Split Decision: “Dune: Part Two”

In the Split Decision series, two of our writers face off on an Oscar-nominated movie one loves and the other doesn't. Today, Cláudio Alves and Lynn Lee discuss Dune: Part Two...

CLÁUDIO ALVES: As far as the Best Picture Oscar race is concerned, sequels are quite the rarity. Early year releases are even rarer. Yet, Dune: Part Two made it into the Academy's top ten, scoring four additional nominations - Cinematography, Production Design, Visual Effects, and Sound. Sure, by this metric, it pales in comparison to Part One, with its double-digit nods and six wins. But it's still a remarkable achievement. To be honest, I had a much better time with the sequel than with its predecessor. Part of it concerns a better grasp of what Villeneuve is doing in his adaptation of Frank Herbert's magnum opus, observing people as grains of sand in the winds of an imagined history rather than as characters. It's about the tragedy of going beyond personhood and the labor of building mythos and monuments, which results in a cold, mural-like cinematic experience that feels more coherent than its first chapter made it seem. In its alienation, I saw a purpose I didn't find in 2021.

I gather you had a different experience, Lynn. How does Dune: Part Two compare to Part One in your book?

LYNN LEE: It's funny, Cláudio - I completely agree with your assessment of what Part Two is doing, only to have the exact opposite response! To be clear, I don't hate or even dislike the film.  Quite the contrary.  I admire Villeneuve's craftsmanship and commitment to his (and I think Herbert's, though I haven't read the books) vision of Dune as ur-myth.  However, its coldness...what can I say?...left me cold.  Its alienation alienated me…

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Review: "Dune: Part Two" is more History than Story

by Cláudio Alves

Denis Villeneuve's second Dune movie isn't a sequel, not quite. As the full title implies, it's part two of one madman's attempt at transcribing Frank Herbert's seminal space opera on the big screen. And so, it starts almost at the exact point the 2021 film ended, with Timothée Chalamet's Paul Atreides seeking refuge among the Fremen after his Great House was dilacerated in a violent coup. The body of Jamis, the man Paul killed in ritual duel, is still fresh and carried by Stilgar's tribesmen as they guide the princeling and his mother, Lady Jessica, to the underground warren of Sietch Tabr. A prophecy is at stake, and enemy troops aren't nearly as deadly as the dangers waiting for them in the planet-sized desert.

Dread is everywhere, overwhelming, sticking in the throat until it feels like you're already being suffocated by the film before its epic imagery can get a chance to crush you. Villeneuve has done it again…

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Ranking Roger Deakins' Oscar Nominations

by Cláudio Alves

Roger Deakins on the set of EMPIRE OF LIGHT | © Searchlight Pictures

Since two categories merged into one, no director of photography has amassed as many Oscar nominations as Roger Deakins. The British cinematographer earned his 16th nod this year for Sam Mendes' Empire of Light, having previously won for 1917 and Blade Runner 2049. His career spans continents and six decades, encompassing projects as varied as a Marvin Gaye video clip and pioneering work in animated cinema. What started as an early interest in the possibilities of digital filmmaking has turned into a veritable pursuit of innovation, bringing classic technique to virtual spaces. A visionary, a pioneer, a living legend, Roger Deakins is one of a kind.

To celebrate the master, let's look back at his many Oscar nominations, ranking them along the way. After all, in times of awards fever, everyone loves a good list…

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What's next for this season's Oscar-celebrated directors?

Tis the post-season to wonder about next season... and the seasons after that. While Will Packer, ABC, and the Academy continue to try to dull our love for Oscars, they could never dull our love for the movies themselves. So let's look at what this year's most celebrated filmmakers are up to next. We'll take them in alpha order...

PAUL THOMAS ANDERSON
PTA, who turns 52 this June, has 11 nominations to his name but no Oscar yet since he just lost his Licorice Pizza directing and writing bids. Generally he takes quite a long time between films though he tends to stay busy inbetwen directing music videos (the latest is Haim's "Lost Track"), fatherhood  since he and Maya Rudolph have four children between the ages of 10 and 17 (one assumes that keeps them busy) and, we hope, tinkering on script ideas. So who knows!?

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Oscar Volley: Can anyone beat Jane Campion? Or, rather, who is in second place?

Team Experience is discussing the various Oscar categories. Here's Mark Brinkerhoff and Timothy Lyons to discuss Best Director

MARK BRINKERHOFF: There's only a few days left of Oscar voting. So, in the spirit of balloting, let’s settle something when in comes to one of this year’s presumably more predictable categories: Best Director. And the 2021 nominees are...

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