Oscar Volley: Who will win Song & Score?

by Team Experience

NATHANIEL R: Hello Matt, Eurocheese, and our special guest Thomas Mizer, who has guest blogged here before and who is an Emmy-nominee as a lyricist for The Marvelous Mrs Maisel. We won't ask Tom to sound off on the Best Song nominees (too close to home) but we do need his input on Best Original Score. In fact, I personally need all of your input on Original Score. I recognize fully that Scores are way up there with Editing in how they can make or break a movie, but unlike with editing (which I am fairly well versed in), I am not particular adept at noticing what composers are doing or how they're doing it. I hate to admit this because I love Nicholas Britell's work (generally speaking) but I honestly didn't realize Don't Look Up had a score. I thought while watching it that it was mostly song cues and dialogue. So I need your collective help. Who are you rooting for and why and who do you think might win? 

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Oscar Volley: Should music be judged outside of the film for Best Original Score?

Continuing our Oscar Volley series at The Film Experience. Abe Friedtanzer and Timothy Lyons on Best Original Score

Abe Friedtanzer: The Best Original Score category is an interesting one since we have only fifteen films left in consideration, which in one way is great because it's a smaller field from which to predict but also means that some terrific soundtracks are no longer in contention. I like to take the opportunity to listen to as many of the scores as I can after I see the films, to see if there's anything I pick up on or enjoy more as I hear them in a different context. This year, that has been beneficial for a film I didn't love, Don't Look Up, since Nicholas Britell's orchestrations really are a marvel, and also for Being the Ricardos, which reminded me that Daniel Pemberton's music drove the rhythm of the story just as much as Aaron Sorkin's script. I'm also intrigued by the inclusion of Candyman on the finalist list. I generally avoid horror films but the score is quite haunting. There's no chance it shows up, but it's good to see that voters are at least listening to a variety of films! My main issue has been with The Harder They Fall, a film I liked a lot but where I have trouble differentiating between score and song. That's also true for Encanto.

Do you think songs are a disadvantage or actually more likely to get voters to give the music love?  

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Original Score Oscar Finalists: Listen to the Soundtracks

By Abe Friedtanzer

The fifteen finalists for Best Original Score are here, and I always enjoy this time of year because I have a constant playlist going whenever I’m not watching something so that I can familiarize myself with all the cited scores. I had hoped Benedetta (listen to this track) would make the finalist list, and also thought that Last Night in Soho (here’s the main theme) would be here, but overall it’s a decent list and worth indulging in to choose your five favourites. But for now, check out a track from (almost) every shortlisted film as well as some relevant stats for the composer behind them. For reference: a composer appearing twice on this list is not uncommon. Trent Reznor and Atticus Ross beat themselves last year, triumphing for Soul (with Jon Batiste) over Mank...

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Dune, review: when a dream comes true

by Elisa Giudici

Dreams are messages from the deep. This line from Denis Villeneuve's adaptation of Frank Herbert's SF novel perfectly describes the seductive dangerous power of dream we've cherished for a very long time begin to come true. Villeneuve is one of many directors of a generation that grew up reading Frank Herbert visionary sci-fi novels about messianic leadership and predestination, colonization and contamination of an alien world and culture, and the dangers of mixing politics and religion (to name only a few of the main themes of the Dune novels).

He was well aware of how insidious it can be to work on something that's long been on the back of your mind and your abmition for decades. "I talked for hours with Hans Zimmer about the possibility (a long time dream for both of us), trying to understand if it wasn't advisable to let our dream remain in our heads"...

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The first Oscars I lived through

by Cláudio Alves

Throughout my life, I've always had trouble remembering numerical data, be it phone numbers or birthdays. Curiously enough, that never stopped me from being able to memorize movie's release years or various tidbits of Oscar trivia. That's why I started associating Best Picture winners to people's ages, to remember them. Some people have astrology; I have the Oscars. For instance, my sisters are Terms of Endearment, Dances with Wolves and Gladiator and my parents are West Side Story and The Sound of Music.

Although, maybe I shouldn't have chosen such a systemsince I've always detested my Best Picture, which won the Oscar precisely 25 years ago today. It was none other than 1994's maudlin hymn to political passivity and dumb luck known as Forrest Gump…

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