Prime in October: Pushing Daisies, Gods and Monsters, The Cell

Time to play Streaming Roulette. Each month, to survey new streaming titles we freeze frame the films at random places with the scroll bar and whatever comes up first, that's what we share. No cheating.  What does Amazon Prime offer us for free viewing this month? Let's survey...

Wasn't your old dog named Digby?

Pushing Daisies (Seasons 1 and 2)
In case you wanted something actually worth binge-watching. This series is so perfect, from its macabre plots, to its quirky romance, to its colorful design, through its curiously moving musical numbers. I miss it so much. Maybe we should watch the entire series again?

Click to read more ...

Showbiz History: Rita & Orson, Keira's Karenina, and an Emmy boycott

6 random things that happened on this day, September 7th, in showbiz history

1940 Dario Argento is born in Rome. He goes on to fame as the director of stylish thrillers and horror movies, and to father actress/director Asia Argento. We're about to get the remake of his best known feature Suspiria.

←  1943 Movie stars Rita Hayworth and Orson Welles marry (though various internet sources seem to disagree on the date, sometimes September 9th is cited). They're both fresh stars in their twenties at the time having broken out in 1941 with The Strawberry Blonde and Citizen Kane respectively. The marriage will last for five years. I've urged you many times over the years to see the trans documentary Prodigal Sons which has an amazing connection to Welles & Hayworth...

Click to read more ...

Months of Meryl: One True Thing (1998)

John and Matthew are watching every single live-action film starring Meryl Streep. 

 

#26 — Kate Gulden, a suburban wife and mother dying of cancer.

JOHN: Here’s one true thing: Carl Franklin’s One True Thing is neither a Lifetime movie, an extended soap opera, nor a “chick-flick.” One True Thing is, in fact, a melodrama centered around a middle-aged woman dying of cancer, embellished with music and openly soliciting your tears. The maternal melodrama, a genre which Streep has revisited frequently, remains near the bottom of the genre totem pole, regularly maligned and dismissed by critics for all their attributes: it is proudly emotional, scored and scripted to produce waterworks, and an undisguised movie, unconcerned with presenting realism through its formal elements. One True Thing, like most contemporary maternal melodramas, is familiar and stylistically plain, and the film is admittedly hampered by a hackneyed framing device, but it also takes seriously issues central to women’s lives, exploring a mother-daughter relationship and issues of long-term marriage, especially the concessions made and female labor expended in keeping a household running smoothly. One True Thing deserves to be taken as seriously as Saving Private Ryan or any other masculine meditation on violence released in 1998. To immediately write off the film, and the genre to which it belongs, is to devalue and belittle the feminine concerns it explores...

Click to read more ...