The Honoraries: Samuel L. Jackson in "Pulp Fiction"

We're celebrating each of the upcoming Honorary Oscar winners with a few pieces on their career.

“And you will know my name is the Lord when I lay my vengeance upon thee.”

by Lynn Lee

If Jungle Fever (1991) put Samuel L. Jackson on Hollywood’s map, Pulp Fiction (1994) made him a star.  With his jheri curl helmet, glowering eyes, and stentorian voice, Jackson’s gun-toting, Bible-quoting Jules Winnfield became an instant icon.  At least, it wasn’t long before high school and college boys of the mid to late ’90s were sporting “BAD MOTHERFUCKER” wallets and reciting his “path of the righteous” speech – without, of course, anything resembling SLJ’s diction or élan.

It wasn’t just him, of course...

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To Uma on her 50th Birthday

Happy 50th Uma!by Mark Brinkerhoff 

There is the world before Uma Thurman, and the world after Uma Thurman—or at the very least for the world of actressexuals (unite!). A movie star like no other, her origins are almost as mythical as her stature. The daughter of an erstwhile Buddhist monk and a former high-fashion model—I kid you not—Uma, as mononymous as any great, was born on this date in 1970 and lived mainly in the rural environs of interior New England and upstate New York (Woodstock, to be exact).

 

A self-described awkward, introverted child, she nonetheless cut an arresting figure, catching the acting bug early. She followed in her mother’s footsteps as a professional model starting at the tender age of 15. 

 

Uma's early Vogue cover. Shot by Patrick "We have Patrick" de Marchelier

 

Soon enough she landed in magazines and on the cover—twice—of British Vogue, where her Amazonian proportions and striking visage were put to effective, glam ‘80s use...

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The first Oscars I lived through

by Cláudio Alves

Throughout my life, I've always had trouble remembering numerical data, be it phone numbers or birthdays. Curiously enough, that never stopped me from being able to memorize movie's release years or various tidbits of Oscar trivia. That's why I started associating Best Picture winners to people's ages, to remember them. Some people have astrology; I have the Oscars. For instance, my sisters are Terms of Endearment, Dances with Wolves and Gladiator and my parents are West Side Story and The Sound of Music.

Although, maybe I shouldn't have chosen such a systemsince I've always detested my Best Picture, which won the Oscar precisely 25 years ago today. It was none other than 1994's maudlin hymn to political passivity and dumb luck known as Forrest Gump…

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Soundtracking: Tarantino's Best Song Cues

by Chris Feil

A new Tarantino film brings with it a new batch of expected side dishes: takedowns, hyperboles, talk of Oscar potential. As for the content of the film itself, Quentin Tarantino never fails to deliver a distinct musical prowess along with the zippy dialogue and ironic violence. A dancing Leonardo DiCaprio and a groovy Margot Robbie from the trailers already promise that Once Upon a Time... in Hollywood will be no exception. Before we get to that film, let’s look back at the best song cues from Tarantino’s films...

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Smackdown '94 Finale: "Pulp Fiction" and "Bullets Over Broadway"

THE SMACKDOWN IN THREE PARTS
• Written Blurbs & Reader Votes
• Podcast Pt 1: Tom & Viv and The Madness of King George
...and now the finale!

FINALE (40 MINUTES)
The group discusses Jennifer Tilly's outrageous comic triumph in Bullets Over Broadway and why the Broadway musical adaptation didn't work. We also revisit the cultural impact of Quentin Tarantino's Pulp Fiction and Uma's place in its success. Other films briefly discussed: Three Colors: Red and Natural Born Killers. Nathaniel thanks this month's terrific panel: Erik Anderson, Nick Davis, Itamar Moses, and Alfred Soto!

You can listen to the podcast here at the bottom of the post or download from iTunes. Continue the conversations in the comments, won't you? 

Bullets Over Broadway, Pulp Fiction