Review: "Christopher Robin"

by Chris Feil

Off in the Hundred Acre Wood, Winnie the Pooh and friends haven’t changed all that much over the decades. Our Christopher Robin however is all grown up in the real world, having lost his father at a young age before fighting in the war and never returning to visit his childhood daydream oasis. Like the rest of us, he’s grown rigid in adulthood while the rest of the beloved characters remain made of plush.

With Ewan McGregor taking on the adult Christopher, his namesake film presents something as soft as his friends in both its demeanor and its substance. Unlike its recent live action Disney brethren, this film follows its own narrative and is free to explore the characters as it sees fit. And yet it chooses the most obvious one, turning Christopher into an overworked businessman devoting more of his energy to his job than his wife and daughter. Send in Pooh’s implacable chill to play savior to his once kneesocked companion’s soul.

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Live Action Christopher Robin Flick Coming Your Way

Manuel here with news of what has to be the curious-est film in Disney's quite crowded animation-to-live-action slate of films. As we await the carbon-copy version of Beauty and the Beast and keep worrying that somehow the execs will manage to screw up the upcoming Mulan feature film, news broke last week that the Mouse House had tapped Marc Forster (World War Z, Quantum of Solace) to direct Christopher Robin. 

Yes, Winnie the Pooh's Christopher Robin is getting the live-action fantasy film treatment. (This is not to be confused with the current filming A.A. Milne biopic.) Here's the brief description of the project:

The story catches up with Christopher Robin – the character based on author A. A. Milne’s son, Christopher Robin Milne – as an adult who has grown out of the joyful imagination he had as a child. Now a businessman, he prioritizes his work life over his wife and daughter, and must find his inner child once again.

I know I'm supposed to get Finding Neverland vibes (given Forster's involvement) but I also couldn't help think back to this year's The Little Prince which also aimed to reimagine a beloved childhood favorite into a meta-story about finding one's inner child-like wonder. Though, perhaps the most curious thing about the entire project is its screenwriter: Alex Ross Perry. Yes, that Alex Ross Perry.

Can the Queen of Earth and Listen Up Phillip screenwriter manage to make this cloying-sounding project have the edge it might need to set itself apart? Or is this (yet another) craven cash-grab by a studio intent on pilfering all of its properties?