Months of Meryl: Music of the Heart (1999)

John and Matthew are watching every single live-action film starring Meryl Streep. 

#27 — Roberta Guaspari, a real-life violinist and instructor who brought music education to the classrooms of Harlem.

MATTHEW:  One of the pitfalls that tends to come with occupying such a prominent position in the highly public realm of moviemaking is a gradual inability to disappear into the most straightforward of roles. I’m not talking about the magical acts of self-vanishing that allow Daniel Day-Lewis to seemingly become figures as disparate as Bill the Butcher and Abraham Lincoln nor the larger-than-life personas achieved through virtuosic, full-scale deglamorizations by the likes of Elizabeth Taylor and Charlize Theron, but rather the everyday characters who may achieve great things but whose lives are decisively rooted in reality, their appearances neither remarkable nor particularly conspicuous. No matter how hard a performer tries to shed her star persona and immerse herself in distinctly un-Hollywood settings, it is often up to us, the viewers, to forget everything we know about a star in order to actually believe her as, more or less, one of us...

Click to read more ...

Months of Meryl: One True Thing (1998)

John and Matthew are watching every single live-action film starring Meryl Streep. 

 

#26 — Kate Gulden, a suburban wife and mother dying of cancer.

JOHN: Here’s one true thing: Carl Franklin’s One True Thing is neither a Lifetime movie, an extended soap opera, nor a “chick-flick.” One True Thing is, in fact, a melodrama centered around a middle-aged woman dying of cancer, embellished with music and openly soliciting your tears. The maternal melodrama, a genre which Streep has revisited frequently, remains near the bottom of the genre totem pole, regularly maligned and dismissed by critics for all their attributes: it is proudly emotional, scored and scripted to produce waterworks, and an undisguised movie, unconcerned with presenting realism through its formal elements. One True Thing, like most contemporary maternal melodramas, is familiar and stylistically plain, and the film is admittedly hampered by a hackneyed framing device, but it also takes seriously issues central to women’s lives, exploring a mother-daughter relationship and issues of long-term marriage, especially the concessions made and female labor expended in keeping a household running smoothly. One True Thing deserves to be taken as seriously as Saving Private Ryan or any other masculine meditation on violence released in 1998. To immediately write off the film, and the genre to which it belongs, is to devalue and belittle the feminine concerns it explores...

Click to read more ...

Months of Meryl: Marvin's Room (1996)

John and Matthew are watching every single live-action film starring Meryl Streep. 

 

#24 —Lee, a frazzled single mom and aspiring hairdresser who reunites with her ailing sister.

JOHN: Marvin’s Room begins with a slow outward zoom of assorted pill bottles and other medical paraphernalia scored to whimsically upbeat music that immediately establishes the film’s split personality between dysfunctional family comedy and sentimental illness drama. We soon learn that the titular Marvin is the bedridden and near-death father of Bessie (Diane Keaton) and brother of Ruth (Gwen Verdon), three members of a looney Floridian family. No sooner than Marvin’s illness and medical routine is introduced, Bessie is herself diagnosed with leukemia by Dr. Robert De Niro (who also produced the film). He recommends that Bessie's family members be tested for a possible bone marrow transplant. This diagnosis is the film’s engine, reuniting her with her sister Lee (Meryl Streep) and nephews Hank (Leonardo DiCaprio) and Charlie (Hal Scardino), bridging a twenty year gap between this estranged family...

Click to read more ...

'We're gonna score-ore-ore tonight. We're gonna score-ore-ore to-niii-ight 🎵'

omg. Big Little Lies went bowling! Okay so who won? Who was throwing gutter balls? And who was pulling off miraculous spares? Who sang a bar from Grease 2's "Score Tonight"? Your theories in the comments please!

Months of Meryl: The Bridges of Madison County (1995)

John and Matthew are watching every single live-action film starring Meryl Streep. 

#22 — Francesca Johnson, an Italian war bride-turned-American housewife who falls in love with a visiting photographer.

JOHN: Francesca Johnson (Meryl Streep) is sipping a beer in a bathtub while a charming stranger waits for her to eat dinner downstairs. Francesca’s husband and two children have left for a trip to the Iowa state fair, but her few days of solitude have been quickly interrupted by the welcome arrival of Clint Eastwood’s Robert Kincaid, a travelling National Geographic photographer on assignment to shoot Madison’s quaint covered bridges. With her brunette bangs and stray wisps of hair dangling out from her updo, Streep lounges in the bath, watching the water from the shower head above drip down into her hands. Robert has just showered, and, in voiceover, Francesca relates the eroticism of the moment, their sharing the bathtub only minutes apart. Streep’s face has never looked more assured and aroused, even as she’s unsettled by the seismic consequences of this romance. The simultaneous thrill and troubling implications of the moment flicker on Streep’s face as she loses herself in thought, already foreseeing the end of this brief encounter while testing the boundaries between her desires and responsibilities.

In this scene, the magnificence of Streep’s performance elevates this admittedly soapy and conventional tale into the pantheon, a brilliant fusion of Francesca’s subjectivity given weight by a generous filmmaker and imbued with soul-shaking truth by a master performer...

Click to read more ...