beat down (literally) from Lane, the episode managed the miraculous feat of making you feel altogether bad for him as he struggles to grow up; Pete still looks like a little boy but he no longer feels like one.

Mrs Ken Cosgrove, Mrs Pete Campbell, Mrs Don DraperAging has been a theme of this season, from fatigue to illness to a widening gap between the younger and older characters mindsets. Great, great episode that even managed to thread in a B plot for the oft underused Ken Crosgrove (Aaron Staton) and also a key one for Janie Bryant's always thrilling costume design. (Fact: Janie Bryant never winning the Emmy for Mad Men should be a true embarassment to the entire television industry.) A 

 5.6 "Far Away Places"
Movie Theater Scene Alert! It's always a delight when Mad Men takes us inside a movie theater. Don Draper used to play hooky there in the early seasons and last year he and Lane got drunk and went to a monster movie together. Strangely the very next movie theater scene within the series also involves a character behaving badly. The cinema corrupts them!

The episode begins with Peggy fighting with her boyfriend who wants to see a movie that night. 

poll by twiigs.com

PUBLIC INDECENCY AFTER THE JUMP ... The Naked Prey indeed.

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Mad Men @ the Movies: Charlton Heston Starkers and "A Star is Born"

In "Mad Men @ the Movies" we look at the best show on television through the lens of its movie-loving ways. Obviously there are spoilers.

5.3 "Tea Leaves"
In the third episode of the season Betty Draper Francis (January Jones) returns and there's more of her to love to hate! She's been packing on the pounds. At first there's a thyroid scare but it turns out Betty is just depressed and fat. The episode ends with Betty helping herself to a second ice cream sundae (to the tune of The Sound of Music's "I Am Sixteen"). Why not? 

One of the themes of the new season is aging and the rise of youth culture is evident. Betty is referred to as middle-aged by her doctor. Don, previously an icon of cool, is now 'so square he's got corners' to both his younger wife (she's 20, he's 40) and the young teenagers he meets at a Rolling Stones concert (he's there with Harry Crane on business). When the teens hear that the men are in advertising they instantly think of Bewitched. "You're Derwood and He's Mr. Cravitz."

Later after smoking a joint Harry is trying to impress the teens with celebrity stories. 

Charlton Heston and Esther Blodgett after the jump

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Mad Men at the Movies: Gillian Hills and 'Zou Bisou Bisou'

It's been so long since the best series on television was airing (17 months!) that this new version of The Film Experience has never seen an episode of "Mad Men at the Movies". Last night the miserable sexy funny smart complex men and women of Sterling Cooper Draper Pryce returned to take us all back to the sixties once again. In this series we document the show's love affair with the cinema. Don Draper (Jon Hamm) is a movie buff and references tend to be sprinkled in for vintage flavor, character detailing and thematic resonance. Unfortunately this two hour premiere had no movie references. Damn!

5.1 "A Little Kiss, Part 1"
5.2 "A Little Kiss, Part 2"
The episode opened oddly with none of the familiar characters and a confrontation between African American picketers and immature men at an ad agency (not SCDP). By the time the episode ended, a small plot detail in the middle brought it all full circle with the unfamiliar site of the SCDP lobby filled with black applicants applying for jobs.Between the sobering bookends we were treated to a very strong premiere full of humor and potential for the season ahead. The talking point beyond the closing scene was surely the "zou bisou bisou" scene where Don's new wife Megan sang to him seductively in front of all his friends at a surprise birthday party. But the single most brilliant scene involved Joan (the great Christina Hendricks) bringing her baby to the office for a visit. We're talking perfect character farce  The choreography of the scene was so brilliant they should teach it film school... er television school... since it practically defines what this particular medium can do. Very little of what was going on emotionally and inside the character's head was actually spoken but if you've been following all the characters for years all their child-rearing issues and past romances and conflicts just made the scene hilarious and nimbly so. Perfection. A

Megan performing "Zou Bisou Bisou". 

Slate has the translated lyrics and some theories about why this song.

The hit song was originally sung by Gillian Hills who was also an actress. In 1966, the year this new season takes place, Gillian was on screens as "The Brunette" in Michelangelo Antonioni's classic Blow-Up (highly recommended) which is about a fashion photographer who believes he's accidentally photographed a murder. Blow-Up wasn't the only classic to feature her. She also has a role in A Clockwork Orange. 

Jane Birkin and Gillian Hills in BLOW UP (1966)

Mad Links
Flavorwire a pop culture guide to 1966 when the season takes place
AMC Janie Bryant on the costume designs for Season 5
Technabob Mad Men as an 8 bit game
IndieWire beginnings: each season's opening scene
Pajiba 10 of January Jones' bitch faces to celebrate the show's return 
NPR Eleanor Clift remembers what it was like to be in secretarial shoes as a typist in the 60s