PSA: Kim Cattrall was famous before "Sex and the City," okay?

by Nathaniel R

Just when you think the world can't get any more sexist, there's always a reminder that it can. One such reminder is the famed existence of Sex and the City, a target in perpetuity. It often brings out the very worst in journalists, critics, famous people, and the public alike (both male and female in all four cases) as people fall over themselves with new ways to hate on, be offended by, or attempt to take down that particularly glitzy femme pleasure.

The brand has beenquiet for some time now until the Daily Mail posted a gross story about Kim Cattrall supposedly stopping production of Sex and the City 3 in its tracks with "outrageous demands". I didn't personally believe this was true, even before the stars started giving quote about it. The more quotes there are the more it's clear that everyone will have a different perception of what happened and that's fine. What was shocking was not the misleading story (my best guess is that the truth is somewhere inbetween all the quotes from the cast and executives because many many people with big egos and lots of millions are involved) but how unbelievably petty and sexist the "sources" were in their quotes about Cattrall...

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TV @ The Movies: "Bob's Burgers" and The Birds (1963)

Please tell me that you watch and love Bob's Burgers. (It's safe to assume that if you do the former you also do the latter.) The most recent episode "House of a 1000 Bounces" was a brilliant children's birthday party heist largely focused on the animated sitcom's superbly written kids: Tina, Louise, and Gene. The characterizations on this show never disappoint. Each Belcher family member and nearly every supporting character are so defined they're hi-res. And yet it's more than just broad strokes with flat colors. It's not one of those (many) sitcoms that rests on five variations of 1 joke for per character. Six seasons in the show is still strong with variety and invention.

In the B plot of this episode a pigeon inadvertently gets trapped inside the titular restaurant and Linda (Bob's wife) and Teddy (his self described best friend) are surprised to realize that Bob is terrified of pigeons. When they ask him to explain he flashes back to a childhood memory that looks and sounds all too familiar.

Let's alternate between Bob's false memories and the real fiction as it were. 

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TV @ The Movies: "Damien" Flashes Back

Though I know not why it's so, considering I prefer original material in nearly all mediums to rehashes, I sample nearly every TV series that's based on a movie. Not that the interest tends to last. So it was that I binge watched the first four episodes of A&E's new series Dam♰en.  The Omen (1976) was the first horror film I ever watched that didn't involve vampires (I was really into vampires for some reason as a little boy, even though I was never a horror film aficianado). I snuck watched The Omen one night during one of its television airings in the early 80s.

Though the new series never mentions Damien's birthday, the wee Antichrist's birthdate was June 6th in the original movie (6/6 natch) which is also my birthday. Little me actually ran to the bathroom to make sure there was no mark of the beast on his scalp after the movie. (He had so many nightmares that week, poor little guy.)

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Cynthia Nixon's Emily Dickinson Dwells In Possibility of Miranda Hobbes

Daniel Crooke here, new contributor. As daily updates make their way stateside from the Berlinale, certain titles that can’t help but infiltrate and overtake your curiosity. One such film is Terence Davies’ A Quiet Passion. What a time to be alive when the promise of a film starring the soulfully efflorescent Cynthia Nixon as the spiritually untethered Emily Dickinson exists on this planet. While reactions to the poet’s biopic have been highly mixed, the overlapping of these two mustang personas is an undeniable attraction.

Obviously much of Dickinson’s public face continues to be debated – that’ll happen when you like what you like and forget the rest – but there’s still a respected wealth of fascinating, cogent theories about the manner in which Emily lived. And no study needs a peer review about how perfectly Nixon’s signature role encapsulates this iconoclast who ditched polite society for a personal universe of her own reckoning.

The ultimate role research for Emily Dickinson lies in playing the sage and self-determined Miranda Hobbes for six seasons of Sex and the City. Six reasons why after the jump...

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TV at the Movies: Agent Carter goes Hollywood, and Hedy Lamarr gets her due.

Since several members of Team Experience are high on Agent Carter, here's Lynn Lee to talk about its new Tinseltown resonance.

Are you enjoying Marvel’s “Agent Carter”?  If you're not watching, you should. The show’s really upped its game in its second season, in part because its main characters have found their groove, but in even larger part because of its change of setting.  

Dispatched to Los Angeles to assist the West Coast office of the Strategic Science Reserve, Agent Peggy Carter (Hayley Atwell) quickly finds herself in the heart of Hollywood’s Golden Age.  Her old friend Howard Stark (Dominic Cooper) is doing his best impression of another famed Howard of the period, dabbling in filmmaking but really most interested in collecting starlets as poolside decorations and “production assistants.”  Meanwhile, Peggy and Jarvis (James d’Arcy) do their own best impression of Nick and Nora Charles (although they also prefigure original Avengers John Steed and Emma Peel), trading exquisitely polite British quips as they navigate palm trees and movie sets, and they’re a delight to watch. 

But it’s not just Howard Stark who draws Peggy into Tinseltown’s orbit. More...

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