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Entries in Joe Mantello (4)

Tuesday
Nov172020

Linkpack

TFE reminder -- LAST DAY TO VOTE ON THE 1987 SMACKDOWN!
Vanity Fair Dolly Parton might save us all again. She donated to a promising COVID vaccine
• People 80s star Andrew McCarthy is releasing a memoir called Brat. We are so reading this. That 80s run surely has so many stories: Class with Jacqueline Bisset, St Elmo's Fire with uh.... everyone, Pretty in Pink, Less Than Zero, Mannequin
• Vulture Stacey Abrams has a theory on Buffy the Vampire Slayer's perfect boyfriend (no, really!)
• Hollywood Life Leo DiCaprio and Emile Hirsch (hadn't heard their names in a bit) hang out at the beach
Out will reveal their annual Out100 List on Thursday but among the early honorees are Janelle Monae, Joe Mantello, Theo Germaine (The Politician), and the gay couple behind the divisive Antebelllum movie
Variety the longlists for  a few categories in this year's British Independent Film Awards (nominations will come in December)
Deadline Quentin Tarantino has a book deal the first part of which is Once Upon a Time ... in Hollywood related
Vox on the National Book Award finalists

Thursday
May212020

Emmy Watch: Supporting Actor in a Movie or Mini-Series

by Abe Fried-Tanzer

Tim Blake Nelson is surely a shoo-in for Watchmen

This category is arguably the weakest of the acting races in the limited series or TV movie fields this Emmy season, but that’s only because this TV season was filled with so many fantastic female characters. That’s a reason to celebrate, surely, but it does means that this particular category is wide open. Still, it's a good bet, in the absence of a strong field of performances, that multiple nominees will come from the most widely watched or admired shows. You'd have to go back to 2012 to find a lineup that didn’t feature at least one series or TV movie with multiple nominees in this particular category....

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Friday
Apr122019

Stage Door: Hillary and Clinton 

We're seeing a lot of theater in the run up to the Tonys. Here's new contributor J.B.

For the last twenty years or so, and probably longer, well-crafted stories about women in politics told on stage or screen have frequently been described with words like “timely” or “vital.”  These stories, in many cases, are ones we haven’t heard before, and to the extent we as a society want our art to imitate life (and indeed, vice versa), they are, now more than ever, ones we need to hear.

It is for this reason that Hillary and Clinton, a well-crafted story about the quintessential woman in American politics now playing at the John Golden Theater in New York, feels like such an anomaly. The play, written by Lucas Hnath and directed by Joe Mantello (his SEVENTH production on Broadway in just the last three years), takes place in a hotel room during the thick of the 2008 New Hampshire Democratic Primary and offers an imagined glimpse into what exactly the titular characters (played by Tony-winners Laurie Metcalf and John Lithgow, respectively) may have been thinking, feeling, and communicating to each other at that precise place and time in history...

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Friday
Mar172017

Stage Door: Sally Field in The Glass Menagerie

by Dancin' Dan

This is not your parents' Glass Menagerie.

It's not uncommon for theatrical "reinventions" to take place nowadays. Ivo van Howe has made it into a cottage industry of sorts, creating an intimate, visceral A View From the Bridge and a raw, elemental The Crucible in recent years. Sam Gold is of the same cloth. He made his name with an audacious revival of Look Back in Anger at the Roudabout in 2012, won the Tony in 2015 for his sensitive in-the-round staging of the musical Fun Home, and most recently directed a searing Othello with David Oyelowo and Daniel Craig off Broadway at the New York Theater Workshop.

But all those pieces benefit from a stripped back, in-some-cases radical rethinking. Tennessee Williams's memory play is a much more delicate thing, announcing as narrator Tom Wingfield does right at the start that this is a subjective work of art, a piece of memory that may or may not represent what actually happened. Productions of it generally take after the play's quietest character, the "crippled" Laura - they are generally fragile, gossamer things, as light and airy as a thought or memory hanging in the air in front of us...

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