Almost There: Pam Grier in "Jackie Brown"

by Cláudio Alves

Last week, the Almost There series featured the likely sixth-placer in the 1997 Best Supporting Actress Oscar race. However, as much as Sigourney Weaver seemed poised for Academy recognition, hers wasn't the year's biggest snub. That sad honor belongs to Pam Grier, whose star turn in Quentin Tarantino's Jackie Brown earned nearly-unanimous critical praise and sturdy precursor support. Like John Travolta before her, she was a movie icon from two decades prior now fallen from the spotlight, an erstwhile star reintroduced within the context of a verbose acting showcase with modern verve. So if Travolta scored a nod for Pulp Fiction, why didn't Grier do the same with Jackie Brown?

The answers to that question are many and most dispiriting, especially if, like me, you find Jackie Brown to be one of its director's best films. That love extends to Grier, whose lack of an Oscar nomination stands out as one of the Academy's greatest injustices in the 90s…

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The Honoraries: Samuel L. Jackson in "Pulp Fiction"

We're celebrating each of the upcoming Honorary Oscar winners with a few pieces on their career.

“And you will know my name is the Lord when I lay my vengeance upon thee.”

by Lynn Lee

If Jungle Fever (1991) put Samuel L. Jackson on Hollywood’s map, Pulp Fiction (1994) made him a star.  With his jheri curl helmet, glowering eyes, and stentorian voice, Jackson’s gun-toting, Bible-quoting Jules Winnfield became an instant icon.  At least, it wasn’t long before high school and college boys of the mid to late ’90s were sporting “BAD MOTHERFUCKER” wallets and reciting his “path of the righteous” speech – without, of course, anything resembling SLJ’s diction or élan.

It wasn’t just him, of course...

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Showbiz History: Giant 1956, Best Actor 1972, and Quentin Tarantino's birthday

Today, March 27th, in Oscar history only...

Quinn, Malone, Brynner, and Grant (subbing in for absent Ingrid Bergman) at the 56 Oscars

1957 The 29th Academy Awards are held honoring the best of 1956. Very strange Oscar year in which the brilliant epic Giant loses Best Picture to the disposable travelogue Around the World in 80 Days. The King and I ties 80 days for most Oscars won with 5 that night. This year is also notable for making James Dean the only actor to have ever received two posthumous Oscar nominations. Though he died in 1955 before completing Giant the film was in post-production for a full year. We've discussed this year just for fun before. 

1973 The 45th Academy Awards are held with their very historic face off between Cabaret (10 noms / 8 wins) and The Godfather (10 noms / 3 wins including Best Picture. We've discussed this race countless times as total freaks for Cabaret. But here's one aspect I don't think we've ever touched on: Best Actor of 1972...

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Linkpack

• TFE reminder -- LAST DAY TO VOTE ON THE 1987 SMACKDOWN!
• Vanity Fair Dolly Parton might save us all again. She donated to a promising COVID vaccine
• People 80s star Andrew McCarthy is releasing a memoir called Brat. We are so reading this. That 80s run surely has so many stories: Class with Jacqueline Bisset, St Elmo's Fire with uh.... everyone, Pretty in Pink, Less Than Zero, Mannequin. 
• Vulture Stacey Abrams has a theory on Buffy the Vampire Slayer's perfect boyfriend (no, really!)
• Hollywood Life Leo DiCaprio and Emile Hirsch (hadn't heard their names in a bit) hang out at the beach
• Out will reveal their annual Out100 List on Thursday but among the early honorees are Janelle Monae, Joe Mantello, Theo Germaine (The Politician), and the gay couple behind the divisive Antebelllum movie
• Variety the longlists for  a few categories in this year's British Independent Film Awards (nominations will come in December)
• Deadline Quentin Tarantino has a book deal the first part of which is Once Upon a Time ... in Hollywood related
• Vox on the National Book Award finalists

Horror Actressing: Rosario Dawson in "Death Proof"

by Jason Adams

Every time I see Quentin Tarantino's bifurcated 2007 flick Death Proof I want to write about Death Proof, and every time I write about Death Proof I tell myself I'm going to write about something besides Rosario Dawson's performance in Death Proof... and every time I spectacularly fail at this mission. This "Great Moments in Horror Actressing" post you're now reading is further proof, dead proof, of just that. It's just there is that moment, that single moment seen above, where Tarantino's camera zooms in on Dawson's face as her worry melts into absolute exaltation, and it is by my humble estimate one of the greatest, most electric close-ups in cinematic history. Just that!

But we are, like so much of this movie, zooming right on ahead of ourselves. Just what is it about that moment that makes all the hairs on my arms stand on end?

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