Review: "Christopher Robin"

by Chris Feil

Off in the Hundred Acre Wood, Winnie the Pooh and friends haven’t changed all that much over the decades. Our Christopher Robin however is all grown up in the real world, having lost his father at a young age before fighting in the war and never returning to visit his childhood daydream oasis. Like the rest of us, he’s grown rigid in adulthood while the rest of the beloved characters remain made of plush.

With Ewan McGregor taking on the adult Christopher, his namesake film presents something as soft as his friends in both its demeanor and its substance. Unlike its recent live action Disney brethren, this film follows its own narrative and is free to explore the characters as it sees fit. And yet it chooses the most obvious one, turning Christopher into an overworked businessman devoting more of his energy to his job than his wife and daughter. Send in Pooh’s implacable chill to play savior to his once kneesocked companion’s soul.

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TV at the Movies: Agent Carter goes Hollywood, and Hedy Lamarr gets her due.

Since several members of Team Experience are high on Agent Carter, here's Lynn Lee to talk about its new Tinseltown resonance.

Are you enjoying Marvel’s “Agent Carter”?  If you're not watching, you should. The show’s really upped its game in its second season, in part because its main characters have found their groove, but in even larger part because of its change of setting.  

Dispatched to Los Angeles to assist the West Coast office of the Strategic Science Reserve, Agent Peggy Carter (Hayley Atwell) quickly finds herself in the heart of Hollywood’s Golden Age.  Her old friend Howard Stark (Dominic Cooper) is doing his best impression of another famed Howard of the period, dabbling in filmmaking but really most interested in collecting starlets as poolside decorations and “production assistants.”  Meanwhile, Peggy and Jarvis (James d’Arcy) do their own best impression of Nick and Nora Charles (although they also prefigure original Avengers John Steed and Emma Peel), trading exquisitely polite British quips as they navigate palm trees and movie sets, and they’re a delight to watch. 

But it’s not just Howard Stark who draws Peggy into Tinseltown’s orbit. More...

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Links: Adele, Oscar, Regina, Rooney, JLaw and WTF Missy

Film Comment Nick Davis interviews Todd Haynes on movies that inspired something in his movies
Interview Mag talks to Regina King about her big year, an Emmy win and The Leftovers
Kenneth in the (212) looks back on the revolutionary TV movie An Early Frost (starring Aidan Quinn & Gena Rowlands) for its 30th anniversary
The Film Stage a prologue comic for The Hateful Eight written by Quentin Tarantino himself

The Envelope Jacob Tremblay on how Room should have ended 
filmmixtape suggests 10 films that should have made WGA's "Funniest" List
Pajiba mourns the passing of Hayley Atwell... from social media. She was a master at it. *sniffle*
This is Not Porn Marlon Brando on the set of Julius Caesar
Gurus of Gold new charts and which films and performance need a bigger campaign push to be a nomination threat
Screen Daily Adele in talks to join the cast of the next Xavier Dolan movie. Guess she liked her experience on 
"Hello"
/Film Rooney Mara still up for a Dragon Tattoo sequel
Variety the first image from the new season of Penny Dreadful - Patti Lupone returns 
Vogue gets a huge juicy house tour and talk with Jennifer Lawrence who is her typical bawdy self. On her current love life...

Cheers to my hymen growing back!” 

Music Video of the Year?
Missy Elliott hasn't released an album in 10 years. 10 YEARS. She proves she's still got it in spades with this track WTF (Where They From).It's got everything:  Hot dancing, inspired hair and makeup, best supporting visual fx, Charlie Kaufman like puppets, and boxes of people wrapped in plastic. I've watched this video a scary amount of times this week. Join me in obsessiveness. 

Oscar Movements
The Oscar charts were updated before yours truly headed to Los Angeles for the AFI, the last festival stop that can significantly change things (the next festivals like Santa Barbara for example are just glorified campaigning & warm up acceptance speeches for actors who are already real contenders). But, in a minor twist, AFI didn't change things - no Selma or American Sniper bows to be seen. There were a few players getting little boosts: Will Smith has an outside shot at Best Actor if they a) don't like their current options and b) Concussion is a big hit at Christmas; The Big Short could be a Globe Comedy contender (given that meager field); and quite a few Foreign Oscar Submissions attracted more devout fans since AFI is the single best festival at which to see them. Why you may ask? Well, it plays a lot of the titles each year and it's also the only big festival that takes place between when the official submission list is announced and when the Academy members start voting towards the finalist list of nine, so it's ideally positioned to make a difference. Mustang (France's submission) won the Audience Award but several other notable contenders, Denmark's A War among them, also had filmmakers and/or actors in town for promotional (hint: Oscar courting) purposes.

And in news that you know warmed Nathaniel's heart, The HFPA has vetoed Category Fraud attempts by Rooney Mara and Alicia Vikander in supporting. They'll have to compete in Lead Actress, Drama where they both 100% belong.  This doesn't necessarily mean anything to the Oscar race where they've been pushed supporting thus far -- Oscar voters have never been required to vote in a specific way for a performance they like (unlike SAG & The Globes where the specific categories are decided for the voters before they nominate) and we've seen in the past that the media and (most shamefully) critics groups generally support / encourage Oscar to accept the fraudulent placement by the studios. But hopefully this is a bellwether for the future. Category Fraud has reached critical mass in the past dozen years and it's time to break it down.

SDCC Day 3: Multitudes of Peggy & Hateful 8 News

Anne Marie here with more from SDCC. Most of Saturday's buzz surrounded Batman v Superman: Dawn of Justice (about which Nathaniel already posted a YNMS), but if capes and cowls aren't your thing, here are 5 other entertaining bits of news from San Diego Comic Con.

5) EW's Women Who Kick Ass Panel assembled a great lineup: Kathy Bates on American Horror Story, Hayley Atwell on Agent Carter, Gwendoline Christie on Game of Thrones, Jenna Coleman from Doctor Who, and Wonder Woman herself, Gal Godot. Someone make this an actual superhero team please. 

4) The Sherlock Special sneak peek. Little explanation given for the Victorian setting, but it's fun to see Bendandsnap Cabbagepatch don the deerstalker.

3) Suicide Squad teaser is all anyone can talk about, but Warner Bros hasn't yet released it online. Fan consensus: Margot Robbie's Harley Quinn > Jared Leto's Joker. I just want to see Viola Davis eat that steak.

2) Hateful 8 Panel, interviews, and new poster. Notice that very important cinephile bait bit in the right bottom corner. Good tagline, too. Tarantino revealed that if he can't shoot on actual film, he won't make them anymore and TV might be a possibility. Best news: he convinced the legendary Ennio Morricone to compose his first western score in decades. The Original Score Oscar prediction chart already updated as a result!

1) Hayley Atwell's Dubsmash Videos. The Agent Carter star alleviated her boredom (and ours) with a Dubsmash challenge to her Agents of S.H.I.E.L.D. buddies. She also posed with a huge group of Comic Con attendees doing Peggy Carter cosplay

Who You Gonna Link?

Samuel Adams has the only appropriate response to news that Ben Affleck will direct and star in a stand-alone Batman movie
Hayley Atwell (and Emily VanCamp) were flirting awesomely @ Captain America himself on Twitter and he didn't respond! Resulting Conclusive Fact: Chris Evans is bad at social media
THR sad. AMPAS lost their swanky screening room in Manhattan

Film School Rejects on Han Solo and other characters who don't need original stories, backstories or prequels. In my opinion that's roughly "all" characters. I need my mystery. I like my introduction to stay an introduction. Hollywood and lemming-like audiences keep stealing the mysteries away!
Guardian in the absolute grossest news of the week Federico Fellini's estate is licensing La Dolce Vita for a remake. Nothing is sacred.
Conan O Brien Jennifer Lawrence does a growly impression of Cher's "Believe"
Movie Dearest gives an advance take on hot tickets at OutFest in LA. I wanna see some of these
Out interviews a very intimidating RuPaul. It's amazing
Variety Teen Wolf renewed for Season 6. Danger! It gets more incoherent each season and they're about to graduate high school, a clear time to end it! 
JoopaDoops awesome Muppets/Mad Max Mashup. I love Animal so much. Always have.
Harper's Bazaar interviews Natalie Portman who isnt so sure about the #AskHerMore red carpet trend

I get asked so many questions about the Middle East, and I'm like 'Can you please just ask me about my dress? Let's just talk about the dress!'"

Theatah People
Time Out this is sad. Jan Maxwell, super duper talented stage actress -- I've seen her in two shows and she was best in show both times despite sharing the stage with people I was otherwise obsessed by -- is retiring from acting citing lack of interest in the type of work you can make a living doing!  
Gothamist Patti LuPone continues to be a hero destroying badly behaving theatergoers -- she's had it with your cel phones!
Broadway.com The Lovely Laura Linney and Bernadette Peters on "Watch What Happens" they talk Downton Abbey, Into the Woods and more 
Playbill John Cameron Mitchell compares each Broadway Hedwig to a Superhero - Fun.

Who You Gonna Call?

Oooh, look. It's the first image of your new Ghostbusters in costume: Kristen Wiig, Leslie Jones,Melissa McCarthy and Kate McKinnon. IMDb has no information on who did the costumes yet but Paul Feig has never worked with the same costume designer on a movie twice for some reason so it could be anyone.  

On a scale of 1 to 100 how excited are you to see this movie in 378 days when it opens? Frankly, I'd be a lot more excited about remakes of any kind if they gender-swapped like this. If you're not rethinking, why remake?

Magic Mike XXL x 5
RH Reality Check on why straight men should see Magic Mike XXL 
Variety Guy Lodge argues that its summers "most subversive studio pleasure"
Pajiba on Channing Tatum & Joe Mangianello's reaction to hearing the movie called "feminist"
Same Same and Glenn Dunks loves it too, Jada Pinkett Smith and all

This is all a way of saying that even though my review (icymi) was somewhat south of completely satisfied I did enjoy it and the positive reviews have left me wanting to see it again (since they liked many of the things I didn't) and the negatives have not convinced me to lower my solid grade (B).